|Relative key||G♭ major
enharmonic: F♯ major
|Parallel key||E♭ major|
|Dominant key||B♭ major / B♭ minor|
|E♭, F, G♭, A♭, B♭, C♭, D♭, E♭|
Its relative major is G-flat major, and its parallel major is E-flat major. Its enharmonic equivalent is D-sharp minor. Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary.
Despite the key rarely being used in orchestral music other than to modulate, it is encountered in a small fraction of keyboard music, and has been most popular in Russian pieces. For orchestration of piano music, some theorists recommend transposing to D minor or E minor.
This key is often popular with jazz or blues influenced keyboard players as, using all the black keys along with the A, it allows for an easily playable blues scale.
Well known instrumental music in this key
|This section does not cite any references or sources. (March 2012)|
In Book 1 of The Well-Tempered Clavier by Johann Sebastian Bach, Prelude No. 8 is written in E-flat minor while the following Fugue is written in D-sharp minor. In Book 2, both movements are in D-sharp minor.
One of the few symphonies written in this key is Prokofiev's Symphony No. 6. A few other less well-known Soviet composers also wrote symphonies in this key, such as Andrei Eshpai, Janis Ivanovs (fourth symphony Atlantis, 1941), Ovchinnikov and Nikolai Myaskovsky. Aram Khachaturian wrote his Toccata in E-flat minor while studying under Myaskovsky.
Sergei Rachmaninoff's Elegie, Op. 3, No. 1, is in E-flat minor, as is his Étude-Tableau, Op. 39, No. 5. These pieces are noted for being dark and mysterious (a characteristic of this key), as shown even in the later jazz compositions "'Round Midnight" and "Take Five", which are also in the key.
Oskar Bohme's Trumpet Sextet, Op. 30 is written in E-flat minor.
Relation to scales and keys
|Diatonic scales and keys|
|The table indicates the number of sharps or flats in each scale. Minor scales are written in lower case.|
||This article includes a list of references, but its sources remain unclear because it has insufficient inline citations. (August 2011)|
- A. Morris, "Symphonies, Numbers And Keys" in Bob's Poetry Magazine, III.3, 2006.