Founded during an era of increasing popularity for digital recording, Electrical Audio was unusual for using only analog recording technology, including mixing consoles, tape recorders and many outboard sound effects. The rooms are also designed to offer natural reverberation rather than adding the quality in post-production.
In a 2007 post on the studio's message board, the studio's technician Greg Norman revealed that the studio had acquired a Pro Tools rig for computer-aided recording and editing, saying it had become "as important to have as a piano". Norman also went on to write that Albini, who dislikes digital recording, "won't be recording with [Pro Tools]. So don't ask him about it."
The facility was built by gutting an existing building and customizing the space to Albini's specifications, including walls made of adobe bricks shipped from New Mexico. Electrical Audio comprises two separate studios, A and B.
Studio A is the larger of the two studios and has three separate performance rooms. Center Field is the largest at 1,200 square feet (110 m2), Alcatraz is a 'dry environment' room and Kentucky is a brighter live room with improved low frequency linearity. The control room runs a 48 channel Neotek Elite console and can accommodate up to 132 inputs.
Studio B is the smaller of the two studios with an 800 square feet (74 m2) live room and a 300 square feet (28 m2) isolation room. The control room runs a 36 input Neotek Series II console.
- List of Steve Albini's recording projects, many of which were recorded at this studio
- "Steve Albini—Sound Engineer Extraordinaire". Sound On Sound. 2005.
- EA Forums: Pro Tools and Digital Performer at Electrical
- Electrical Audio - Equipment
- Haines, Garrett, "Behind the Gear: Bill Skibbe and Jessica Ruffins" Tape Op Magazine. Issue 44 Nov/Dec 2004. P. 22.
- ElectricalAudio.com is Electrical Audio's home webpage.