E.S.P. (Miles Davis album)
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| E.S.P. | ||||
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| Studio album by Miles Davis | ||||
| Released | November 1965 | |||
| Recorded | January 20–22, 1965 Columbia Studios, Hollywood, LA |
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| Genre | Jazz Post-bop Modal jazz |
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| Length | 48:05 | |||
| Label | Columbia CL 2350 (Mono) CS 9150 (Stereo) |
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| Producer | Irving Townsend | |||
| Miles Davis chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Allmusic | |
Recorded in January 1965, E.S.P. is the first album by what is often referred to as Miles Davis's second great quintet. The quintet comprising Davis, Wayne Shorter, Herbie Hancock, Ron Carter and Tony Williams would be the most long-lived of all Davis's groups, and this was their first studio recording together.
Unlike the majority of previous Davis albums, E.S.P. consisted entirely of new compositions written by members of the group. Despite the profusion of new material, only one tune ("Agitation") is known to have appeared in the group's live performances. Two versions of this tune appear on the Plugged Nickel recordings from December 1965; it was played live as late as the fall of 1969.
"Little One" might be best known for being revisited on Hancock's landmark album, Maiden Voyage, recorded a few weeks later. This version is somewhat more embryonic; Carter's bass is halting, and Davis and Shorter state the theme with winding, interlocking contrapuntal lines that evoke Davis and Coltrane's version of "Round Midnight". Hancock's solo on Carter's composition, "Eighty-One", also presages his work on that LP - particularly its title track. This is reflected in the liner notes of the 1999 reissue.
Shortly thereafter, Shorter's compositions would begin to dominate the Quintet's recordings, though here he contributes only two of the seven songs. The title track is reminiscent of Jackie McLean's "Little Melonae", which Davis had recorded with John Coltrane in 1956. "Iris", by contrast, is another Coltrane-like ballad, not too dissimilar to "Infant Eyes" on Shorter's Speak No Evil album.
At over forty-eight minutes, E.S.P. is one of the longest jazz albums of its period. Subsequent Davis recordings would be even longer.
Contents |
[edit] Track listing
[edit] Original LP tracklist
[edit] Side 1
- "E.S.P." (Wayne Shorter) – 5:27
- "Eighty-One" (Ron Carter, Miles Davis) – 6:11
- "Little One" (Herbie Hancock) – 7:21
- "R.J." (Ron Carter) – 3:56
[edit] Side 2
- "Agitation" (Miles Davis) – 7:46
- "Iris" (Wayne Shorter) – 8:29
- "Mood" (Ron Carter, Miles Davis) – 8:50
[edit] Reissue CD (Legacy Recordings, 1999) tracklist
- "E.S.P." (Wayne Shorter) – 5:27
- "Eighty-One" (Ron Carter, Miles Davis) – 6:11
- "Little One" (Herbie Hancock) – 7:21
- "R.J." (Ron Carter) – 3:56
- "Agitation" (Miles Davis) – 7:46
- "Iris" (Wayne Shorter) – 8:29
- "Mood" (Ron Carter, Miles Davis) – 8:50
Tracks 1, 4 recorded on January 20; 2 and 3 on January 21; tracks 5, 6 and 7 recorded on January 22, 1965.
[edit] Personnel
- Miles Davis - Trumpet
- Wayne Shorter - Tenor Saxophone
- Herbie Hancock - Piano
- Ron Carter - Double Bass
- Tony Williams - Drums
[edit] Production
- Record producer - Irving Townsend
- Cover Photography - Bob Cato
[edit] References
- ^ Erlewine, Stephen Thomas E.S.P. review allmusic.com. Retrieved on 2011-07-02.
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