James Edward Westcott (born January 20, 1922) is a photographer who worked for the U.S. government in Oak Ridge, Tennessee, during the Manhattan Project and the Cold War. As one of the few people permitted to have a camera in the Oak Ridge area during the Manhattan Project, he created the main visual record of the construction and operation of the Oak Ridge production facilities and of civilian life in the enclosed community of Oak Ridge.
Early life and career
Ed Westcott was born in 1922 in Chattanooga, Tennessee, the son of Jamie and Lucille Westcott, and moved to Nashville with his family as a child. After Ed expressed an interest in photography, his father saved for a year to buy him a Foth Derby camera that cost $25. The gift of that camera in the Depression year of 1934 started young Ed on the path to his future career. During his teenage years, he got into the business of developing film for friends and neighbors and worked in several Nashville portrait studios. In 1941, he joined the U.S. Army Corps of Engineers as a photographer in the Corps' Nashville District. His job for the Corps sent him around the region to create photographic documentation of several dams, a site in Tennessee that later became prisoner of war camp, and the airport and other facilities at Fort Campbell on the Tennessee-Kentucky border.
Photographer for the Manhattan Project and its aftermath
In December 1942, the Army Corps transferred the 20-year-old Westcott to the Clinton Engineer Works at the then-secret Oak Ridge site. He was the 29th employee hired for the Manhattan Project in Oak Ridge, where he was to work as an official government photographer from 1942 to 1966. During much of World War II he was employed by the Roane-Anderson Company, under contract to the Army Corps. In addition to photographing the construction and mechanical workings of the X-10, K-25, Y-12, and S-50 production facilities, he photographed civilian activities in Oak Ridge for the community's Army-sponsored weekly newspaper, the Oak Ridge Journal. All of Westcott's wartime photos were produced with either a Speed Graphic or an 8x10 Deardorff view camera. Some of his images were among the photos that were distributed to news media with the announcement of the first atomic bomb and the secret project that created it. In the weeks before the bombing of Hiroshima, many prints of the photos were made in secrecy in preparation for the announcement.
In June 1945, Westcott became an Army employee again, and in the post-war years he transitioned to employment with the U.S. Atomic Energy Commission (AEC) after its formation in 1946. In 1966 he was assigned to the AEC headquarters near Washington, DC, in Germantown, Maryland, where he worked for the AEC and its successor agencies (the Energy Research and Development Administration and Department of Energy) until retiring in 1977.
During Westcott's 35-year professional career, his assignments included creating photographic documentation of numerous notable people, including Manhattan Project scientists J. Robert Oppenheimer, Arthur Compton, Glenn Seaborg, Vannevar Bush, Ernest O. Lawrence, and James Bryant Conant, U.S. Army Generals Leslie Groves and Maxwell Taylor, Army Colonel Kenneth Nichols, Admiral Hyman Rickover, Secretary of War Robert P. Patterson, U.S. Senators Estes Kefauver and Kenneth McKellar of Tennessee and Robert Taft of Ohio, Tennessee Valley Authority director and AEC chairman David Lilienthal, and seven or eight U.S. Presidents.
Westcott's February 1946 photo portrait of Oppenheimer is highly regarded for depicting the Manhattan Project scientific director as a man weary from the tremendous weight of his experience. When he met with Oppenheimer, Westcott learned that the physicist wanted a cigarette but lacked the change to buy some. After Westcott gave him the money he needed, Oppenheimer bought his cigarettes and lit one. Westcott then captured the image of the physicist sitting next to a fireplace mantel in the Oak Ridge Guest House holding the freshly lighted cigarette in his hand. In spite of the informality suggested by the cigarette, University of Tennessee photography professor Baldwin Lee points out that the photo was carefully planned and posed. According to Lee, Westcott instructed Oppenheimer to sit "slightly askance" and to lean forward slightly, and then he took the photograph from a low vantage point that "makes the viewer physically look up at the man," thus enhancing the subject's perceived importance. Lee's critique also notes that Oppenheimer's gaze does not appear to be directed anywhere in the room, but instead is aimed at "something very distant and something only he can see."
Exhibits and publications
Much of Ed Westcott's photographic work was classified when it was first created, and some of it remained classified for many years, but access to his work is now largely unrestricted. About 5,000 negatives are archived by the National Archives and Records Administration. His photographs have been widely reproduced, often without naming him as the photographer, in publications and exhibits about the Manhattan Project.
