Eleni Sikélianòs is an American experimental poet with a particular interest in scientific idiom.
She was raised in California. She graduated from the Naropa Institute with an M.F.A.
She taught at Teachers & Writers Collaborative in New York City and teaches Literature and Bard College's Clemente Program. She co-ran the Wednesday Night Readings at the St. Mark's Poetry Project in St. Mark's Church. She lived in New York City.
Her work has appeared in Grand Street, Rattapallax, Sulfur, Chicago Review, and Fence.
- 2002 National Poetry Series (for The Monster Lives)
- Seeger Fellow Princeton University
- Yaddo residency
- Maison des écrivains étrangers residency in Brittany,
- Fulbright Writer's Fellowship in Greece
- New York Foundation for the Arts Award in Nonfiction Literature
- National Endowment for the Arts fellowship
- two Gertrude Stein Awards for Innovative American Writing
- New York Council for the Arts Translation Award
- James D. Phelan Award for Blue Guide
- Added to The &NOW Awards 2: The Best Innovative Writing. &NOW Books, 2013 
- Body Clock (Coffee House, 2008)
- The California poem. Coffee House Press. 2004. ISBN 978-1-56689-162-2.
- The Monster Lives of Boys & Girls. Green Integer. December 1, 2003. ISBN 978-1-931243-67-4.
- Earliest Worlds (Coffee House Press, 2001)
- The Book of Tendons 1997
- The Lover's Numbers
- To Speak While Dreaming 1993
- "from The Book of Jon". Ploughshares. Winter 2002–2003.[dead link][dead link]
- "from Body Clock". Tarpaulin Sky. Fall 2006.
- The Book of Jon (Nonfiction; City Lights, 2004).
- From Blue Guide (1999)
- The Lover's Numbers
- Poetics of the X (1995)
In an interview she gave with the California Journal of Poetics, Sikelianos discusses how zoology, cell biology, and marine biology became important to her early poetic sensibility. She cites Lynne Margulis’ work in evolutionary symbiosis and the work of D’Arcy Wentworth Thomas as influential."
- Elizabeth Willis, ed. (2008). "Life Pops from a Music Box Shaped Like a Gun". Radical Vernacular: Lorine Niedecker and the Poetics of Place. University of Iowa Press. ISBN 978-1-58729-698-7.
- Anne Waldman, Lisa Birman, ed. (2004). "Yo, Self / Yo, Maximus". Civil disobediences: poetics and politics in action. Coffee House Press. ISBN 978-1-56689-158-5.
- Peter H. Conners, ed. (2006). PP/FF: an anthology. Starcherone Books. ISBN 978-0-9703165-1-6.
- Don Schofield, ed. (2004). Kindled terraces: American poets in Greece. Truman State University Press. ISBN 978-1-931112-37-6.
This fall Eleni Sikelianos has come out with two new books, The California Poem (Coffee House Press) and The Book of Jon (City Lights). Sikelianos’s capacity to tune her writing instrument to greatly different projects is attested to not only by the genre of each work (The California Poem is a book-length poem and The Book of Jon is a (mostly) prose memoir), but also by the way that the two books look. The California Poem is, like its namesake states, large; it is 7 x 8 ½ inches in dimension, 200 pages in length. The Book of Jon, on the other hand, is quite small; it fits nicely into the back pocket of a pair of jeans. These differences are telling, for The California Poem is a great big epic, The Book of Jon an intimate family history.
Eleni Sikelianos declares her collage poetics a third of the way into her patchwork memoir The Book of Jon: “None of these stories will stitch up into a seamless blanket to cover this family’s tracks. In this story, all the fissures show, they bulge scarlike, they come apart at the seams or they were never sewn up in the first place.” Toward the end of the next expansive sentence, she describes “the snaking lines of those beautifully colored cartographer’s maps coming unhinged from their borders and uncoiling away off the page, disappearing into the aethers.” Even her (mixed) metaphors appear pasted together from various texts, incorporating verbs of stitching, bulging, coming apart, snaking, unhinging, uncoiling and disappearing, while the nouns they move include a blanket, fissures, scars, seams, maps and pages. But what is oddest about this passage is Sikelianos’s definition of her family story as a narrative that might “cover this family’s tracks”—a history that conceals rather than reveals. This odd and troubling idea is the engine that drives her poetic memoir from ignorance to an untotalizing knowledge of kin and kind.
Earliest Worlds contains not one, but two ambitious volumes of poems: Blue Guide, and Of Sun, Of History, Of Seeing. Although the books share the balance of concentration and abandon necessary for their slightly increased speed of travel, the boundary between them is clearly defined, and either can be appreciated on its own. Together, they cover more ground than some careers.
- Ballard, Jannette (28 August 2013). "Creative writing PhD named one of country’s best young poets". University of Denver Magazine Magazine. Retrieved 21 March 2014.
- Rattapallax. 2003.
- Fernandes, Megan K. (7 November 2012). "Scientific Materialism and Poetics: An Interview with Eleni Sikelianos". California Journal of Poetics. Retrieved 17 October 2013.
- "Essay/Book Review", Double Room Journal, Karla Kelsey, Winter/Spring 2005
- Susan M. Schultz (JANUARY/FEBRUARY 2006). "Borrowed Lines". Boston Review.
- Jacket 15
- "Author's website"
- "Eleni Sikelianos in conversation with Jesse Morse", Jacket 33, July 2007
- "Henry Gould on Eleni Sikelianos from Blue Guide", Poetry New York, 1999, 36 pp