Edmond (film)

Edmond
Promotional poster
Directed by	Stuart Gordon
Produced by	Chris Hanley Molly Hassell Duffy Hecht Stuart Gordon Roger Kass Mary McCann Kevin Ragsdale Ryan R. Johnson
Written by	David Mamet
Based on	Edmond by David Mamet
Starring	William H. Macy Julia Stiles Joe Mantegna Rebecca Pidgeon Bai Ling Lionel Mark Smith Mena Suvari Denise Richards
Music by	Bobby Johnston
Cinematography	Denis Maloney
Editing by	Andy Horvitch
Studio	Muse Productions Tartan Films Code Entertainment Werner Films 120dB Films Pretty Dangerous Films The Hecht Company
Distributed by	First Independent Pictures
Release date(s)	August 31, 2005 (Venice Film Festival) July 14, 2006 (United States)
Running time	82 minutes
Language	English
Budget	$10,000,000

Edmond is a 2005 drama-thriller film starring William H. Macy, based on the play of the same name. It was written (play and screenplay) by David Mamet and directed by Stuart Gordon.

Julia Stiles, Rebecca Pidgeon, Denise Richards, Mena Suvari, Joe Mantegna and George Wendt were among those with supporting roles in the film. It was screened at several film festivals from September 2005 to May 2006, and had a limited release on July 14, 2006.

Plot

Edmond Burke is a city businessman who visits a Tarot fortune teller on the way home. She claims Edmond "is not where [he] belongs." He decides to make changes in his life, beginning by leaving his wife.

At a bar, Edmond tells a fellow patron he hasn't had sex in a while and that marriage took away his masculinity. The man gives him the address to a strip club, where Edmond is kicked out by a bouncer for not paying for a stripper's drink.

Now even more sexually frustrated, Edmond goes to a peep show; having never been to such a place before, he doesn't realize that he isn't allowed to have actual sex with the performer.

Next he goes to a white-collar bordello, but can't afford a hooker. Edmond needs money, so he plays a card game with a street dealer. When Edmond accuses the dealer of cheating, the dealer beats him up and steals his money.

Edmond becomes enraged by what he sees as the contempt, prejudice and greed of society. He pawns his wedding ring in exchange for a knife. He is approached by a pimp who offers Edmond a "clean girl" and lures him to an alleyway, where the pimp attempts to mug him. In a wild rage, Edmond attacks the pimp with his knife while hurling racial slurs at him. He leaves him wounded and possibly dying in the alley.

Suddenly euphoric, Edmond enters a coffee shop and tells a waitress, Glenna, his newfound worldview of instant gratification. They end up having sex at her apartment. Glenna likes him at first, but she is soon frightened by his increasingly erratic behavior and calls for help. An enraged Edmond stabs her to death, blaming her own insecurity for her murder.

On a subway train, Edmond has an angry confrontation with a female passenger. Edmond wanders the city. He comes across a church service where a minister preaches about respect and faith. Edmond feels the urge to preach about his own experiences, and as he stands in the doorway of the church, the woman he threatened on the subway who is about to walk into the church, recognizes Edmond and calls into the street for the police. The responding officer, while detaining Edmond outside the church doorway, pats Edmond down to find the knife in his front jacket pocket. Edmond is arrested.

In jail, Edmond begins to appreciate the security of his old life, but it is too late; the police have reason to believe that the knife found in Edmonds pocket may be the murder weapon related to Glenna's murder. The interrogating officer blatently asks Edmond why he killed Glenna, to Edmond's shock and disbelief. He is sent to prison for her murder.

Edmond is paired with an African-American cellmate. He likes prison because it is simple. He speaks of how he has always feared black people, but now that he shares a room with one, he can finally feel a bond. The indifferent cellmate then forces Edmond to perform oral sex on him.

Edmond tells a prison minister what happened, but goes off on a tangent, shouting that God has been unfair to him. When the minister asks why he murdered the waitress, he has no answer.

Years pass. Edmond has cut connections with the outside world, refusing to see visitors. He talks to his cellmate about the human ego and how life should not be taken for granted. He concludes that by conquering his fears, he might lead a better life. He ponders the afterlife, then goes to sleep comfortably alongside his cellmate. True to the Tarot fortune teller's words, Edmond might well have found the place where he belongs.

Cast

• William H. Macy as Edmond Burke
• Frances Bay as Fortune Teller
• Rebecca Pidgeon as Wife
• Joe Mantegna as Man in Bar
• Denise Richards as B-girl
• Bai Ling as Peep Show Girl
• Dulé Hill as Sharper
• Debi Mazar as Matron
• Mena Suvari as Whore
• George Wendt as Pawn Shop Owner
• Lionel Mark Smith as Pimp
• Julia Stiles as Glenna
• Dylan Walsh as Interrogator
• Bokeem Woodbine as Prisoner
• Wren T. Brown as Preacher
• Jeffrey Combs as Desk Clerk

Critical reception

The film received mixed to favorable reviews from critics. The review aggregator Rotten Tomatoes reported that 45% of critics gave the film positive reviews, based on 69 reviews. Metacritic reported the film had an average score of 61 out of 100, meaning Generally favorable reviews, based on 21 reviews.

Peter Bradshaw of The Guardian gave the film one star out of five and called it a "truly awful movie, one of the very worst US pictures to be released [in the UK] in years." Bradshaw said screenwriter Mamet "lets rip with deafening flatulent macho nonsense" and said "He reaches a level of self-parody so extreme his trademark dialogue becomes almost literally meaningless." Bradshaw said the cameos by Mena Suvari and Denise Richards are "insulting and cursorily written" and called the ending of the film "outrageously contrived."

The New York Times film critic Stephen Holden said William H. Macy "is perfectly cast", calling him "a master at playing sticks of human dynamite in mild-mannered camouflage" and that he gives the "nerviest screen performance of his career." Holden said the film is a faithful adaptation of the one-act play from 1982, saying "Its taunting insistence that everyone is racist, voiced in abrasive, staccato Mamet-speak, leaves you feeling battered and vaguely guilty." Holden wrote, "As in much of Mr. Mamet's work, there is a quality of adolescent nose-thumbing, as though it all might be a cruel practical joke designed solely to make us squirm." Holden said viewers may love or hate the film but that it was certainly unforgettable.

Awards

Wins and nominations

Year	Group	Award	Won	Notes
2005	Grand Jury Prize	Stuart Gordon	No
	Newport International Film Festival Achievement Award	Acting	Yes
2006	Mar del Plata Film Festival, Best Actor	William H. Macy	Yes

External links

• Official website
• Edmond at the Internet Movie Database
• Edmond at Rotten Tomatoes
• Edmond at Metacritic
• Edmond at Box Office Mojo
• Edmond at AllRovi