Duncan Fallowell

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Duncan Fallowell is an English novelist, travel writer and critic. He was born in London September 26, 1948. His family later moved to Somerset and Essex before settling in Berkshire. While at St Paul's School[disambiguation needed] he established a friendship with John Betjeman and, through him, links to literary London. In 1967 he went to Magdalen College, Oxford (B.A., M.A., History) where he was a pupil of Karl Leyser, Hugh Trevor-Roper and Howard Colvin. He was also the focus of an esoteric circle experimenting with LSD. While an undergraduate he became a friend of the trans-sexual April Ashley (whose biography he later wrote) and familiar with the 'Chelsea Set' of Swinging London. In 1970, at the age of 21, Fallowell was given a pop column in the Spectator. He was subsequently the magazine's film critic and fiction critic. During the 1970s he travelled extensively in Europe, India and the Far East, collaborated on the punk glossies Deluxe and Boulevard, and worked with the avant-garde German group Can.

In 1979 he edited a collection of short stories, Drug Tales, and in 1982 published his first book, April Ashley's Odyssey. This was followed by two novels, Satyrday (1986) and The Underbelly (1987). During the 1980s he spent much of his time in the south of France and Sicily, celebrated in the travel book To Noto (1989). His second travel book, One Hot Summer in St Petersburg (1994) was the outcome of an exhilarating but difficult period living in Russia's imperial city, a time when Yeltsin had said to the Russians and to the republics, 'Take as much freedom as you can,' a statement unprecedented in Russian history.

In the March 2008 edition of Prospect magazine, Fallowell admitted to being offered the role of lead singer in Can, after the departure of Damo Suzuki in 1973. After a "long dark night of the soul", he decided to turn the invitation down. [1] It was while living in St Petersburg that he wrote the first draft of the libretto for the opera Gormenghast, inspired by Mervyn Peake’s trilogy. With music composed by Irmin Schmidt, this was first staged in 1998 at the Wuppertal Opera (Germany) which had commissioned it. Schmidt was a member of Can and Fallowell had already written the lyrics to two albums of his songs, Musk at Dusk (1987) and Impossible Holidays (1991) This work is also featured in Irmin Schmidt's compilation Villa Wunderbar (2013).

A third novel, A History of Facelifting (2003),is set in the English countryside and was described by the poet and academic John Fuller as 'a classic of English eccentricity'. A third travel book, Going As Far As I Can (2008), recounted his wanderings through New Zealand - it was controversial but widely admired.

Graham Greene did not like his first novel but thought it belonged to the 21st century. William S. Burroughs relished his books and Camille Paglia has described them as ‘mordant, energetic and outrageous’. Jonathan Keates has called Fallowell 'Sebald with laughs,' and Roger Lewis in a recent book dubbed him 'the modern Petronius.'[1][not in citation given] His work is strikingly contemporary for the way it deals with ambivalence and bisexuality.

As a journalist Fallowell identified with the movement known as the New Journalism which advanced a literary form variously taking in reportage, interview, commentary, autobiography, travel, history and criticism. He has often contributed to the intellectual monthly Prospect and has had columns in the Spectator[disambiguation needed], Evening Standard and a number of online magazines. A collection of interview-profiles, Twentieth Century Characters, was published in 1994. A second collectiion Platinum Peepshow is in preparation. Fallowell lives in a book-lined flat in London, wants a country retreat, and is working on a novel and a memoir. How To Disappear: A Memoir For Misfits was published in September 2011 in a ground-breaking format by Ditto Press; it was awarded the PEN/Ackerley Prize for memoir in July 2012.

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