Dogeaters

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This article is about the Jessica Hagedorn novel. For Jesse Lee Kercheval book, see The Dogeater.
Dogeaters
Author Jessica Hagedorn
Cover artist Stephanie Bart-Horvath
Country United States
Language English
Genre Novel
Publisher Pantheon Books
Publication date
March 1990
Media type Print (Hardback & Paperback)
Pages 251 pp (first edition, hardback)
ISBN ISBN 978-0-394-57498-1 (first edition, hardback)
OCLC 20056281
813/.54 20
LC Class PS3558.A3228 D64 1990

Dogeaters is a novel written by Jessica Hagedorn and published in 1990. Hagedorn also adapted her novel into a play by the same name.[1] Dogeaters, set in the late 1950s in Manila (the capital of the Philippines), addresses several social, political and cultural issues present in the Philippines during the 1950s.

The title is a common derogatory term referring to Filipino natives who supposedly eat dogs instead of pork or chicken. The term reflects attitudes within Filipino culture and attempts to become more westernized.

Plot summary[edit]

Dogeaters follows the stories of several characters in the Philippines, including members of the Alacran, Avila and Gonzaga families. A dictator rules the country. However, leftists are challenging his authority and his actions, resulting in great turmoil and violence. The book begins with lengthy introductions and character descriptions. Rio Gonzaga plays the role of narrator for her family; other important characters are introduced through a third person narrator, such as the wealthy Severo Alacran, and his wife Isabel. The contrast between the upper-class lives of the Gonzagas and Alacrans and the poorer characters portrays the disparity amongst the different classes in Filipino society. Another narrator is Joey Sands, a local DJ at a gay club and a male prostitute. The book also explores the relationship between aspiring actor Romeo Rosales and Trinidad Gamboa. Despite the beliefs of many Filipinos, the lives of actresses such as Lolita Luna are not glamorous, but are instead a spiraling trap of drugs and sexual exploitation.

The novel intertwines these characters and stories through a series of events, including the "Young Miss Philippines" annual pageant, the Manila International Film Festival, and the assassination of human rights activist Senator Domingo Avila. Daisy Avila, the Senator's daughter, wins the beauty pageant, but instead of rejoicing in her victory, she becomes depressed and withdraws into her family home. She later publicly denounces the pageant, enters into a tumultuous relationship with foreign banker Malcolm Webb and then gets involved with political leftist Santos Tirador.

Meanwhile, the collapse of a cultural center during construction for the film festival kills many Filipino workers. The First Lady orders cement to be poured over the bodies and the continuation of construction. Rainer, a German director visiting for the film festival, convinces Joey to stay with him for the week that he is there. On the last day, Joey steals money and drugs from Rainer and witnesses Senator Domingo Avila's assassination. Joey ends up escaping to a rebel camp in the mountains. There, he meets Daisy Avila, who has been raped and tortured by General Ledesma and his military men as a result of her relationship with Santos, and hopes her sister and mother have escaped the country. It is revealed that Romeo has been framed for Senator Avila's assassination.

Rio then narrates the rest of the story, explaining the life stories of her family members.

Characters[edit]

Major Characters[edit]

Rio Gonzaga: the first narrative voice in the novel, which sets the tone for the entire book. In the beginning, she reveals her thoughts and fantasies as a ten-year-old girl. While Rio belongs to the upper class, she has compassion for the lower class. Consequently, she enjoys the company of her grandmother and all the servants. Later, Rio leaves from Manila to the United States with her mother and only revisits her childhood home as an adult.

FAG, Pucca: Rio's cousin. She enjoys being the center of attention and craves a glamorous life. Although she marries Boomboom Alacran, a wealthy man with good connections, the marriage doesn't last.

Severo Alacran: a self-made man who owns corporations such as TruCola Soft Drinks and SPORTEX. He controls interests in Mabuhay Movie Studios. He has many mistresses including Lolita Luna and sleeps with many of his servants.

Isabel Alacran: Severo Alacran's wife and a former beauty queen.

Rosario "Baby" Alacran: Severo and Isabel's daughter. Unlike her mother, she is plump, shy, and awkward. At 17, she gets pregnant and elopes with Pepe Carreon.

Daisy Avila: a beauty pageant queen. After winning the title of Miss Philippines, she publicly denounces the pageant and becomes involved with political leftist Santos Tirador. Consequently, Daisy is arrested, raped and tortured by General Ledesma and his military men. She later becomes a refugee in the mountains.

Joey Sands: a gay prostitute who works as a DJ at CocoRico. After he witnesses the assassination of Senator Avila, he hides out at Uncle's shack and eventually has help from Boy-Boy to escape the law.

Uncle: adopted Joey after his prostitute mother abandoned him. Uncle teaches Joey the art of stealing and abuses him sexually. Later, he betrays Joey by attempting to sell him out to the authorities.

Orlando (Romeo) Rosales: a self-absorbed man who believes his beauty will grant him fame. In an attempt of pursuing an acting career, he decides one day to end his amorous relationship with Trinidad. On that day, he is mistaken for someone in a group of subversives based in the Cordilleras. Orlando is fatally shot and thus becomes part of the aftermath of the Senator’s assassination.