The first museum exhibition devoted to Westcott's work was organized by the Children's Museum of Oak Ridge in 1981, entitled "Oak Ridge Seen 1943-1947: 20 Photographs by Edward Westcott." In 2005, the Ewing Gallery of Art and Architecture at the University of Tennessee in Knoxville mounted an exhibition of his photos, entitled "Through the Lens of Ed Westcott: A Photographic History of World War II's Secret City". The American Museum of Science and Energy and the Children's Museum in Oak Ridge both have exhibits devoted to Westcott and his work, in addition to displaying his photos as part of exhibits on the city's history. A selection of works from the Ewing Gallery exhibit is now a touring museum exhibit. A photograph of an Oak Ridge supermarket that Westcott created in 1945, "Tulip Town Market, Grove Center," was featured by the National Archives in Washington, DC, as part of a 2005-2006 exhibit named "The Way We Worked." Collections of Westcott's Oak Ridge photographs have been published in the catalog to the Ewing Gallery exhibit (University of Tennessee, 2005; ISBN 0-9761663-1-3) and in the book Oak Ridge by Ed Westcott (Arcadia Publishing, 2005; ISBN 0-7385-4170-2, ISBN 978-0-7385-4170-9). A photo by Westcott of shift change at Y-12 during the Manhattan Project, blown up to 20 feet (6.1 m) by 50 feet (15 m), is displayed on the wall of the cafeteria at the Y-12 National Nuclear Security Complex.
- Welsh, Teresa Smith. "The Early Photography of Ed Westcott from the Manhattan Project to the Cold War, 1942-1959" (Online exhibit). Knoxville: University of Tennessee.
- Smith, D. Ray (February 21, 2006). "Ed Westcott – Oak Ridge photographer extraordinaire". The Oak Ridger.
- Baldwin Lee (2005), "James Edward Westcott: Photographer", in: Through the Lens of Ed Westcott, A Photographic History of World War II's Secret City, University of Tennessee. ISBN 0-9761663-1-3. Page 16.
- "In Recognition Of James Edward Westcott". Children of the Manhattan Project website. Retrieved January 29, 2011.
- Lee, Baldwin (2005), "James Edward Westcott: Photographer", Through the Lens of Ed Westcott, A Photographic History of World War II's Secret City (University of Tennessee): 15, ISBN 0-9761663-1-3
- Yates, Sam (2005), "The Coincidence of Ed Westcott and Oak Ridge, Tennessee", Through the Lens of Ed Westcott, A Photographic History of World War II's Secret City (University of Tennessee): 10, ISBN 0-9761663-1-3
- Ed Westcott (2005) Oak Ridge, Arcadia Publishing, ISBN 0-7385-4170-2, ISBN 978-0-7385-4170-9. Page 8.
- AMSE Opens Westcott Photo History Exhibit, American Museum of Science and Energy press release, July 16, 2009
- National Archives and Records Administration, Scope and Content of Photographs of Construction, Facilities, and Community Life at Oak Ridge and Other Manhattan Project Sites (1943-1946), Accession Number NN3-434-91-2. Retrieved from http://www.nara.gov/, January 29, 2011.
- Sam Yates (2005), "The Coincidence of Ed Westcott and Oak Ridge, Tennessee", in: Through the Lens of Ed Westcott, A Photographic History of World War II's Secret City, University of Tennessee. ISBN 0-9761663-1-3. page 13.
- Frank Munger, Oppenheimer, "Atomic City Underground" blog, Knoxville News-Sentinel website, June 30, 2010
- Baldwin Lee (2005), "James Edward Westcott: Photographer", in: Through the Lens of Ed Westcott, A Photographic History of World War II's Secret City, University of Tennessee. ISBN 0-9761663-1-3. Page 23.
- Exhibits, Children's Museum of Oak Ridge website, accessed January 29, 2011
- "Through the Lens of Ed Westcott: Photographic History of World War II's Secret City". Kingsport, Tennessee: Kingsport Arts. November 5, 2007.
- Bustard, Bruce I. (2005). "The Way We Worked". Prologue (magazine) (National Archives and Records Administration) 37 (No. 4, Winter 2005).
- National Archives and Records Administration (2007), The Way We Worked: Photographs from the National Archives, press kit, accessed January 29, 2011
- Majors, Beverly (December 23, 2013). "Westcott 'Boot'ed; Epitomizes person 'Muddy Boot' created for". The Oak Ridger.
- Baldwin Lee (2005), "James Edward Westcott: Photographer", in: Through the Lens of Ed Westcott, A Photographic History of World War II's Secret City, University of Tennessee. ISBN 0-9761663-1-3. Page 18.
- Bob Fowler (May 7, 2013). "New retail center to be named after famed photographer Westcott". Knoxville News Sentinel.
|Wikimedia Commons has media related to Ed Westcott.|
- The Secret City, American Museum of Science and Energy collection on Flickr.com
- Billboards, American Museum of Science and Energy collection on Flickr.com
- Oak Ridge National Laboratory Historical Photo Gallery: Clinton Engineering Works
- Oak Ridge National Laboratory Historical Photo Gallery: Department of Energy Collection
- Oak Ridge National Laboratory Historical Photo Gallery: Graphite Reactor