Eileen Myles

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Eileen Myles

Eileen Myles
Born 1949
Cambridge, Massachusetts , United States
Occupation poet, writer
Genres Poetry
non-fiction
fiction

Eileen Myles (born 1949, Cambridge, Massachusetts) is an American poet who has also worked in fiction, non-fiction, and theater.[1] She won a 2010 Shelley Memorial Award.

Contents

[edit] Early life and career

Eileen Myles grew up and attended Catholic schools in Arlington, Massachusetts and graduated from U. Mass (Boston) in 1971.

Arriving in New York in 1974, Myles gave her first reading at CBGB and attended workshops at St. Mark’s Poetry Project, studying alongside Alice Notley, Ted Berrigan, and Bill Zavatsky.[2] She developed as a part of the poetry and queer art scene that developed in Manhattan's East Village. She worked as assistant to poet James Schuyler; met Allen Ginsberg at the Nuyorican Poets Café.[3]

Her first performances and theater pieces (Joan of Arc: a spiritual entertainment, Patriarchy, a play, Feeling Blue Pts. 1, 2 7 3 and Modern Art and Our Sor Juana Ines de la Cruz) at the St. Mark's Poetry Project, P.S. 122 and The WOW Café. Myles has performed her work at colleges, performance spaces, and bookstores across North America as well as in, Iceland, Ireland and Russia. She lives in New York.

Myles's works include poetry, fiction, articles, plays and libretti, including: Hell (an opera with composer Michael Webster).

[edit] Professional life

In 1992 Myles conducted a female-led write-in campaign for President of the United States. In the 1980s she was Artistic Director of St. Mark's Poetry Project.[4] In 1997 and again in 2007 Eileen toured with Sister Spit, a post-punk female performance troupe.

Myles is Professor Emerita of Writing and Literature, and taught at University of California, San Diego from 2002 to 2007.[5] She continues to teach during summers at the Naropa Institute in Boulder, Colorado, and was the Hugo Writer at University of Montana for the spring of 2010.[2][6] She contributes to several publications, recently including Parkett, aNother Magazine, the Believer, H.O.W journal and Provincetown Arts. During summer 2009 she contributed regularly to the Poetry Foundation's "Harriet" blog.

[edit] "The Importance of Being Iceland"

Eileen Myles in 2006 at the Brooklyn Book Festival.

The Importance of Being Iceland, published by Semiotext(e) / the MIT Press in July 2009, is the first full volume of Myles's essays and art writing. It compiles a number of Myles's works, including the title essay's account of trips to Reykjavik in 1996 and 2007 to explore Icelandic poetry, art and queer identity in a global context. The volume also includes a series of conversations and essays about artists, including Daniel Day-Lewis, Wakefield Poole, Ntozake Shange and Robert Smithson.

[edit] Bibliography

[edit] Critical reception

Bust Magazine has called Myles "the rock star of modern poetry", and Holland Cotter in The New York Times described her as "a cult figure to a generation of post-punk female writer-performers."[7] Of her poetry book Sorry, Tree, the Chicago Review wrote: "Her politics are overt, her physicality raw, yet it is the subtle gentle noticing in her poems that overwhelms."

In 2010, her novel Inferno won the Lambda Literary Award for Best Lesbian Fiction.

[edit] In popular culture

She is mentioned in the lyrics of the Le Tigre song Hot Topic.

[edit] References

  1. ^ http://www.poetryfoundation.org/bio/eileen-myles
  2. ^ a b http://therumpus.net/2009/12/the-rumpus-interview-with-eileen-myles/
  3. ^ http://www.centrum.org/writing/2007/06/eileen-myles-to.html
  4. ^ http://www.poetryproject.com/
  5. ^ http://literature.ucsd.edu/faculty/emyles.cfm
  6. ^ http://www.cas.umt.edu/english/creative_writing/visiting.html
  7. ^ Cotter, Holland (May 30, 2001). "Poetry Soaked In the Personal And Political". The New York Times. http://www.nytimes.com/2001/05/30/books/poetry-soaked-in-the-personal-and-political.html?scp=6&sq=%22eileen%20myles%22&st=cse. 

[edit] External links

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