Elliott Smith (album)
|Studio album by Elliott Smith|
|Released||July 21, 1995|
|Recorded||September 1994 at Tony Lash's house; January–February 1995 at Leslie Uppinghouse's house|
|Genre||Lo-fi, indie folk|
|Label||Kill Rock Stars|
|Elliott Smith chronology|
|Singles from Elliott Smith|
Elliott Smith is the second studio album by American singer-songwriter Elliott Smith. It was recorded from late 1994 to early 1995 and released on July 21, 1995 through Kill Rock Stars; his first album on the label. It was preceded by the single "Needle in the Hay", released in early January.
The album is of a similar musical style to Roman Candle in its minimalist, acoustic folk sound. Smith mostly appears alone on his acoustic guitar, although he is occasionally backed up by the odd musical instrument, such as a harmonica and drums. Rolling Stone described the album thus: "the music burrows, digging up gems of structure, melody and lyrical vividness that belie his naïve delivery [...] the sound is hummable pop, slowed and drugged, with tricky but unshowy guitar work driving the melodies forward".
The album's lyrics contain many references to drug use, which Smith claims are metaphorical. The album cover features a photograph by J. J. Gonson, who also photographed the cover for Roman Candle, depicting cut-out figures falling from buildings as if they were committing suicide.
Thematically, Smith said that he "personally can't get more dark" than his self-titled album.
Elliott Smith was released on July 21 through Kill Rock Stars, making it his first full-length album on the label. In contrast to Roman Candle, Elliott Smith was "promoted heavily", with posters of Smith appearing in the windows of record stores across the Northwest of Portland, Oregon, where Smith lived at the time.
|Rolling Stone Album Guide|||
While not believed to have been reviewed by many, if any, critics at the time of its release, Elliott Smith has been critically well-received retrospectively. Steve Huey of AllMusic wrote "Elliott Smith contains the blueprint for his later successes, and more importantly, it's a fully-realized work itself." Trouser Press described it as "Bleak, almost uncomfortably unsparing and yet tragically beautiful", and that "the songs, melodies, arrangements and production are all stronger and more fully realized than those on Roman Candle".
All songs written and composed by Elliott Smith.
|1.||"Needle in the Hay"||4:16|
|6.||"Coming Up Roses"||3:10|
|9.||"St. Ides Heaven"||3:00|
|10.||"Good to Go"||2:24|
|11.||"The White Lady Loves You More"||2:24|
|12.||"The Biggest Lie"||2:39|
- Elliott Smith – all instruments
- Additional personnel
- Neil Gust – electric guitar ("Single File"), sleeve photography
- Rebecca Gates – backing vocals ("St. Ides Heaven")
- Nugent, Benjamin (2004). Elliott Smith and the Big Nothing. Da Capo Press. ISBN 978-0-306-81447-1.
- Huey, Steve. "Elliott Smith – Elliott Smith | Songs, Reviews, Credits, Awards | AllMusic". AllMusic. AllRovi. Retrieved April 13, 2013.
- "Elliott Smith: Album Guide | Rolling Stone Music". Rolling Stone. Archived from the original on July 24, 2012. Retrieved April 13, 2013.
- Peisner, David. "Elliott Smith Interview: Well Rounded Entertainment". Well Rounded Entertainment. Archived from the original on September 19, 2000. Retrieved April 13, 2013.
- "Needle in the Hay 7" | Kill Rock Stars". Bandcamp. Retrieved June 21, 2013.
- "Elliott Smith | Kill Rock Stars". Kill Rock Stars. Retrieved June 23, 2013.
- Azerrad, Michael; Robbins, Ira. "TrouserPress.com :: Heatmiser". Trouser Press. Retrieved March 29, 2015.
- "Staff Lists: The Top 200 Tracks of the 1990s: 50–21 | Features | Pitchfork". Pitchfork. September 2, 2010. Retrieved April 13, 2013.