Minor Characters[edit]

Andres Alacran: the homosexual owner of CocoRico, a prestige bar that attracts many foreigners and famous people.

Boy Boy: an orphan also taken in by Uncle. During the assassination scandal, Boy Boy helps Joey escape from Uncle and the police.

Sergeant Planas: works for Pepe Carreon and is Uncle's contact in the government. Uncle attempts to betray Joey through the Sergeant.

The President and The First Lady: a corrupt dictator and his wife. Their names are never explicitly mentioned, though there are several allusions to Ferdinand Edralin Marcos and his wife, Imelda Romualdez Marcos. For example, the First Lady's "cultural center"[2] has similarities to the Cultural Center of the Philippines commissioned by Marcos. In an interview in last part of the book, the First Lady discusses her shoes, likely a direct reference to Imelda Marcos's extensive shoe collection.

General Ledesma: a powerful figure who cheats on his wife with the famous movie star Lolita Luna.

Lolita Luna: a famous movie star known for her sexuality and magnificent body. She uses her fame to manipulate powerful men like General Ledesma. She wishes to leave the Philippines for the United States.[3]

Pepe Carreon: works with General Ledesma. He later elopes with Baby Alacran.

Rainer: a famous German director. He has a short relationship with Joey Sands.

Senator Domingo Avila: a politician and human rights activist labeled a leftist by the government. His assassination becomes a great mystery since it is unclear who shot him.

Trinidad Gamboa: a sales associate at SPORTEX who enjoys being associated with the prestigious and wealthy. She dates Romeo.

Cora Camacho: the star of a popular television show; she interviews important figures such as Severo Alacran and Daisy Avila.

Major themes[edit]

Dictatorship vs. Anarchy One theme is the clash between dictatorship and anarchy. The President and the First Lady have a foreboding presence throughout the novel that contrasts with the human rights activist Senator Domingo Avila; the Senator protests "crimes against the people" and is thus labeled a "leftist" by the government.[4] Avila's assassination and the resultant coverup that implicates the innocent Romeo[5] demonstrates the government's oppressive nature. These events are juxtaposed with an interview with the First Lady who rationalizes the evidence of their corruption and denies that the Filipino government is a dictatorship.[6]

Marriage Another theme is the achievement of social mobility of Filipino women through marriage. Isabel Alacran, for example, marries Severo because of his power and wealth. Likewise, Isabel is a social asset to her husband and her main job in life is to always appear flawless and polished. Pucha also exhibits this mindset for women.

Beauty Another theme is the importance placed on beauty. Rio's mother, Dolores, follows a strict beauty regimen and uses various products and services in order to remain youthful.[7] Joey also epitomizes this theme as he uses his exotic looks to infatuate customers and procure gifts from them.

Religion Religion seems to be an underlying theme as a few key characters are described as extremely religious. For example, General Ledesma’s wife, Leonor, exhibits a monastic lifestyle, with much fasting and prayer, and strives for sainthood.[8] Religion runs so deep in the Gonzaga family that even when Rio's atheist grandfather is dying, the family priest is called.[9] Although Rio does not directly address the role of religion in her life during the novel, in the end she states that her "belief in God remains tentative" and that she "long ago stopped going to church."[10]

American Influence A prevalent theme in the novel is the effect of American influence. Through American movies and music young characters such as Rio and Pucha begin to desire American glamour and its brash style. Filipinos embrace American influence and admire the culture.

Role of Women Within Dogeaters, women are either preoccupied with beauty, as society expects of them, or their education.

Homosexuality Homosexuality is a strong undertone of the novel.

Reception[edit]

When the novel Dogeaters was first published in 1990, the New York Times said that it was written with "wit and originality"[11] Another critic argued that the novel is based on Filipino nationalism. In an interview with Ameena Meer, Hagedorn explains: “a lot of Filipinos were upset about that title. This sense of cultural shame came in. I had intended it as a metaphor. I should have fought the whole idea of trying to explain it, which they did on the book jacket. I didn’t want them to define it and I should have stood by my guns, because it’s been creating more trouble than necessary.” [12] Rachel Lee states that Dogeaters "illustrate[s] the transnational legacy of the United States imperialist practices."[13] The San Diego Union stated, "Hagedorn transcends social strata, gender, culture, and politics in this exuberant, witty, and telling portrait of Philippine society."[14]

Dogeaters won an American Book Award in 1990 and was nominated for the National Book Award in 1991.[15]

Allusions[edit]

The author uses excerpts from other books, poems and speeches within the novel itself or to signify the start of a new section of the novel.

The novel refers to a number of major films:

The novel also refers to a number of iconic American figures:

Actor Page Number
Shirley Temple page 88
Barbra Streisand page 76
Anita Ekberg page 87
Rita Hayworth pages 79 and 87
Audrey Hepburn page 237
Elizabeth Taylor pages 15 and 17
Elvis Presley page 222
Sal Mineo page 51

Publication history[edit]

In 1997, Jessica Hagedorn transformed her book into a play. The play was developed in Utah and first premiered in La Jolla, California on September 8, 1998.[23]

See also[edit]

Notes[edit]

References[edit]