Eileen Forrester Agar (December 1, 1899 – November 17, 1991) was a British painter and photographer associated with the Surrealist movement.
Born in Buenos Aires to a Scottish father and American mother, she moved with her family to London in 1911. After attending Heathfield St Mary's School, she studied, beginning in 1919, at the Byam Shaw School of Art. Then, in 1924, she studied under Leon Underwood (1890–1975). She attended the Slade School of Fine Art in London from 1925 to 1926. She also studied art in Paris from 1928 to 1930.
In 1926, she met the Hungarian writer Joseph Bard, whom she married in 1940. In 1928, they lived in Paris where she met the Surrealists André Breton and Paul Éluard with whom she had a friendly relationship. She was a member of the London group[clarification needed] from 1933. Her work was selected by Roland Penrose and Herbert Read for the International Surrealist Exhibition at the New Burlington Galleries, London, in 1936, where she showed three paintings, as "Quadriga" and five objects.[clarification needed]
Agar exhibited with the Surrealists in England and abroad. She started to experiment with automatic techniques and new materials, taking photographs and making collages and objects. "The Angel of Anarchy" (fabric over plaster and mixed media) is an example from 1936–40. It now appears at the Tate.
In 1940, she was present in many surrealist exhibitions in Amsterdam, New York, Paris and Tokyo.
After the World War II, she had started a new productive area (almosts 16 solo exhibitions between 1946 to 1985). By the 1960s she was producing Tachist paintings with Surrealist elements. She died in London. Agar has paintings in the collection of several British institutions including Derby Art Gallery, Bradford and the UK Government collection.
- "The Angel of Mercy" painting, 1934
- "Quadriga", painting, 1935
- "The Angel of Anarchy", object, 1940
- "L'horloge d'une femme" painting, 1989
Georgiana Colvile, Scandaleusement d'elles: trente-quatre femmes surréalistes, Jean-Michel Place, Paris, 1999