Donald Mitchell (writer)
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Donald Mitchell (born 6 February 1925) is a British writer on music, particularly known for his books on Gustav Mahler and Benjamin Britten and for the book The Language of Modern Music, published 1963.
Mitchell was born in London, and educated at Brightlands Preparatory School and Dulwich College, London. In 1943 he registered as a conscientious objector and his war-time service was spent in the Non-Combatant Corps. After the war, he taught at Oakfield School, London and in 1947 founded and edited the journal Music Survey; several issues appeared before he was joined in 1949 by Hans Keller and the journal was re-launched in the Music Survey's so-called 'New Series' (1949–52), whose uncompromising critical standards and pugnaciously pro-Britten and pro-Schoenberg stance brought it renown and notoriety in equal measure. Mitchell studied at Durham University 1949-50[dubious ]. In the 1950s he was a regular contributor to the journals Musical Times and Musical Opinion. In 1958 he became editor of Music Books at Faber and Faber and in the same year was appointed Editor of Boosey & Hawkes's music journal Tempo, until 1962. From 1963 to 1964 he was a special music adviser at Boosey & Hawkes with particular responsibility for contemporary music and the acquisition of contemporary composers. he was responsible for Peter Maxwell Davies and Nicholas Maw joining the publisher's list. In 1965, with the encouragement of Benjamin Britten he founded the music-publishing firm of Faber Music, and was its first Managing Director (vice-chairman, 1976, chairman, 1977, president, 1988–95). In 1972 he became the first Professor of Music at Sussex University (until 1976). Following the death of Benjamin Britten, Mitchell became a senior trustee of the Britten-Pears Foundation; in 1986 he became the Foundation's director and chairman of the Britten Estate Ltd. From 1989 to 1992 he was chairman of the Performing Right Society.
Mahler and Britten
Mitchell's two major written projects have been a four-volume exploration of the music of Gustav Mahler, and an ongoing edition of the letters of Benjamin Britten, currently running to five volumes, and covering the years up to 1965.
By his own admission, Mitchell's work on Mahler has not been principally as a work of biography (he cites Henry-Louis de La Grange's four-volume work as the standard), but rather a series of extended essays, often personal in nature. Across the four volumes Mitchell also presents analyses of Mahler's work, grouped loosely into early works (vol. 1), Wunderhorn works (vol. 2) and later works (vols. 3 and 4).
- (ed., with Hans Keller): Benjamin Britten: A Commentary on His Works from a Group of Specialists (London, Rockliff, 1952). With drawings by Milein Cosman
- (ed., with H.C. Robbins Landon): The Mozart Companion (London: Rockliff, 1956)
- (ed., with Philip Reed and Mervyn Cooke): Letters From a Life: The Selected Letters of Benjamin Britten. 5 vols., Faber (vols 1-4), Boydell Press (vol 5) 1991–2010
- Britten and Auden in the Thirties: The Year 1936 (Boydell Press, 2nd Ed., 2000)
- Gustav Mahler, Vol. 1: The Early Years. Faber, 1958 (revised with Paul Banks and David Matthews 1978)
- The Language of Modern Music Faber & Faber, 1963, revised 1966, 1969, ISBN 0-571-04934-6
- Gustav Mahler, Vol. 2: The Wunderhorn Years: Chronicles and Commentaries. Faber 1975
- Gustav Mahler, Vol. 3: Songs and Symphonies of Life and Death: Interpretations and Annotations. Faber 1985
- Discovering Mahler. Writings on Gustav Mahler 1955-2005. Boydell Press 2007, ISBN 978-1-84383-345-1
- The Mahler Companion. Oxford, 1999 (online at Google Books)
- Mitchell, Donald Gustav Mahler, Vol. 3: Songs and Symphonies of Life and Death: Interpretations and Annotations. Faber, 1985
- Philip Reed (ed.): On Mahler and Britten. Essays in Honour of Donald Mitchell on His Seventieth Birthday. Aldeburgh Studies in Music Vol. 3. Boydell Press, 1995 (online at Google Books) Contains a Chronology of Mitchell's career to 1995.