Early music

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Periods of Western art music
Early
Medieval   (500–1400)
Renaissance (1400–1600)
Baroque (1600–1760)
Common practice
Baroque (1600–1760)
Classical (1750–1830)
Romantic (1815–1910)
Modern and contemporary
20th century (1900–2000)
Contemporary (1975–present)
21st century (2000–present)

Early music is generally understood as comprising all music from the earliest times up to the Baroque. [1] However, today this term has come to include "any music for which a historically appropriate style of performance must be reconstructed on the basis of surviving scores, treatises, instruments and other contemporary evidence."[2]

Contents

[edit] Revival

[edit] Performance practice

According to Margaret Bent, "Renaissance notation is under-prescriptive by our standards; when translated into modern form it acquires a prescriptive weight that overspecifies and distorts its original openness. Accidentals … may or may not have been notated, but what modern notation requires would then have been perfectly apparent without notation to a singer versed in counterpoint".[3]

[edit] See also

[edit] Sources

  1. ^ Michael Kennedy, "Early Music"", in The Oxford Dictionary of Music, second revised edition, Associate Editor Joyce Bourne. Oxford: Oxford University Press, 1994. ISBN 0198691629.
  2. ^ Harry Haskell, "Early Music", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers, 2001.
  3. ^ Bent, Margaret. 1998. "The Grammar of Early Music: Preconditions for Analysis", p. 25. In Tonal Structures in Early Music, edited by Cristle Collins Judd, 15–59. Garland Reference Library of the Humanities 1998; Criticism and Analysis of Early Music 1. New York: Garland Publishing. ISBN 0-8153-2388-3.

[edit] Further reading

  • Davidson, Audrey Ekdahl. 2008. Aspects of Early Music and Performance. New York: AMS Press. ISBN 9780404646011.
  • Donington, Robert. 1989. The Interpretation of Early Music, new revised edition. London and Boston: Faber and Faber. ISBN 0571150403.
  • Epp, Maureen, and Brian E. Power (eds.). 2009. The Sounds and Sights of Performance in Early Music: Essays in Honour of Timothy J. Mcgee. Farnham, Surrey (UK); Burlington, VT: Ashgate. ISBN 9780754654834.
  • Haskell, Harry. 1988. The Early Music Revival: A History. London and New York: Thames and Hudson. ISBN 0500014493.
  • Haynes, Bruce. 2007. The End of Early Music: A Period Performer's History of Music for the Twenty-First Century. Oxford and New York: Oxford University Press. ISBN 9780195189872.
  • Judd, Cristle Collins. 1998. "Introduction: Analyzing Early Music". In Tonal Structures in Early Music, edited by Cristle Collins Judd, 3–13. Garland Reference Library of the Humanities 1998; Criticism and Analysis of Early Music 1. New York: Garland Publishing. ISBN 0-8153-2388-3.
  • Kelly, Thomas Forrest. 2011. Early Music: A Very Short Introduction. Oxford and New York: Oxford University Press. ISBN 9780199730766.
  • Roche, Jerome, and Elizabeth Roche. 1981. A Dictionary of Early Music: From the Troubadours to Monteverdi. London: Faber Music in association with Faber & Faber; New York: Oxford University Press. ISBN 057110035X (UK, cloth); ISBN 0571100368 (UK, pbk); ISBN 0195202554 (US, cloth).
  • Sherman, Bernard. 1997. Inside Early Music: Conversations with Performers. New York: Oxford University Press. ISBN 0195097084.
  • Stevens, Denis. 1997. Early Music, revised edition. Yehudi Menuhin Music Guides. London: Kahn & Averill. ISBN 1871082625. First published as Musicology (London: Macdonald & Co. Ltd, 1980).

[edit] External links

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