Edmund Duffy

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Edmund Duffy
Born March 1, 1899
Jersey City, New Jersey
Died September 12, 1962
Manhattan
Occupation Cartoonist
Employer The Baltimore Sun (c1924-c1948)
Saturday Evening Post (c1948-c1962)
Known for Three Pulitzer Prize for Editorial Cartooning
Spouse(s) Anne Elizabeth Rector

Edmund Duffy, born March 1, 1899, was an American editorial cartoonist. He grew up in Jersey City, New Jersey, eventually moving to main metropolitan areas. Duffy did not attend high school, but instead went into the Art Students League in New York.[1] Duffy’s career took him London, Paris, New York, and finally to Baltimore where he spent the majority of his professional career working for The Baltimore Sun. Throughout his career Duffy won three Pulitzer Prizes for Editorial Cartooning in 1931, 1934, and the last one in 1940. Duffy began his career at a young age, only beginning to work for the renowned Baltimore Sun in 1924, when he was only about 25 years old, but he received high praise from the famous journalist, H.L. Mencken, despite his young age.[2]

Career[edit]

Duffy first came into the journalism field with his submission of a page of sketches for Armistice Day. The sketches were put into the New York Tribune, under the Sunday section.[3] Duffy then worked on a variety of assignments in order to save up money, and then he began his European career. He moved to London and worked for the London Evening News. Following London, Duffy worked in Paris for a few years, and finally returned to the United States in 1922. He worked for two years with both the New York Leader and the Brooklyn Eagle. The longest period of his career began in 1924 when he began working for The Baltimore Sun. Duffy worked there until 1948, in order to work a less tiring job, working for the Saturday Evening Post.[4] During his career, Duffy drew numerous noteworthy cartoons and also approached major issues and incidents, such as lynching and the Ku Klux Klan,[5] but also the famous Monkey Scopes Trial of 1925.

Duffy and Racism[edit]

Duffy was known for his daring nature in relation to his work. H.L. Mencken saw promise in his work and “Duffy with his sometimes savage artwork, did the kind of thing that delighted Mencken, who loved nothing more than to ‘stir up the animals’”.[6] Duffy was not afraid to please Mencken, and held nothing back. He was one of the few people of his time that would boldly approach the topic of racism. He blatantly condemned lynching and the actions of the KKK. This was one of his main issues that he approached during his career. During the time period that Duffy worked it was not popular to advocate against racism, so Duffy was civil rights before it was a wide movement in the United States.[7] S.L. Harrison, a late professor of Communication at the University of Miami, wrote that Duffy “displayed uncommon vigor in attacking the Ku Klux Klan”.[8]

Duffy and the ‘Monkey Scopes Trial’[edit]

Just a year after Duffy began working for The Baltimore Sun, 1925, a famous trial began in Tennessee. Tennessee had passed a law, the Butler Act, barring teachers against the topic of evolution in the classroom, but one biology teacher, John T. Scopes, ignored the law and taught his students evolution. Scopes decided that the students should learn evolution, even if it went against the teachings of the bible. Since the trial was popular and a nationwide topic, Mencken took a staff from The Sun, including Duffy, to cover the trial. “[Edmund Duffy’s] graphic artwork played a significant role in the public’s perception of the trial proceedings reported in the pages of The Sun, then one of America’s most influential newspapers”.[9] His cartoons brought more attention to the issue, as he derided Tennessee for crushing knowledge in one of his more notable cartoons from the trial called ‘A Closed Book in Tennessee.’ In this cartoon, Duffy shows a man, representing Tennessee, holding a sign that says “Fundamentalists Only Wanted as Teachers.” The man is standing on top of the book of knowledge, holding it shut. Duffy knew that this powerful cartoon would cause a great response, but that is exactly what Mencken wanted and expected from him. Many more of his cartoons from the trial held the same message, in which he was publicly shaming Tennessee for the law, the trial, and the verdict. Mencken once said that with a good cartoonist he would not need a whole editorial staff,[10] and a great cartoonist he found in Duffy.

