Edmund Snow Carpenter

From Wikipedia, the free encyclopedia

Jump to: navigation, search
For other persons of the same name, see Edmund Carpenter.
Edmund Snow Carpenter
Born 1922
Rochester, New York, United States of America
Residence Toronto, Canada
Nationality English
Years active 1941– ?
Known for anthropologist best known for his work on tribal art and visual media

Edmund "Ted" Snow Carpenter (born 1922 Rochester, New York – ?) is a noted anthropologist best known for his work on tribal art and visual media.

Contents

[edit] Early life

Born in Rochester, Monroe County, New York of Fletcher Hawthrone Carpenter and Agnes "Barbara" Wight he was one of four children. He is a descendant of the immigrant William Carpenter (1605 England - 1658/1659 Rehoboth, Massachusetts) the founder of the Rehoboth Carpenter family who came to America in the mid-1630s.[1]

Edmund Carpenter began his anthropology studies under Dr. Frank G. Speck at the University of Pennsylvania in 1940. After completing his semester in early 1942, he volunteered to serve his country during World War II.

[edit] World War II

He joined the US Marine Corps in early 1942, fighting in the Pacific for the duration of the war. Discharged as a captain in 1946, he returned to Penn, using his G.I. Bill, earning his doctorate four years later.

On June 14, 1946 he married his child hood sweetheart Florence Camara and eventually had two children.[1]

[edit] Post war

Meanwhile, Carpenter began teaching anthropology at the University of Toronto in 1948, taking side jobs such as radio programming for the Canadian Broadcasting Corporation (CBC). In 1950, Carpenter started fieldwork among the Aivilik, returning to these Inuit in Nunavut in the famine winter of 1951-52, and again in 1955. When public television took off in Canada with the launching of CBC-TV in 1950, Carpenter began producing and hosting a series of shows.

Moving back and forth between Toronto’s broadcasting studios and Arctic hunting camps, Carpenter became intrigued by theoretical ideas then being developed by Harold Innis and Marshall McLuhan. Teaming up with McLuhan, he co-taught a course and together they hatched their core ideas about the agency of modern media in the process of culture change. In 1953, they received a Ford Foundation grant for an interdisciplinary media research project, which funded the Seminar on Culture and Communication (1953-1959) & their co-edited periodical "Explorations." Meanwhile, Carpenter continued his programs on CBC-TV, including a weekly show also titled “Explorations” (which started as a radio program). In his famous article "The New Languages" (1957) Carpenter offers a succinct analysis of modern media based on years of participant observation in different cultures, academic & popular print publishing, & radio and television broadcasting.

[edit] Visual media

In 1957, Carpenter was appointed founding chair of an experimental interdisciplinary program of Anthropology & Art at San Fernando Valley State College (California State University-Northridge), where students were trained in visual media, including filming. With award-winning filmmaker Robert Cannon, he made an innovative documentary about "surrealist" Kuskokwim Eskimo masks. Carpenter also co-authored Georgia Sea Island Singers (1964), a film documenting six traditional African-American songs & dances by Gullahs of St. Simon Island, based on fieldwork by Alan Lomax. And with Bess Lomax Hawes, he collaborated on Buck Dancer (1965), a short film featuring Ed Young, an African-American musician-dancer from Mississippi. In 1967, however, just when visual anthropology began to take institutional form as an academic enterprise, the program was closed.

During this period, Carpenter collaborated (albeit unacknowledged) on McLuhan's Understanding Media (1964). The friends rejoined in New York in 1967, sharing the Schweitzer Chair at Fordham University. Carpenter subsequently held the Carnegie Chair in anthropology at the University of California, Santa Cruz (1968-69), & then took a research professorship at the University of Papua New Guinea. Joined by photographer Adelaide de Menil (who later became his wife), he journeyed to remote mountain areas where indigenous Papua had “no acquaintance” yet with writing, radios, or cameras. They took numerous Polaroid & 35mm photographs, made sound recordings, & shot some 400,000 feet of 16mm film in black and white, as well as color & infrared film.

During the next dozen years, Carpenter taught at various universities, including Adelphi University (circa 1970-1980), Harvard, New School University, & New York University (circa 1980-1981). In addition to numerous other publications, he also completed art historian Carl Schuster's massive cross-cultural study on traditional art motifs. Most recently, he guest-curated an important Eskimo traditional & prehistoric art exhibit Upside Down: Les Arctiques at the Musée du Quai Branly, the ethnographic art museum in Paris, France (2008).

[edit] Selected publications

  • Intermediate Period Influences in the Northeast. (PhD Thesis, U Penn, 1950)
  • Eskimo. (with Robert Flaherty, 1959)
  • Explorations in Communication, An Anthology. (co-edited with Marshall McLuhan, 1960)
  • They Became What They Beheld. (1970)
  • Oh, What a Blow That Phantom Gave Me! (1972)
  • "The Tribal Terror of Self-Awareness." Pp. 451–461. In: Paul Hockings, ed., Principles of Visual Anthropology. (1975a)
  • "Collecting Northwest Coast Art." Pp. 8-27. In: Bill Holm & William Reid. Form and Freedom: A Dialogue on Northwest Coast Indian Art. (1975b)
  • In the Middle, Qitinganituk: The Eskimo Today. (with Stephen G. Williams, 1983)
  • Social Symbolism in Ancient and Tribal Art. (with Carl Schuster; 3 Parts, 12 vols., 1986-1988)
  • Patterns That Connect:Social Symbolism in Ancient & Tribal Art. (1996)
  • "That Not-So-Silent Sea." Pp. 236-261. In: Donald Theall. The Virtual Marshall McLuhan. (2001)
  • "European Motifs in Protohistoric Iroquois Art." Pp. 255-262. In: W.H. Merrill and I. Goddard, eds., Anthropology, History, and American Indians: Essays in Honor of William Curtis Sturtevant. (2002)
  • Norse Penny. (2003a)
  • Comock: The True Story of an Eskimo Hunter. (with Robert Flaherty, 2003b)
  • Two Essays: Chief & Greed. (2005)
  • "Marshall." Pp. 179-184. Explorations in Media Ecology, Vol.5, No.3 (2006)

[edit] Documentary film

[edit] References

  1. ^ a b Carpenters' Encyclopedia of Carpenters 2009 (DVD format), Subject is RIN 128585; this work contains updates to the 1898 Carpenter Memorial by Amos B. Carpenter
  • Prins, Harald E.L. and John Bishop. Edmund Carpenter: Explorations in Media & Anthropology. Visual Anthropology Review. Volume 17, Number 2, Fall-Winter 2001-2002:110-140.
  • Prins, Harald E.L., Book Review of “Patterns that Connect: Social Symbolism in Ancient & Tribal Art.” American Anthropologist 100 (3): 841.
  • Prins, Harald E.L. and John Bishop. "Edmund Carpenter: A Trickster's Explorations of Culture & Media." Pp. 206-245. B. Engelbrecht, Ed. Memories of the Origins of Ethnographic Film. (2007)

[edit] Links

Biography portal
Retrieved from "http://en.wikipedia.org/wiki/Edmund_Snow_Carpenter"