Duck Amuck

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Duck Amuck
Merrie Melodies (Daffy Duck) series
Directed by Charles M. Jones
Produced by Eddie Selzer
Story by Michael Maltese
Voices by Mel Blanc
Music by Carl W. Stalling
Animation by Ben Washam
Ken Harris
Lloyd Vaughan
Layouts by Maurice Noble
Backgrounds by Philip DeGuard
Studio Warner Bros. Cartoons
Distributed by Warner Bros. Pictures
The Vitaphone Corporation
Release date(s)  United States February 28, 1953
Color process Technicolor
Running time 6' 53"
Language English

Duck Amuck is a surreal animated cartoon directed by Chuck Jones and produced by Warner Bros. Cartoons. The short was released in early 1953 by The Vitaphone Corporation, the short subject division of Warner Bros. Pictures, as part of the Merrie Melodies series. It stars Daffy Duck, who is tormented by a sadistic, unseen animator (later revealed to be his friend and rival Bugs Bunny) who constantly changes Daffy's location, clothing, voice, physical appearance, and even shape. Pandemonium reigns throughout the cartoon as Daffy attempts to steer the action back to some kind of normality, only for the animator to either ignore him or, more frequently, to over-literally interpret his increasingly frantic demands.

In 1994 it was voted #2 of The 50 Greatest Cartoons of all time by members of the animation field, and was included on Looney Tunes Golden Collection: Volume 1. It was so popular that a Nintendo DS game was made after it.

Contents

[edit] History

Scene from Duck Amuck.

According to director Chuck Jones, this film demonstrated for the first time that animation can create characters with a recognizable personality, independent of their appearance, milieu, or voice. Although in the end, the animator is revealed to be Daffy's friend and rival Bugs Bunny (who famously declares "Ain't I a stinker?"), according to Jones the ending is just for comedic value: Jones (the director) is speaking to the audience directly, asking "Who is Daffy Duck anyway? Would you recognize him if I did this to him? What if he didn't live in the woods? Didn't live anywhere? What if he had no voice? No face? What if he wasn't even a duck anymore?" In all cases, it is obvious that Daffy is still Daffy; not all cartoon characters can claim such distinctive personality.

Duck Amuck is included in the compilation film The Bugs Bunny-Road Runner Movie, along with other favorite Chuck Jones cartoons including What's Opera, Doc?

Mel Blanc performed the voices. It was directed by Chuck Jones with a story by Michael Maltese. The film contains many examples of self-referential humor, breaking the fourth wall.

In 1999 the film was deemed "culturally significant" by the United States Library of Congress and selected for preservation in the National Film Registry. This was the second of three animated shorts by Jones to receive this honor (the others are 1957's What's Opera, Doc? and 1955's One Froggy Evening). Jones has the distinction of being the only director (as of 2006) with three animated shorts in the registry.

The cartoon's plot was essentially replicated in one of Jones' later cartoons, Rabbit Rampage (1955), in which Bugs Bunny turns out to be the victim of the silly animator (Elmer Fudd). A similar plot was also included in an episode of Baby Looney Tunes, only Bugs was the victim, Daffy was the animator, and it was made on a computer instead of a pencil and paper.

In Looney Tunes Comics Issue #94, Bugs Bunny gets his back at Daffy Duck by making him the victim, in switching various movie roles, from Duck Twacy in "Who Killed Daffy Duck," a video game character, and a talk show host, and they always wound up with Daffy starring in Moby Dick (the story's running gag). After this, Bugs comments, "Eh, dis guy needs a new agent."

[edit] Synopsis

Daffy first appears on-screen dressed as a musketeer who as he carries on across the screen, he finds there is no scenery and whispers to the animator to draw some in. However, the animator keeps painting different backgrounds, including a barnyard scene and an arctic winter scene (complete with an igloo), prompting Daffy to change his attire to suit the scene. Eventually, he finds himself with no scenery again and starts to rant at the animator, only to be erased with a pencil rubber.

He is redrawn dressed as a cowboy armed with a guitar, but no sound comes from the guitar when he plays to which Daffy holds up a sign that says "sound please". The animator adds in obscure sound effects for the guitar (like a gun being fired), and later Daffy when he tries shouting at the animator. Daffy flips out and throws a tantrum, finally ending it by screaming "And I've never been so humiliated in all my life!"

