Edison's Black Maria
In 1893, the world's first film production studio, the Black Maria, or the Kinetographic Theater, was completed on the grounds of Edison's laboratories at West Orange, New Jersey, for the purpose of making film strips for the Kinetoscope. Construction began in December 1892 and was completed the following year at a cost of $637.67 (approx. $15,272.99 in 2010 dollars). In early May 1893 at the Brooklyn Institute of Arts and Sciences, Edison conducted the world's first public demonstration of films shot using the Kinetograph in the Black Maria, with a Kinetoscope viewer. The exhibited film showed three people pretending to be blacksmiths.
The first motion pictures made in the Black Maria were deposited for copyright by Dickson at the Library of Congress in August, 1893. In early January 1894, The Edison Kinetoscopic Record of a Sneeze (aka Fred Ott's Sneeze) was one of the first series of short films made by Dickson for the Kinetoscope in Edison's Black Maria studio with fellow assistant Fred Ott. The short film was made for publicity purposes, as a series of still photographs to accompany an article in Harper's Weekly. It was the earliest motion picture to be registered for copyright — composed of an optical record of Ott sneezing comically for the camera.
The first films shot at the Black Maria, a tar-paper-covered, dark studio room with a retractable roof, included segments of magic shows, plays, vaudeville performances (with dancers and strongmen), acts from Buffalo Bill's Wild West Show, various boxing matches and cockfights, and scantily-clad women. Many of the early Edison moving images released after 1895, however, were non-fictional "actualities" filmed on location: views of ordinary slices of life — street scenes, the activities of police or firemen, or shots of a passing train.
On Saturday, April 14, 1894, Edison's Kinetoscope began commercial operation. The Holland Brothers opened the first Kinetoscope Parlor at 1155 Broadway in New York City and for the first time, they commercially exhibited movies, as we know them today, in their amusement arcade. Patrons paid 25 cents as the admission charge to view films in five kinetoscope machines placed in two rows. Nearly 500 people became cinema's first major audience during the showings of films with titles such as Barber Shop, Blacksmiths, Cock Fight, Wrestling, and Trapeze. Edison's film studio was used to supply films for this sensational new form of entertainment. More Kinetoscope parlors soon opened in other cities (San Francisco, Atlantic City, and Chicago). In 1901, the first public film was screened in Oberlin, Ohio, starting the transition from kinetoscope to screen.
When Edison built a glass-enclosed rooftop movie studio in New York City, the Black Maria was closed in January 1901 due to the purchase of a new studio in New York, and Edison demolished the building in 1903. The U. S. National Park Service maintains a reproduction of the Black Maria, built in 1954 at what is now the Edison National Historic Site in West Orange. A previous reconstruction had been built and dedicated in May 1940 when MGM held the world premiere of Edison, the Man starring Spencer Tracy in theaters throughout The Oranges (West Orange, East Orange, South Orange, and Orange).
The Black Maria was, according to the staff who worked there, a small and uncomfortable place to work. Edison employees W. K. Dickson and Jonathan Campbell coined the name—it reminded them of police Black Marias, (police vans, also known as "paddywagons") of the time because they were also cramped, stuffy and a similar black color. Edison, however, called it "The Doghouse."
The Black Maria was covered in black tarpaper and had a huge window in the ceiling that opened up to let in sunlight because early films required a tremendous amount of bright light. It was built on a turntable so the window could rotate toward the sun throughout the day, supplying natural light for hundreds of Edison movie productions over its eight year lifespan.
When word spread about the new invention, performers flocked to the Black Maria from all over the country in order to be in the films. These silent movies featured dancers, pugilists, magicians, and vaudeville performers. Their appearances at the studio were used as publicity opportunities by Edison, who would often pose with the performers for newspaper articles.
Selected films shot at the Black Maria
- Edison Kinetoscopic Record of a Sneeze, also known as Fred Ott's Sneeze
- Blacksmith Scene (1893)
- Dickson Experimental Sound Film (1894/95)
- Prof. Welton's Boxing Cats
- Sioux Ghost Dance
- Buffalo Bill's Shooting Skill
- Cripple Creek Bar-Room Scene
In popular culture
- Todd Rundgren wrote and performed a song called "Black Maria" on the album Something/Anything (1972).
- The lyrics to the song "Edison Museum" by They Might Be Giants include the line '"see the Black Maria revolving slowly on its platform."
- Edison's Black Maria studio is used in Hans-Jürgen Syberberg's movie ¨Hitler: A Film from Germany¨ in which it appears as a décor for some scenes. It also appears contained in a glass paperweight filled with snow as a representation of the Grail.
- The Black Maria Film and Video Festival, established in 1981, is named after Edison's creation.
- Wood, Bret. "The Films of Thomas Edison". Turner Classic Movies. Archived from the original on 20 February 2014. Retrieved 20 February 2014.
- Dirks, Tim. "Early Cinematic Origins and the Infancy of Film". filmsite.org. Archived from the original on 20 February 2014. Retrieved 20 February 2014.
- Robinson (1997). p. 23.
- "Early Edison Motion Picture Production (1892-1895) in Inventing Entertainment: The Motion Pictures and Sound Recordings of the Edison Companies", retrieved April 15th, 2012.
- A replica of the 'Black Maria' studio appeared in Universal-International's comedy Abbott and Costello Meet the Keystone Cops (1955).
- Adams, John. "Hitler, a Film from Germany, DVD review" in Movie Habit. Retrieved March 11, 2008.
- Black Maria Film Festival website
|This article needs additional citations for verification. (January 2011)|
- Robinson, David (1997). From Peepshow to Palace: The Birth of American Film. New York and Chichester, West Sussex: Columbia University Press. ISBN 0-231-10338-7
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