Life and early career
Edmund Battersby graduated from the Juilliard School with distinction. His teachers included Barbara Holmquest, Sasha Gorodnitsky and Artur Balsam. Battersby was a member of the piano faculty at Montclair State University before joining the faculty at the Jacobs School of Music 
In 2006, the American Record Guide wrote that his recordings of Beethoven's Diabelli Variations, on modern and period instruments, put him "in the company of Brendel, Serkin, Schnabel, and Pollini.". This recording was also reviewed in the Irish Times  and the Toronto Star described it as, "one of those must-get albums for anyone interested in Beethoven or piano music".
Battersby's many recordings for Musical Heritage Society, Naxos, Koch, and the Schoodic Sound label have been widely reviewed and recognised: the 1992 Grammy Short list for Goyescas of Granados among them.
In 2013, Battersby re-released previously unavailable archival Musical Heritage Society recordings of Felix Mendelssohn's, Songs Without Words(complete), Franz Schubert's, Shorter Works for Piano and The Early Romantic Piano on the Schoodic Sound digital label which was described as "...quite simply a beautiful recording that should be heard by everyone." This was performed on a replica of an 1824 instrument by Conrad Graf crafted by Rodney Regier of Freeport, Maine.
- Granados: Goyescas; Nin-Culmell: Tonadas (Koch 1990)
- Rachmaninoff: Preludes and Etudes Tableaux, Opp. 22, 33 and 39 (Koch 1993)
- Beethoven: Variations on a waltz by Diabelli, for piano in C major ("Diabelli Variations"), Op. 120 (Naxos, 2005)
- The Early Romantic Piano:Schumann and Chopin (2012)
- Mendelssohn; Songs Without Words" (2012)
- Franz Schubert: Shorter works for piano (2013)
During his career, Battersby has given recitals worldwide, including performances at Wigmore Hall, London; Carnegie Hall, New York; the Great Performers series at Lincoln Center for the Performing Arts; the Library of Congress, Washington; and the Kennedy Center.
Examples of published reviews of his performances:
- The Washington Post (1977), reviewing his concert at the Phillips Collection 
- New York Times (1982), reviewing a concert at the 92d Street Y 
- New York Times (1985), reviewing Battersby's performance accompanying Barbara Stein Mallow, describing him as "a pianist of uncommon refinement"
- The Irish Times (2002), reviewing a recital of works by Mozart, Schumann, and Chopin at Dagg Hall where Battersby's "fluent" and "faithfull" playing gave "a fresh insight into a bygone world"
- The Herald Times (2011), reviewing a concert at Auer Hall in Bloomington, IN described him as a "superb pianist" and "master of the keyboard" 
- International Piano (January/February 2014), reviewing his masterclass at The Piano Academy of Ireland: Battersby is quoted as telling a student, "'Your technique is in your ear, it's not in your hands.' and given the transformation he had just wrought, the point was well made."
Festivals and masterclasses
Battersby has performed at a number of festivals around the world, and given masterclasses in the art of playing piano:
- Mostly Mozart Festival,
- Santa Fe Chamber Music Festival
- The Seattle Chamber Music Festival
- La Jolla,
- Kneisel Hall,
- Bowdoin International Music Festival,
- La Gesse Festival and Piano aux Jacobins in Toulouse,
- Festival of the Sound in Canada,
- Royal Irish Academy of Music,
- Hochschule für Musik in Leipzig,
- Euro Arts Festival in Halle, Austria
- Dublin, Ireland at the Dublin International Piano Festival
As an author on musical subjects, Edmund Battersby has amongst many others contributed articles to:
- Early Music America Magazine 
- The Art of the Romantic piano, Edmund Battersby on What Early Instruments can teach us and Rachmaninoff Roots in Keyboard Classics 
Battersby is included as an authority in Robert Cunningham's biography of Sergei Rachmaninoff, as well as being a contributing author for Remembering Horowitz: 125 Pianists Recall a Legend by David Dubal.
