El desencanto

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El desencanto
El desencanto film poster.jpg
Theatrical release poster
Directed by Jaime Chávarri
Produced by Elías Querejeta
Written by Jaime Chávarri
Starring Felicidad Blanc
Leopoldo María Panero
Juan Luis Panero
Michi Panero
Cinematography Teodoro Escamilla
Edited by José Salcedo
Release dates
17 September 1976
Running time
97 minutes
Country Spain
Language Spanish

El desencanto (English: The Disenchantment ) is a 1976 Spanish documentary film written and directed by Jaime Chávarri about the family of famous poetry writer Leopoldo Panero. It tells the story of the Panero's family told by themselves twelve years after the death of patriarch Leopoldo Panero, poet of the Franco regime. The documentary is based on the testimony of the remaining four members: the poet's widow, Felicidad Blanc, and the couple's three sons: Juan Luis, Leopoldo Maria and Michi.[1] In their intertwined testimonies, they deal with family relations, the weight of their share past and about themselves.

El desencanto was made as the Francisco Franco's regime was ending and was released during the Spanish transition to democracy becoming a symbol of the decadence of the Fracoist family. El Desecanto is considered a seminal work among Spanish documentaries and has achieved cult status.[2]

Twenty years later Ricardo Franco made a second part, Después de tantos años (After so many years) (2004). By then the mother has already died, but the three brothers were interviewed.[2]

Synopsis[edit]

The Panero is an illustrious traditional family from Astorga with literary links extending for generations. The patriarch, Leopoldo Panero, was the best regarded poet in Spain during his time. He died suddenly of a heart condition in 1962. Twelve years later, his widow, the still beautiful and elegant Felicidad Blanc, in the company of two of her sons Juan Luis and Michi, is shown in an outdoor homage to the late poet.

Felicidad Blanc, with a calm and cultured voice, tells about the memories of her youth during the Spanish civil war and her courtship with the famous poet. A medical's doctor daughter from Madrid's upper middle class, she became upon her marriage a traditional Spanish wife completed overshadow by her dominating famous husband. She dedicated her life to her husband, their three sons and the family home in Astorga. The death of her husband brought the family's economical decline and she was forced to sell family properties while raising her sons alone. The three brothers, all cultured and well spoken had literary ambitions. The two eldest Juan Luis and Leopoldo Maria became distinguished poets in their own right. Juan Luis and his younger brother Michi discuss the family's troubles, but as a rivalry exist between Juan Luis and Leopoldo Maria they do not share screen time.

Juan Luis, ironic and scathing, talks about his travels, his friends in literary circles including Jorge Luis Borges, reserving his resentment for his family. His relationship with his father was distant. Michi, the youngest sibling, began many careers without finishing any. He seems unable to find his place in life. Ultimately was the middle brother, Leopoldo Maria, who achieved literary recognition as a poet following in the footsteps of his father. His success only cemented the rivalry with his resentful older brother. However Leopoldo Maria is also the most troubled of the three brothers. The siblings, like their father and many relatives, have problems with alcoholism to which Leopoldo Maria added drug addiction, periods in jail for his leftist activities, any many stays in psychiatric clinics. He is featured in the documentary as a talkative young man brooding because of his early convalescence and psychotic episodes. However, he displays a clear insight and black humor about his destructive own life and his dysfunctional family. Leopoldo reserves his resentment towards his mother who interned him in a mad house after a failed suicide attempt.

Felicidad Blanc recounts multiple visits to her troubled son in jail, her efforts and failures raising her sons while dealing with the family's economic decline. With a more romantic view of the past, but admitting her failures, Felicidad defends herself from the attacks of her two youngest sons.

Notes[edit]

  1. ^ Torres, Diccionario Espasa Cine Español, p.170
  2. ^ a b Torres, Diccionario Espasa Cine Español, p. 169

References[edit]

  • Torres, Augusto M. Diccionario Espasa Cine Español. Espasa Calpe, 1994, ISBN 84-239-9203-9

External links[edit]