More scenery is drawn at Daffy's request, but all it turns out to be is a crudely drawn cityscape. When Daffy asks for it to be in color, he is instead colored in a wacky color scheme of spots and stripes. Daffy shouts "Not me, you slop artist!", is promptly erased except for his head, and is redrawn as a bizarre creature with a flower-shaped head, an amphibian body and a flagpole for a tail; the flag features a picture of a wood screw and a baseball ("screwball"). Daffy sees his reflection in a mirror, freaks out and scolds the animator ("EEK! You know better than that!").

Daffy is erased yet again and redrawn as a sailor, complete with sailor suit and sailor hat. Daffy comments on how he always wished to do a sea epic. However, when Daffy requests some appropriate scenery, the animator paints an island with palm trees and a volcano, and an ocean which Daffy promptly falls into after singing a little sea song. He appears on the faraway island and calls for the animator give him a close-up, but the animator mocks him, first by reducing the scenery frame while keeping Daffy at background distance ("This is a close-up? (pause) A close-up, ya jerk! A CLOSE-UP!"), and then an extreme camera zoom that leaves only Daffy's eyes visible on-screen.

Daffy steps back from the close-up and starts complaining, but he is suddenly bombarded by a black substance from above. The animator draws a stick for him to support it, but it soon breaks and Daffy fights the substance until it engulfs him. He screams and rips it apart. Catching his breath, he demands "Let's get this picture started!", prompting an iris-out to black and a "The End" title card. Daffy pushes the ending scene aside and apologizes to the audience for the problems and starts dancing. The film suddenly slips out of frame, creating two Daffys who get into a fight. One is erased, leaving the other to punch into empty air.

Daffy is suddenly drawn into a World War II-era fighter airplane, which he eagerly flies around. However, the animator paints a mountain onto the screen, causing Daffy to crash into it (offscreen). Daffy leaps to safety with a parachute, which the animator changes into an anvil. This was also a Cartoon Network (United States) bumper. Daffy crashes to the ground and in a dazed phase, recites "The Village Blacksmith", while he hammers the anvil which is repainted as an artillery shell, blowing up Daffy ("Under a spreading chestnut tree, The village smithy stands; The smith, a mighty man is he, with strong and sinewy (boom) ..hands").

Humiliated and enraged, Daffy roars with anger at the unseen artist, demanding to know who he is, and the artist simply blocks out Daffy's cries by painting a door and closing it on him. The scene pans out to reveal Bugs Bunny as the animator, who comments "Ain't I a stinker?".

[edit] Referenced in other works

  • The Bugs Bunny short Rabbit Hood contains a title card similar to this short.
  • The 1955 Chuck Jones short Rabbit Rampage was an alternate version of Duck Amuck, which cast Bugs into the role of beleaguered cartoon character, with Elmer Fudd being the animator.
  • The 1960s short A-Haunting We Will Go, which is a kind of remake of Broom-Stick Bunny has some in-jokes related with Duck Amuck. First, Daffy is again transformed into a flower-faced, spotted, blue, four-legged creature. Later, when Daffy use a parachute, the witch transforms it into an anvil (as the animator did in Duck Amuck) and then impact in the same rock that the animator draw to stop Daffy's plane in Duck Amuck.
  • In a parody of The Terminator printed in issue #3 of the Pinky and the Brain comic book, one change that Brain makes to the Verminator's blueprints results in the Verminator briefly enduring Daffy's transformation.
  • Duck Amuck was referenced in a 30-second short cartoon gag in Johnny Bravo.
  • It was used in the Babylon 5 in the episode "Conflicts of Interest", where Michael Garibaldi was listening to it. This was used for ironic effect, as Garibaldi himself was unknowingly being manipulated by a seemingly-omnipotent force at the time.
  • On the original VHS release of Batman, a short ad for Warner Bros. merchandise was shown featuring both Daffy and Bugs. Throughout the ad, an unseen animator "draws" items such as t-shirts, movie books, and posters (and in classic fashion, when Bugs mentions ties, the animator draws a rope around Bugs, effectively tying him up, to which he response, "that's NECK-ties!"). In the end, Daffy begins to lose his cool, ending in his being erased from the ad by the animator.
Daffy Duck tries to prevent Duck Amuck from fading out.
  • In Baby Looney Tunes, the episode "Duck Reflects" Baby Daffy bothers Baby Bugs by changing his picture.

[edit] See also

[edit] References

  1. ^ gonintendo.com

[edit] External links

Preceded by
Hare Trimmed		 Bugs Bunny Cartoons
1953		 Succeeded by
Bully for Bugs
Retrieved from "http://en.wikipedia.org/wiki/Duck_Amuck"
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