Dreadlocks, also called locks, a ras, dreads, or Jata (Hindi), are matted coils of hair. Dreadlocks are usually intentionally formed; because of the variety of different hair textures, various methods are used to encourage the formation of locks such as backcombing. Additionally, leaving long hair to its own devices by not brushing or cutting the hair will encourage it to tangle together as it grows, leading to twisted, matted ropes of hair known as dreadlocks. The latter method is typically referred to as the neglect, natural, organic, or freeform method. A common misconception is that those who have dreadlocks do not wash their hair, but this is usually not the case. Many dreadlock care regimens require the wearer to wash their hair up to twice a week.
Dreadlocks are associated most closely with the Rastafari movement, but people from many ethnic groups have worn dreadlocks, including many ancient Hamitic people of North Africa and East Africa (notably the Oromo of Ethiopia, and the Maasai of northern Kenya); Semitic people of West Asia; Indo-European people of Europe and South Asia (notably the ancient Spartan warriors of Greece, and the Sadhus of India and Nepal); Turkic people of Anatolia and Central Asia; the Sufi Rafaees; and the Sufi malangs and fakirs of Pakistan.
The first known examples of dreadlocks date back to North Africa and the Horn of Africa. In ancient Egypt examples of Egyptians wearing locked hairstyles and wigs have appeared on bas-reliefs, statuary and other artifacts. Mummified remains of ancient Egyptians with locks, as well as locked wigs, have also been recovered from archaeological sites.
Maasai men found in the regions of northern Kenya claim that they have been wearing dreadlocks for as long as they have survived. According to their oral history, the Maasai originated from the lower Nile valley north of Lake Turkana (Northwest Kenya) and began migrating south around the 15th century, arriving in a long trunk of land stretching from what is now northern Kenya between the 17th and late 18th century.. Even today, Maasai men can be found donning their dreadlocks, with a tint of red color from the soil.
The Hindu deity Shiva and his followers were described in the scriptures as wearing "Jataa", meaning "twisted locks of hair". The Greeks and several ascetic groups within various major religions have at times worn their hair in locks, including the monks of the Ethiopian Orthodox Tewahedo Church, the Nazirites of Judaism, Qalandari Sufi's, the Sadhus of Hinduism, and the Dervishes of Islam, among others. The very earliest Christians also may have worn this hairstyle. Particularly noteworthy are descriptions of James the Just, first Bishop of Jerusalem, who wore them to his ankles.
Pre-Columbian Aztec priests were described in Aztec codices (including the Durán Codex, the Codex Tudela and the Codex Mendoza) as wearing their hair untouched, allowing it to grow long and matted.
In Senegal, the Baye Fall, followers of the Mouride movement, a sect of Islam founded in 1887 by Shaykh Aamadu Bàmba Mbàkke, are famous for growing locks and wearing multi-colored gowns. Cheikh Ibra Fall, founder of the Baye Fall school of the Mouride Brotherhood, popularized the style by adding a mystic touch to it. It's important to note that warriors among the Fulani, Wolof and Serer in Mauritania, and Mandinka in Mali and Niger were also known to have dreadlocks when old and cornrows when young for centuries.
All the days of the vow of his separation there shall no razor come upon his head: until the days be fulfilled, in the which he separateth himself unto the LORD, he shall be holy, and shall let the locks of the hair of his head grow.
— Book of Numbers 6:5, KJV
There are many reasons among various cultures for wearing locks. Locks can be an expression of deep religious or spiritual convictions, ethnic pride, a political statement, or be simply a fashion preference. In response to the derogatory history of the term dreadlocks, an alternative name for the style is locks (sometimes spelled "locs").
Africa and the Western World; Caribbean, North and South America
Africans and people of African descent are known to wear this hairstyle. Members of various African ethnic groups wear locks and the styles and significance may change from one group to another.
Maasai warriors are famous for their long, thin, red locks. Many people dye their hair red with root extracts or red ochre. In various cultures what are known as shamans, spiritual men or women who serve and speak to spirits or deities, often wear locks. In Benin the Yoruba priests of Olokun, the Orisha of the deep ocean, wear locks. Another group is the Turkana people of Kenya.
Locks on a Rastafari's head are symbolic of the Lion of Judah which is sometimes centered on the Ethiopian flag. Rastafari's hold that Haile Selassie is a direct descendant of King Solomon and the Queen of Sheba, through their son Menelik I.
