El Cid (film)
| El Cid | |
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| Directed by | Anthony Mann |
| Produced by | Samuel Bronston |
| Written by | Story: Fredric M. Frank Screenplay: Philip Yordan |
| Starring | Charlton Heston Sophia Loren Raf Vallone Geneviève Page John Fraser Gary Raymond Herbert Lom Douglas Wilmer |
| Music by | Miklós Rózsa |
| Cinematography | Robert Krasker |
| Editing by | Robert Lawrence |
| Distributed by | Allied Artists (USA) Rank Organization (UK) Dear Film (Italy) Miramax Films (1993 re-release) |
| Release date(s) | Italy: October 24, 1961 United States: December 14, 1961 |
| Running time | 184 min. |
| Country | Italy United States |
| Language | English |
| Budget | $6,200,000[1] |
| Box office | $30,000,000(Domestic) |
El Cid (1961) is a historical epic film, a romanticized story of the life of the Christian Castilian knight Don Rodrigo Díaz de Vivar, called "El Cid" who in the 11th century fought the North African Almoravides and ultimately contributed to the unification of Spain.
Made by Samuel Bronston Productions in association with Dear Film Production and released in the United States by Allied Artists, the film was directed by Anthony Mann and produced by Samuel Bronston with Jaime Prades and Michal Waszynski as associate producers. The screenplay was by Philip Yordan, Ben Barzman and Fredric M. Frank from a story by Frank. The music score was by Miklós Rózsa, the cinematography by Robert Krasker and the editing by Robert Lawrence.
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[edit] Plot
General Ibn (pronounced Ben) Yusuf (Herbert Lom) of the Almoravid dynasty has summoned all the Emirs of Al-Andalus to North Africa and chastises them for their complacency in dealing with the infidels and reveals his plan for Islamic world domination. Later, while en route to his future bride Doña Jimena (Sophia Loren), Don Rodrigo (Charlton Heston) becomes involved in a battle against a Moorish army. Two of the Emirs, Al-Mu'tamin (Douglas Wilmer) of Zaragosa and Al-Kadir (Frank Thring) of Valencia, are captured, but Rodrigo releases them on condition that they never again attack King Ferdinand of Castile (Ralph Truman). The Emirs proclaim him ‘El Cid’ (the Castillian Spanish pronunciation of the Arabic for Lord: "Al Sidi") and swear allegiance to him. For this act he is accused of treason against the King by Jimena's father, Count Gormaz (Andrew Cruickshank). Rodrigo’s proud father, Don Diego (Michael Hordern), challenges Gormaz, and when Gormaz refuses to take back the challenge or the accusation of treason, Rodrigo kills him in a duel. Jimena swears revenge upon her father’s murderer. Rodrigo then takes up the mantle of the King’s champion in single combat for control of the city of Calahorra, which he wins. Rodrigo is then sent upon a mission to collect tribute from Moorish vassals of the Castillian crown, but Jimena, in league with Count Ordóñez (Raf Vallone), has plotted to have Rodrigo killed. El Cid and his men are ambushed but are saved by Al-Mu'tamin, to whom he had previously showed clemency. Returning home, his reward is the hand of Jimena in marriage. But the marriage is not consummated and she removes herself to a convent.
King Ferdinand dies, and his eldest son, Prince Sancho (Gary Raymond), becomes king. The younger son, Prince Alfonso (John Fraser), also desires the throne; his sister, Princess Urraca (Geneviève Page) secretly has Sancho assassinated. At Alfonso's coronation, El Cid has him swear upon the Bible that he had no part in the death of his brother. Since he had no part in it as his sister was responsible, he swears so, but has Rodrigo banished for his impudence. Jimena’s love for El Cid is rekindled and she chooses banishment with him.
Rodrigo is later called into service of the king once again, to protect Castille from Yusuf's North African army. He allies himself with the other Emirs who fear Ben Yusuf and at Valencia, Rodrigo relieves the city of the wicked Emir Al-Kadir, who had betrayed him. The Emir Al-Mu'tamin and the Valencians offer the crown to ‘The Cid’, but he refuses it and sends the crown to King Alfonso. Rodrigo then repels the invading army of Ben Yusuf, but is wounded in battle by an arrow before the final victory. If the arrow is removed, there is a chance that he will live, but he will not be able to lead his army. El Cid obtains a promise from Jimena to not remove it, knowing that this will kill him. He intends to ride out, even if dead. King Alfonso comes to his bedside and asks for his forgiveness.
The morning after El Cid dies, his body is secured upon his horse and sent out at the head of his army with King Alfonso and Emir Al-Mu'tamin on either side of his horse. When Yusuf's army see him with his eyes still open, they believe that El Cid's ghost has come back from the dead. Babieca, his horse, tramples on and kills Ben Yusuf, who is too terrified to fight. The invading North African army is completely defeated. The film ends with King Alfonso leading Christians and Moors in a prayer "for the purest knight of all".
