Eddie Campbell

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For the blues musician, see Eddie C. Campbell.
Eddie Campbell
Born 10 August 1955 (1955-08-10) (age 53)
Glasgow, Scotland
Nationality Scottish
Area(s) Artist
Notable works Bacchus
From Hell
Official website

Eddie Campbell (born 10 August 1955) is a Scottish comics artist and cartoonist who now lives in Australia. Probably best known as the illustrator and publisher of From Hell (written by Alan Moore), Campbell is also the creator of the semi-autobiographical Alec stories, and Bacchus (aka Deadface), a wry adventure series about the few Greek gods who have survived to the present day. His graphic novel The Fate of the Artist, which playfully investigates Campbell's own sudden disappearance, was published in May 2006 by First Second Books. His latest graphic novel, The Black Diamond Detective Agency, was published in June 2007, also by First Second Books.

His scratchy pen-and-ink style is influenced by the impressionists, illustrators of the age of "liberated penmanship" such as Phil May, Charles Dana Gibson, John Leech and George du Maurier, and cartoonists Milton Caniff and Frank Frazetta (particularly his Johnny Comet strip). His writing has been compared to Jack Kerouac and Henry Miller.[1]

Contents

[edit] Biography

[edit] Alec and other autobiographical work

Alec: The King Canute Crowd by Eddie Campbell

Campbell made his earliest attempts at autobiographical comics in the late 1970s with In the Days of the Ace Rock and Roll Club. This evolved into Alec, with the character of Alec MacGarry standing in for the author. Campbell self-published these early comics in the amateur press association BAPA and then as short-run photocopied pamphets in London in the early 1980s, selling them at conventions and comic marts and via Paul Gravett's "Fast Fiction" market stall. When Gravett founded Escape Magazine, Campbell was one of the artists featured. In 1984 Escape published Alec, a slim collection of his semi-autobiographical stories. This was followed by two further collections, Love and Beerglasses (1985) and Doggie in the Window (1986). In 1990 all three were collected, together with some unpublished material, as The Complete Alec (republished as The King Canute Crowd in 2000).

Two further slim volumes, The Dead Muse (1990) and Little Italy (1991) appeared through Fantagraphics Books. Graffiti Kitchen, which Campbell considers the highpoint of the series, was published by Tundra in 1993, and The Dance of Lifey Death followed in 1994 from Dark Horse Comics.

Campbell then followed up these works by self publishing two larger works. Alec: How To Be An Artist (2000), a study of the art form and of Campbell's own artistic journey, and After The Snooter (2002), in which Campbell appears to have laid Alec McGarry to rest. Both works were originally serialised within his Bacchus magazine, but were reworked upon collection. The Fate of the Artist, in which Campbell's family and friends investigate his disappearance, undermining the image of himself he had presented in his previous autobiographical works, was published by First Second Books in 2006.

The character of Alec received a nomination for the Squiddy Award for Best Character in 2000. The graphic album Alec: How to Be an Artist was nominated for the Harvey Award for Best Graphic Album of Previously Published Work in 2000.

All the Alec stories, including the early out-of-print ones, will be published in volume by Top Shelf Productions. It is currently scheduled for release in 2009 (ISBN 978-1-60309-025-4).

[edit] Bacchus

Main article: Bacchus (comics)

The success of Kevin Eastman and Peter Laird's Teenage Mutant Ninja Turtles led to a short-lived explosion of black and white independent comics in the mid-1980s. Campbell joined in, creating the series Deadface for small British publisher Harrier Comics, telling the story of Bacchus, god of wine and revelry, and the few other Greek mythological figures who have survived to the present day. Harrier published eight issues of Deadface and two issues of a companion comic Bacchus. Campbell then began publishing short Bacchus stories in a number of anthologies, such as the British anthology Trident published by Trident Comics, and the American anthology Dark House Presents published by Dark Horse Comics. Dark Horse reprinted the Harrier series as Immortality isn't Forever in 1990 and a selection of the short stories as Doing the Islands With Bacchus in 1991. Campbell continued to produce Bacchus stories for Dark Horse until 1995 as a series of miniseries. The entire Bacchus saga is to be published in two 500 page volumes by Top Shelf Productions. They are currently scheduled to be released some time in 2010 (Vol 1 ISBN 978-1-60309-026-1, Vol 2 ISBN 978-1-60309-027-8).

[edit] From Hell

Main article: From Hell

Beginning in 1989 Campbell illustrated Alan Moore's ambitious Jack the Ripper graphic novel From Hell, serialised initially in Steve Bissette's horror anthology Taboo. Moore and Bissette chose Campbell as illustrator for his down-to-earth approach which gave the story a convincing realism and did not sensationalise the violence of the murders. After Taboo folded From Hell was published in installments by Tundra and then Kitchen Sink Press, until the epilogue Dance of the Gull-catchers saw print in 1998.

[edit] Self-publishing

Under the influence of Dave Sim, Campbell founded Eddie Campbell Comics and began self-publishing in 1995, after the film rights to From Hell were optioned. The monthly series Bacchus reprinted and completed the story begun in Deadface, as well as carrying new and reprinted Alec stories. He went on to collect both Alec and Bacchus as a series of graphic novels. He also published the collected edition of From Hell, and comics adaptations of two of Alan Moore's performance art pieces, The Birth Caul and Snakes and Ladders.

After the cancellation of Bacchus, Campbell published two issues of Eddie Campbell's Egomania magazine, in which he began to serialise another work, The History Of Humour. Facing an increasingly indifferent market for his work, and the collapse of his U.S. distributor, Campbell ended his publishing imprint in 2003 after releasing the second issue of Egomania.

[edit] The Black Diamond Detective Agency

In June 2007 First Second Books published The Black Diamond Detective Agency, Campbell's adaptation of an as-yet unmade screenplay by C. Gaby Mitchell. Set in the closing months of 1899, it features the eponymous private detective agency investigating a conspiracy to blow up a train, and their prime suspect's efforts to find the truth.

[edit] The Amazing Remarkable Monsieur Leotard

In January 2008, First Second Books published Campbell's latest book following the life of circus performers and historical figures as they wander in and out of history. It has been enthusiastically received by critics with Ain't It Cool News saying "Something truly amazing and fun does indeed occur in this book."[2]

[edit] Bibliography

[edit] Notes

  1. ^ Yang, Sam (October 1991). "A Loaf of Bread, A Jug of Wine and Eddie Campbell". The Comics Journal 1 (145): 58–87. 
  2. ^ http://www.aintitcool.com/node/36654#12 Review of The Amazing Remarkable Monsieur Leotard

[edit] References

[edit] External links

[edit] Interviews

 This section includes a list of references or external links, but its sources remain unclear because it has insufficient inline citations. Please help to improve this article by introducing more precise citations where appropriate. (July 2009)

[edit] Reviews

Preceded by
Jamie Delano		 Hellblazer writer
1994		 Succeeded by
Paul Jenkins
Retrieved from "http://en.wikipedia.org/wiki/Eddie_Campbell"
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