Similarly, among some Sadhus and Sadhvis, Indian holy men and women, locks are sacred, considered to be a religious practice and an expression of their disregard for profane vanity, as well as a symbol of their spiritual understanding that physical appearances are unimportant. The public symbol of matted hair is re-created each time an individual goes through these unique experiences. In almost all myths about Shiva and his flowing locks, there is a continual interplay of extreme asceticism and virile potency, which link the elements of destruction and creation, whereas the full head of matted hair symbolizes the control of power. Gangadhara Shiva captures and controls the river Ganges with his locks, whose descent from the heavens would have deluged the world. The river is released through the locks of his hair, which prevents the river from destroying earth. As the Lord of Dance, Nataraja, Shiva performs the tandava, which is the dance in which the universe is created, maintained, and resolved. Shiva's long, matted tresses, usually piled up in a kind of pyramid, loosen during the dance and crash into the heavenly bodies, knocking them off course or destroying them utterly.
Locks in India are reserved nearly exclusively for holy people. According to the 'Hymn of the longhaired sage' in the ancient Vedas, long jatas express a spiritual significance which implies the wearer has special relations with spirits, is an immortal traveler between two worlds and the master over fire:
The long-haired one endures fire, the long-haired one endures poison, the long-haired one endures both worlds. The long-haired one is said to gaze full on heaven, the long-haired one is said to be that light ... Of us, you mortals, only our bodies do you behold. ...For him has the Lord of life churned and pounded the unbendable, when the long-haired one, in Rudra’s company, drank from the poison cup (The Keshin Hymn, Rig-veda 10.136)
The Shaiva Nagas, ascetics of India, wear their jata (long hair) in a twisted knot or bundle on top of the head and let them down only for special occasions and rituals. The strands are then rubbed with ashes and cow dung, considered both sacred and purifying, then scented and adorned with flowers.
Within Tibetan Buddhism and other more esoteric forms of Buddhism, dreadlocks have occasionally been substituted for the more traditional shaved head. The most recognizable of these groups are knowns as the Ngagpas of Tibet. For many practicing Buddhists, dreadlocks are a way to let go of material vanity and excessive attachments.
When reggae music gained popularity and mainstream acceptance in the 1970s, the locks (often called “dreads”) became a notable fashion statement; they were worn by prominent authors, actors, athletes and rappers, and were even portrayed as part of gang culture in such movies as Marked for Death. Dreadlocks aren't always worn for religious or cultural reasons. People may wear them just for "style" which is primarily popular among the youth.
With the Rasta style in vogue, the fashion and beauty industries capitalized on the trend. A completely new line of hair care products and services in salons catered to a White clientele, offering all sorts of dreadlocks hair care items such as wax (considered unnecessary and even harmful by many), shampoo, and jewelry. Hairstylists created a wide variety of modified locks, including multi-colored synthetic lock hair extensions and "dread perms", where chemicals are used to treat the hair.
Locked models appeared at fashion shows, and Rasta clothing with a Jamaican-style reggae look was sold. Even exclusive fashion brands like Christian Dior created whole Rasta-inspired collections worn by models with a variety of lock hairstyles.
In the West, dreadlocks have gained particular popularity among counterculture adherents such as hippies (from the 1990s onwards), crust punks, New Age travellers, and many members of the Rainbow Family. Many people from these two cultures wear dreadlocks for similar reasons, symbolizing a rejection of government-controlled, mass-merchandising culture or to fit in with the people and crowd they want to be a part of. It was/is seen in the hyphy and goth scenes. Members of the cybergoth subculture also often wear blatantly artificial synthetic dreads or "dreadfalls" made of synthetic hair, fabric or plastic tubing.
Since the rise of the popularity of dreadlocks, Blacks in the Americas have developed a large variety of ways to wear dreadlocked hair. Specific elements of these styles include the flat-twist, in which a section of locks are roll together flat against the scalp to create an effect similar to the cornrow, and braided dreadlocks. Examples include flat-twisted half-back styles, flat-twisted mohawk styles, braided buns and braid-outs (or lock crinkles). Social networking websites, web forums, web-logs and especially online video-logs like YouTube have become popular methods for people with dreadlocks to transmit ideas, pictures and tutorials for innovative styles.
Methods of making dreadlocks
Traditionally, it was believed that in order to create dreadlocks, an individual had to refrain from brushing, combing or cutting. This method created dreadlocks that varied greatly in size, width, shape, length, and texture. The method has come to be known as the "neglect" method. Other names for this method include "Organic" or "Patience" methods. Similarly, "Freeform" dreadlocks are created by allowing the hair to knit together naturally into locks of varying sizes. Freeform locks are patterned to a degree, as the hair is pried (not parted, just pulled apart in "chunks") into fairly determined sections after washing.
A variety of other methods have been developed to offer greater control over the appearance and shampooing frequency of dreadlocks. Together, these alternate techniques are more commonly referred to as "salon" or "manicured" dreadlocks. They are also known to damage the hair severely, and cause dreadlocks to break over time, due to unnecessary strain put on the scalp, roots, and hair itself.