Pulitzer Prizes[edit]

Over Edmund Duffy’s career, he won three Pulitzer Prizes, which is a lot compared to other recipients over the years. His three prize winning cartoons are the following:

“An Old Struggle Still Going On” (1931) This cartoon references the anti-communism era that began in the 1920s and 1930s. At the time, communism was seen as being anti-religion, which is what Duffy conveys in the cartoon.[11]

“California Points with Pride” (1934) This cartoon is one of Duffy’s many anti-lynching pieces. This one, however, deals with white on white lynching. In California, people took two kidnappers from prison and lynched them in a park, but the Governor praised the people that did the lynching. Duffy condemned the Governor in this cartoon.[12]

“The Outstretched Hand” (1940) In this cartoon, Duffy’s topic is Adolf Hitler and his brutality. By the time the cartoon was drawn, Germany had already invaded Poland, and Duffy shows Hitler’s broken promises and peace offerings. Hitler’s hand drips with blood in the image.[13]

References[edit]

  1. ^ Fischer, Heinz Dietrich, and Erika J. Fischer. Complete Biographical Encyclopedia of Pulitzer Prize Winners, 1917-2000: Journalists, Writers and Composers on Their Ways to the Coveted Awards. Walter de Gruyter, 2002.
  2. ^ Harrison, S.l. “The Scopes `Monkey Trial’ Revisited: Mencken and the Editorial Art of Edmund Duffy.” Journal of American Culture (01911813) 17, no. 4 (Winter 1994): 55.
  3. ^ Fischer, Heinz Dietrich, and Erika J. Fischer. Complete Biographical Encyclopedia of Pulitzer Prize Winners, 1917-2000: Journalists, Writers and Composers on Their Ways to the Coveted Awards. Walter de Gruyter, 2002.
  4. ^ “Edmund Duffy.” Baltimore Sun. Accessed September 7, 2014. http://articles.baltimoresun.com/1999-12-05/topic/9912100812_1_duffy-unjust-utter-ruin.
  5. ^ “A Month of Pulitzer Prize Winning Cartoons - Day 18.” Comics Should Be Good! @ Comic Book Resources. Accessed September 7, 2014. http://goodcomics.comicbookresources.com/2009/03/18/a-month-of-pulitzer-prize-winning-cartoons-day-18/.
  6. ^ Harrison, S.l. “The Scopes `Monkey Trial’ Revisited: Mencken and the Editorial Art of Edmund Duffy.” Journal of American Culture (01911813) 17, no. 4 (Winter 1994): 55.
  7. ^ “Edmund Duffy’s Pointed Cartoons Earned Him Prizes and Invective.” Baltimore Sun. Accessed September 7, 2014. http://articles.baltimoresun.com/1999-01-30/features/9901300257_1_duffy-cartoonists-copy-boy.
  8. ^ Harrison, S.l. “The Scopes `Monkey Trial’ Revisited: Mencken and the Editorial Art of Edmund Duffy.” Journal of American Culture (01911813) 17, no. 4 (Winter 1994): 55.
  9. ^ Harrison, S.l. “The Scopes `Monkey Trial’ Revisited: Mencken and the Editorial Art of Edmund Duffy.” Journal of American Culture (01911813) 17, no. 4 (Winter 1994): 55.
  10. ^ Harrison, S.l. “The Scopes `Monkey Trial’ Revisited: Mencken and the Editorial Art of Edmund Duffy.” Journal of American Culture (01911813) 17, no. 4 (Winter 1994): 55.
  11. ^ Fischer, Heinz-Dietrich. Political Caricatures on Global Issues: Pulitzer Prize Winning Editorial Cartoons. LIT Verlag Münster, 2012.
  12. ^ “A Month of Pulitzer Prize Winning Cartoons - Day 18.” Comics Should Be Good! @ Comic Book Resources. Accessed September 7, 2014. http://goodcomics.comicbookresources.com/2009/03/18/a-month-of-pulitzer-prize-winning-cartoons-day-18/.
  13. ^ Fischer, Heinz-Dietrich. Political Caricatures on Global Issues: Pulitzer Prize Winning Editorial Cartoons. LIT Verlag Münster, 2012.