Edward Gold
 |
This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (December 2010) |
|
|
The topic of this article may not meet Wikipedia's general notability guideline. Please help to establish notability by adding reliable, secondary sources about the topic. If notability cannot be established, the article is likely to be merged, redirected, or deleted. (June 2008) |
Edward Gold (b. 25 July 1936), is an American pianist and composer.
Contents |
[edit] Biography
Gold was born in Brooklyn and grew up in New York City. He attended public schools and majored in music at CCNY (today part of the City University of New York). He received his masters from Yale University School of Music[citation needed] where he studied with Ellsworth Grumman, Mel Powell and H. Leroy Baumgartner. Edward also studied with Nadia Reisenberg at the Mannes College of Music.
After completing his studies, Gold worked as a pianist and toured internationally. The recording of Gottschalk Piano Music (1973) on which he performed was named a "Recording of Special Merit" by Stereo Review.[1] His recordings were also noted by The American Record Guide[2] and The Musical Quarterly.[3]
Early on, Edward's music was in the style of atonality (mostly Schoenberg), but with a traditional structural style using atonal and twelve-tone techniques crossed with some Stravinsky. But he largely turned away from these styles after leaving Yale. Over the course of his career, Gold's work has been both eclectic and independent. He composes most often for orchestra, piano, chamber ensemble or various vocalists with or without accompaniment. He is a member of the tonality-based Delian Society[4] but also composes at times in a structurally-based atonal style[citation needed].
[edit] Works
Selected works include:
- Piano Variations (1959)
- Mass of John the Baptist (for three-part men's voices and organ, 1972)
- Sonatina for Flute and Piano (c. 1985)
- Schratlieder (settings for bass-baritone and piano of poems by Reinhard Paul Becker (1986)
- Carillon for Choir, Tuned Percussion, and Strings (c. 1996)
- Five Memorials (for various ensembles, 1996–97)
- Wind Quartet (2004)
- Symphonies on Ancient Tunes
- The Picture of Dorian Gray (for piano, four hands, 2006)[4]
- Central Park Suite (orchestral version)[5]
[edit] Discography
Gold's performances have been recorded and issued on media, including:
- Gottschalk Piano Music (1973)
- Piano Music of J.L. Dussek (1974)
- Romantic Cello Encores with Albert Catell (1971)
- Music by Israeli Composers (1973)[6]
[edit] References
- ^ Stereo review, Volume 32. CBS Magazines. 1974.
- ^ The American record guide. Record Guide Productions. 1988.
- ^ Hans, Nathan (1 January 1978). "Reviews of Records". The Musical Quarterly LXIV (4): 549–560. doi:10.1093/mq/LXIV.4.549. http://mq.oxfordjournals.org/content/LXIV/4/549.full.pdf+html.
- ^ a b "Edward Gold". The Delian Society. http://www.deliansociety.org/gold.html. Retrieved 12 December 2010.
- ^ "Various works". Classical Archives. http://www.classicalarchives.com/composer/641.html. Retrieved 12 January 2011.
- ^ "Edward Gold (1936-) USA". Classical Archives. http://www.classicalarchives.com/composer/641.html#tvf=tracks&tv=about. Retrieved 12 January 2011.