The use of beeswax in the creation of new dreadlocks is one such method which is often considered damaging to the hair. Using beeswax to make dreads is seen to be problematic because it wont wash out, due to the high meltingpoint of natural wax, some products introduce an emulsifier to the wax so as to lower the meltingpoint of the wax. That way, once the new dreads reach the locking stage the wax can be removed with hot water and a strong detergent. Because wax is a hydrocarbon, water alone, no matter how hot, will not be able to remove wax.
As with the organic and freeform method, the salon methods rely on one's hair matting over a period of months to gradually form dreadlocks. The difference, however, is in the initial technique by which loose hair is encouraged to form a rope-like shape. Whereas freeform dreadlocks can be created by simply refraining from combing one's hair and occasionally separating matted sections, salon dreadlocks use one of a variety of established hairstyles or tool techniques to form the basis of the dreadlocks.
Salon dreadlocks can be formed by evenly sectioning and styling the loose hair into braids, coils, twists, or using a procedure called dread perming specifically used for straight hair. Backcombing, twist-and-rip, and twist-and-pin are also some of the more popular methods of achieving dreadlocks. The palm-rolling technique, involved in retwisting the roots of highly textured hair, is considered the foundation technique for lock maintenance, but has been shown to irrevocably damage the root system of dredlocks and to lower the longevity of the lock by years. One can also utilize tool techniques such as interlocking, involving a crochet hook to draw the dreadlock through its un-matted root repeatedly in varying directions in order to manually and instantly weave the hairs at the base. The crochet hook is also used to create dreads in straight hair by drawing loose hairs into the body of section of hairs that have been teased together (either by back-combing or irregular plaiting) and maintaining loosened hairs from the resulting dreadlock the same way. Once installed, locks should never be maintained. However, some salons will charge nominal fees to groom every few weeks, typically once a month using either natural or commercial products. This maintenance is not recommended for healthy locks and can cause severe harm. Once the hair is styled into a defined pattern, the locking process occurs as the hairs begin to knot.
"Sisterlocks" and "brotherlocks" are a particular patented genus of dreadlocks created in Afro-textured hair that are installed in needle-thin twists to create very fine locks. "Sisterlocks" or "brotherlocks" are maintained exclusively by tightening the roots, or "new growth" with the latch-hook tool as the tension created by excessive twisting encourages locks to thin and potentially break off. Another method is the rub method which is best used on very short Afro-textured hair by washing the hair in circular motions going in the same direction and also drying the hair (with a towel or fibre cloth or sweater or sponge etc.) in circular motions going in the same direction. This will create tiny neatly parted coils around the head and will grow into small locks resembling sister-locks but with more of a circular coil-like diameter.
Regardless of hair type or texture and method used, dreadlocks require time before they are fully matured. The locking process is continuous as the hairs within the dreadlocks continue to form tighter and tighter knots and the un-matted hairs at the base of each lock continuously begin to follow the pattern of the more mature sections of the lock.
Guinness Book of World Records
On December 10, 2010, the Guinness Book of World Records rested its "longest dreadlocks" category after investigation of its first and only female title holder, Asha Mandela, with this official statement:
"Following a review of our guidelines for the longest dreadlock, we have taken expert advice and made the decision to rest this category. The reason for this is that it is difficult, and in many cases impossible, to measure the authenticity of the locks due to expert methods employed in the attachment of hair extensions/re-attachment of broken off dreadlocks. Effectively the dreadlock can become an extension and therefore impossible to adjudicate accurately. It is for this reason Guinness World Records has decided to rest the category and will no longer be monitoring the category for longest dreadlock."
- "making, growing, maintaining, and understanding dredlocks". Retrieved 16 July 2012.
- Image of Egyptian with locks.
- Egyptian Museum -"Return of the Mummy. Toronto Life - 2002." Retrieved 01-26-2007.
- Glazier, Stephen D., Encyclopedia of African and African-American Religions, Taylor & Francis, 2001, ISBN 0-415-92245-3, ISBN 978-0-415-92245-6, p. 279.
- Berdán, Frances F. and Rieff Anawalt, Patricia (1997). The Essential Codex Mendoza. London, England: University of California Press. pp 149.
- [dead link]
- The Dreadlocks Treatise: On Tantric Hairstyles in Tibetan Buddhism.
- Beeswax Dreadlocks Controversy
- Ways to Make Dreadlocks
- "Afro-textured hair - Wikipedia, the free encyclopedia". En.wikipedia.org. Retrieved 2012-04-19.
- "Longest Dreadlock Record - Rested".
- Kroemer, K. (2001). Ergonomics. Englewood Cliffs: Prentice Hall. ISBN 0-13-752478-1.
- Publius (or Gaius) Cornelius Tacitus (AD98). De vita et moribus Iulii Agricolae
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