Djent

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Djent /ˈɛnt/[1] is a style of heavy metal music that developed as a spinoff of traditional progressive metal.[2][3] The word "djent" is an onomatopoeia for the distinctive high-gain, distorted palm-muted guitar sound employed by bands like Meshuggah. The term was initially coined by their lead guitarist, Fredrik Thordendal. Typically, the word is used to refer to music that makes use of this sound, to the sound itself, or to the scene that revolves around it.[4]

Development[edit]

The Swedish band Meshuggah are considered the originators of the djent technique.[4] However, the scene itself developed from an online community of home recording enthusiasts including Misha Mansoor whose success with Periphery brought djent "from the virtual world into the real one."[4] Other important bands in the development of the style are Animals as Leaders,[3] TesseracT,[5][6][7] Textures,[8] & Volumes. The scene has grown rapidly[9] and members of the original online community, including the bands Chimp Spanner, Gizmachi, and Monuments, have gone on to tour and release albums commercially.[4][10]

Characteristics[edit]

Djent as a style is characterized by progressive, rhythmic, and technical complexity.[7] It typically features heavily distorted, palm-muted guitar chords, syncopated riffs[4] and polyrhythms alongside virtuoso soloing.[2] Another common feature is the use of extended range seven or eight-string guitars.[11]

Reception[edit]

Some members of the metal community have criticized the term 'djent', either treating it as a short-lived fad, openly condemning it, or questioning its validity as a genre. Post-metal band Rosetta said: "Maybe we should start calling doom metal 'DUNNN'."[12] In response to a question about 'djent', Lamb of God vocalist Randy Blythe stated: "There is no such thing as 'djent,' it's not a genre."[13] In an interview with Guitar Messenger, Periphery guitarist Misha Mansoor said:

I was looking for gear that was djenty. I was like: ‘Are these pickups djenty?’ For some reason it caught on, but completely in the wrong way, because people think it's a style of music and they think it's a style of music I play.[14]

In a later interview with Freethinkers Blog, Misha Mansoor stated that he felt djent had become "this big umbrella term for any sort of progressive band and also any band that will [use] off-time chugs [...] You also get bands like Scale the Summit [who are referred to as] a djent band [when] eighty percent of their stuff sounds like clean channel and it's all beautiful and pretty, you know [...] In that way I think it's cool because it groups really cool bands together [...] We are surrounded by a lot of bands that I respect, but at the same time I don't think people know what djent is either [...] It's very unclear." Later in the interview he stated, "If you call us djent that's fine, I mean I would never self apply the term. But at the same time it's just so vague that I don't know what to make of it."[15]

During an interview with got-djent.com, Sybreed guitarist Thomas "Drop" stated: "First, I don't really like the term 'djent'. It doesn't sound like 'djent-djdjdjent', more sounding like a mad duck, 'quack-quaquaquack'."[16]

Tosin Abasi of Animals as Leaders also takes a more lenient view of the term, stating that there are specific characteristics that are common to "djent" bands, therefore implying legitimate use of the term as a genre. Whilst stating that he personally strives not to prescribe to genres, he makes the point that a genre is defined by the ability to associate common features between different artists. In this way, it is possible to view djent as a genre describing a particular niche of modern, progressive metal.[17]

References[edit]

  1. ^ Stickler, John (28 February 2011). "You Me At Six, All Time Low, Sum 41, House Of Pain & More Added To Sonisphere Knebworth Line-Up". Stereoboard.com. Retrieved 17 October 201. 
  2. ^ a b Bowcott, Nick (26 June 2011). "Meshuggah Share the Secrets of Their Sound". Guitar World. Future US. Retrieved 17 October 2011. 
  3. ^ a b Angle, Brad (23 July 2011). "Interview: Meshuggah Guitarist Fredrik Thordendal Answers Reader Questions". Guitar World. Future US. Retrieved 17 October 2011. 
  4. ^ a b c d e "Djent, the metal geek's microgenre". The Guardian. 3 March 2011. Retrieved 26 June 2011
  5. ^ GuitarWorld Staff Member (16 March 2011). "TesseracT Unveil New Video". Guitar World. Future US. Retrieved 17 October 2011. 
  6. ^ Rivadavia, Eduardo. "One". Allmusic. Rovi Corporation. Retrieved 17 October 2011. 
  7. ^ a b Rivadavia, Eduardo. "Concealing Fate". Allmusic. Rovi Corporation. Retrieved 17 October 2011. 
  8. ^ Bland, Ben (3 October 2011). "Textures - Dualism (Album Review)". Stereoboard.com. Retrieved 17 October 2011. 
  9. ^ Colgan, Chris (24 June 2011). "Born of Osiris: The Discovery". PopMatters. Retrieved 19 October 2011. 
  10. ^ "TESSERACT’S ACLE ON THE BIRTH OF TESSERACT AND THE DJENT MOVEMENT". Metalsucks. Metalsucks. Retrieved 8. 
  11. ^ Kennelty, Greg. "Here's Why Everyone Needs To Stop Complaining About Extended Range Guitars". Metal Injection. Retrieved 8 March 2014. 
  12. ^ "What is your opinion of Djent?". http://rosettaband.com. Retrieved 29 November 2011. 
  13. ^ Blythe, Randy. "Lamb of God's Randy Blythe on Djent". http://www.smnnews.com. Retrieved 29 November 2011. 
  14. ^ Mansoor, Misha. "MARC OKUBO (VEIL OF MAYA) & MISHA MANSOOR (PERIPHERY) INTERVIEW". http://www.guitarmessenger.com. Retrieved 7 March 2012. 
  15. ^ "Periphery interview part 3 of 3." FreethinkersBlog. 19 Feb. 2012. Web. 28 Aug. 2013. <http://www.youtube.com/watch?v=8bE0Q_9nQ9U>.
  16. ^ Betrisey, Thomas. "Got-djent.com Video interview with Sybreed". http://www.got-djent.com. Retrieved 10 June 2012. 
  17. ^ Abasi, Tosin. "Tosin Abasi's Opinon of Djent". Retrieved 2013-03-17. 

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