[edit] Cast
- Charlton Heston as El Cid
- Sophia Loren as Doña Jimena
- Herbert Lom as Ben Yusuf
- Raf Vallone as García Ordóñez
- Geneviève Page as Doña Urraca (sister of Alfonso VI)
- John Fraser as Alfonso VI (King of Castile)
- Douglas Wilmer as Al-Mu'tamin (Emir of Zaragosa)
- Frank Thring, as Al-Kadir (Quadir) (Emir of Valencia)
- Michael Hordern as Don Diego (father of Rodrigo)
- Andrew Cruickshank as Count Gormaz
- Gary Raymond as Prince Sancho, the 1st born of King Ferdinand
- Ralph Truman as King Ferdinand
- Massimo Serato as Fañez (nephew of Rodrigo)
- Hurd Hatfield, as Arias
- Tullio Carminati as Al-Jarifi
- Fausto Tozzi as Dolfos
[edit] Pre-production
Loren was paid $200,000 for ten weeks' work; producer Samuel Bronston also agreed to pay $200-a-week for her hairdresser.[2]
Ramón Menéndez Pidal, a Spanish authority on El Cid and Spain in the Middle Ages was the “historical adviser for the film and the "overall interpretation of the hero as presented by Charlton Heston."[3]
[edit] Production
The film was mostly shot on location in Spain - including the castles of Belmonte (Cuenca) and Peñíscola (Castellón) - though a few studio scenes were shot in Rome purely to achieve the financial gains of co-production status.
[edit] Reception
Upon the film's release, Bosley Crowther wrote "it is hard to remember a picture—not excluding Henry V, Ivanhoe, Helen of Troy and, naturally, Ben-Hur—in which scenery and regal rites and warfare have been so magnificently assembled and photographed as they are in this dazzler...The pure graphic structure of the pictures, the imposing arrangement of the scenes, the dynamic flow of the action against strong backgrounds, all photographed with the 70-mm. color camera and projected on the Super-Technirama screen, give a grandeur and eloquence to this production that are worth seeing for themselves."[4] Crowther also pointed out that while "the spectacle is terrific[,] the human drama is stiff and dull." Time magazine provided some details to help illustrate just how much of a spectacle it was: "Inevitably, the picture is colossal—it runs three hours and 15 minutes (including intermission), cost $6,200,000, employs an extra-wide widescreen, a special color process, 7,000 extras, 10,000 costumes, 35 ships, 50 outsize engines of medieval war, and four of the noblest old castles in Spain: Ampudia, Belmonte, Peñíscola and Torrelobaton."[1]
The film's leading lady had a major issue with Bronston's promotion of the film, an issue important enough to her that Loren sued Bronston for breach of contract in New York Supreme Court. As Time described it:[2]
On a 600-sq.-ft. billboard facing south over Manhattan's Times Square, Sophia Loren's name appears in illuminated letters that could be read from an incoming liner, but—Mamma mia!—that name is below Charlton Heston's. In the language of the complaint: "If the defendants are permitted to place deponent's name below that of Charlton Heston, then it will appear that deponent's status is considered to be inferior to that of Charlton Heston ... It is impossible to determine or even to estimate the extent of the damages which the plaintiff will suffer."
The film is a favorite of Martin Scorsese, who called it "one of the greatest epic films ever made."[5] Scorsese was one of the major forces behind a 1993 restoration and re-release of El Cid.[6]
[edit] Awards and nominations
El Cid was nominated for three Academy Awards, for Best Art Direction (Veniero Colasanti, John Moore), Original Music Score for Miklós Rózsa and Best Song.[7]
It was also nominated for a Golden Globe Award for Best Motion Picture Director, Anthony Mann and Samuel Bronston won the 1962 Special Merit Award.
Robert Krasker won the 1961 Best Cinematography Award by the British Society of Cinematographers. Verna Fields won the 1962 "Golden Reel Award" of the Motion Picture Sound Editors.
[edit] See also
[edit] References
Specific references:
- ^ a b "Cinema: A Round Table of One". Time. December 22, 1961. http://www.time.com/time/printout/0,8816,827169,00.html. Retrieved 2009-12-11.
- ^ a b "Egos: Watch My Line". Time. January 5, 1962. http://www.time.com/time/printout/0,8816,874399,00.html. Retrieved 2009-12-11.
- ^ Richard A. Fletcher (1990). "Chapter 1". The Quest for El Cid. ISBN 0394574478. Fletcher considers Pidal’s work on El Cid somewhat idealized and “eccentric.”
- ^ a b Bosley Crowther (December 15, 1961). "Spectacle of El Cid Opens: Epic About a Spanish Hero at the Warner". The New York Times. http://movies.nytimes.com/movie/review?res=9B05E0D6143AE13ABC4D52DFB467838A679EDE. Retrieved 2009-12-11.
- ^ El Cid from reelviews.net
- ^ "Miramax to rerelease a restored '61 'El Cid'". April 16, 1993. http://www.variety.com/article/VR105980.html. Retrieved 2009-12-11.
- ^ "NY Times: El Cid". NY Times. http://movies.nytimes.com/movie/15437/El-Cid/awards. Retrieved 2008-12-24.
General references:
- Richard Burt, Medieval and Early Modern Film and Media (Palgrave MacMillan, 2008) ISBN 0230601251
[edit] External links
- El Cid at the Internet Movie Database
- El Cid at Rotten Tomatoes
- El Cid at AllRovi
- El Cid, reviewed by Dr Jonathan Phillips, senior lecturer in medieval history, Royal Holloway, University of London
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