Battersby is included in: "Piano Lessons: Music, Love and True Adventures", by Noah Adams, two reference books by David Dubal devoted to pianists, "The Art of the Piano; its Performers, Literature and Recordings  and The Art of the Piano; an Encyclopedia of Performers by David Dubal  and in the Routledge Studies in Musical Genera series on 19th Century Piano Music by Larry Todd 
- A Conversation with Pianist Edmund Battersby
- The Jacobs School of Music
- Schoodic Sound, USA
- Steinway Artists
- Adams, Noah (1996). Piano Lessons:Music, Love and True Adventures. New York, NY: Random House. p. 133. ISBN 0-385-31821-9.
- Goldsmith, Harris (April 3, 2003). "Edmund Battersby, Piano". New York Concert review.
- Battersby, Edmund. "Jacobs School of Music Faculty". Indiana University. Retrieved March 21, 2013.
- Battersby, Edmund. "Faculty Bio". School of Music website. Indiana University. Retrieved 20 February 2013.
- Becker, Alan (May–June 2006). "Diabelli Variations". American Record Guide 69 (3): 80.
- Dervan, Micheal (9 September 2005). "Latest releases reviewed". The Irish Times.
- Terauds, John (5 October 2006). "Between Cohen & Cobain". The Toronto Star.
- McLellan, Joseph (October 20, 1991). "Edmund Battersby, pianist". The Washington post.
- Dubins, Jerry (January–February 2013). "Schumann Chopin: Schoodic 1002". Fanfare Magazine 36 (3): 36.
- Roberts, Ed (15 June 1988). "Sparkling Chamber Music at Library of Congress Festival". The Washington Post.
- Battersby, Edmund. "biography". Naxos. Retrieved 23 March 2013.
- Battersby, Edmund. "Pro Music Rara". Towsen University. Retrieved 22 March 2013.
- Battersby, Edmund. "Euro Music Festival". Euro Arts Festival. Retrieved 22 March 2013.
- Thomas, Dana (22 April 1990). "The Piano Built for a Prince". The Washington Post.
- Margave, Wendell (21 March 1977). "Edmund Battersby". The Washington Post.
- Rothstein, Edward (26 March 1982). "Piano recital: Battersby". The New York Times. Retrieved 22 March 2013.
- Holland, Bernard (2 April 1985). "Cello: Barbara Mallow". The New York Times.
- Sealy, Douglas (13 November 2002). "Reviews". The Irish Times.
- Jacobi, Peter (11/9/2011). "Pianist commits acts of Keyboard Wizardry". Herald Times. Retrieved 22 March 2013.
- Dervan, Michael (January–February 2014). "Irish Masterclass". International Piano.
- Battersby, Edmund (Fall 2005). "Recording the Diabelli Variations:Double Duty". Early Music America 11 (3): 30–33, 52.
- Battersby, Edmund (May 1993). "Rachmaninoff Roots". Keyboard classics 13 (5): 6–9.
- Cunningham, Robert (2001). Sergei Rachmaninoff: A Bio-Bibliography. Westport, CT: Greenwood Press. pp. 62,68,328. ISBN 0-313-30907-8.
- Dubal, David (1993). Remembering Horowitz: 125 Pianists Recall a Legend. New York, NY: Schirmer. p. 35. ISBN 0028706765.
- Waleson, Heidi (December 2004). "Mainstream Musicians Performing in Style". Early Music America. Winter 10 (4): 27, 39.
- Dubins, Jerry (January–February 2013). Fanfare 36 (3): 18–34 http://www.fanfaremag.com/content/view/50575/10261/
|url=missing title (help). Retrieved 22 March 2013.
- Adams, Noah (1996). Piano Lessons: Music, Love and True Adventures. New York, NY: Random House. pp. 133–135. ISBN 0-385-31821-9.
- Dubal, David (2004). The Art of the Piano: Its performers, literature and recordings. Pompton Plains, NJ: Amadeus. p. 35. ISBN 1-57467-088-3.
- Dubal, David (1990). The Art of the Piano, an Encyclopedia. London: Tauris. pp. 366, 449. ISBN 1850432171.
- Todd, Larry (2004). 19th Century Piano Music. New York, NY: Routledge. pp. 32–34. ISBN 0-41596890-9.