Elseworlds

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Elseworlds logo.

Elseworlds is the publication imprint for a group of comic books produced by DC Comics that takes place outside the company's canon. The imprint presents narratives in which existing characters or storylines are introduced to an entirely new idea or concept and often put into alternate timelines or realities. Gotham by Gaslight, featuring Batman, is considered to be the first Elseworlds story.

The "Elseworlds" name was copyrighted in 1989, the same year as the first Elseworlds publication, and supplanted the previous Imaginary Stories series that employed the same premise.[1]

Unlike its Marvel Comics counterpart What If...?, which bases its stories on a single point of divergence from the regular continuity, most Elseworlds stories instead take place in entirely self-contained continuities, with the only connection to the canon DC continuity being the presence of familiar DC characters.

History[edit]

Imaginary Stories[edit]

From the beginnings of the comic book format, adventure story characters such as Batman and Superman have been presented in different interpretations. Sometimes as humorous cartoons with very little logic to the story and sometimes as more substantial works of fantasy fiction where continuity matters. From 1942 to the mid-1980s, particularly during the 1960s Silver Age of Comic Books era, DC Comics began to make a distinction between the "real" continuity of the most popular characters and the stories with even wilder flights of fancy which did not need to fit that continuity. These latter were called Imaginary Stories and the very first was "Superman, Cartoon Hero!"[2]

The title page of a slightly altered reprint version states that the story is "Our first imaginary story", and continues to say, "In 1942, a series of Superman shorts started showing throughout the U.S.! So, with tongue firmly in cheek, the DC team turned out this story of what might have happened if Lois Lane had decided to see... Superman, Cartoon Hero!" The original printing is worded differently and gives no impression that the story is any more or less than a "real" Superman story. The rewrite gives us a clear indication of changing editorial policy.

It opens with Lois determined to learn Superman's secret identity and going to the theater to see the Max Fleisher Superman short "Mad Scientist" in hopes of seeing the animated Man of Steel reveal his true self. In addition to other things, when the opening credits roll and state that the cartoons are based on DC Comics, Lois Lane states that she has never heard of DC Comics. Clark Kent wonders if the people there are clairvoyant. In the final panel Clark Kent exchanges a knowing wink with the image of himself as Superman on the movie screen.

Craig Shutt, author of the Comics Buyer's Guide column, "Ask Mr. Silver Age", states that true imaginary stories differed from stories that were dreams and hoaxes. Dreams and hoaxes were "gyps" on account of "not having happened" whilst true imaginary stories were canonical at least unto themselves. Also notes Shutt, since they were "just" imaginary and thus had no bearing on the characters’ regular stories, they could show things like people dying and the victory of evil. In the much more optimistic and hopeful Silver Age of Comics, such stories usually could never be told; this is hinted with how writers telling such an Imaginary Story often reassured readers that it didn't really happen.[3]

Most of these Imaginary Stories featured alternate histories of characters, such as "The Amazing Story of Superman-Red and Superman Blue!." There, readers saw possible pasts that could have happened but did not happen. One such story has Superman being raised by apes in imitation of Tarzan,[4] an idea that would be recycled into a later Elseworlds, wherein Tarzan and Superman were switched at birth.[5] Possible present times were shown, such as one story wherein Ma and Pa Kent, touched by pity, adopted a recently orphaned Bruce Wayne and raised him along their own son, Clark. Thus, the present shows Superman and Batman as brothers, Clark protecting Gotham and working for the Gotham Gazette instead of living in Metropolis, and Batman inviting his parents. the Kents, to live with him in Wayne Manor. In keeping with the fact that these Imaginary Stories allowed for much grimmer stories that usual, it ended with Lex Luthor killing the Kents and Batman trying to murder him in revenge.[6]

This Super-Wedding is REAL!
The marriage is not a HOAX!
The bride and groom are not ROBOTS!
This romance is not a DREAM of LOIS LANE or SUPERMAN!

Superman's Girl Friend, Lois Lane #15

Possible futures that "could very well happen" and, in fact, ultimately did, were explored, such as Clark Kent revealing to Lois his secret identity and marrying her.[7] Futures that "perhaps never will" happen were also examined such as the permanent death of Superman.[8] Imaginary Stories appeared often enough that sometimes comics, such as Superman's Girl Friend, Lois Lane #15 (February 1960)—the cover of which appeared to depict Superman marrying Lois Lane—had to assure readers that their contents were not "imaginary".[9]

A few Imaginary Stories appeared in other DC publications. Batman editor Jack Schiff, for example, supervised stories in which the Dark Knight started a family or lost his identity; though these were revealed at the end of the story to be stories written by Alfred. Schiff's stories are notable for the first appearance of the original Bruce Wayne Junior. Writer/editor Robert Kanigher supervised Wonder Woman's own series of stories called Impossible Tales which featured the same principle – there Wonder Woman appeared, along with her younger selves, Wonder Girl and Wonder Tot. However, the majority of Imaginary Stories were published in various Superman comics under the guidance of Superman editor Mort Weisinger, the "King of Imaginary Stories." This was in part because, according to Shutt, he aimed for younger audiences and went for the heart. Later editors like Julius Schwartz went for the head and rarely used the concept.[3]

Though its status as a truly imaginary story (dealing as it does with the finale of the Earth-1 Superman) is debatable, the last official Imaginary Story ever published — "Whatever Happened to the Man of Tomorrow?" — was written by Alan Moore and appeared in Superman #423 and Action Comics #583 (both September 1986). The Elseworlds series of self-contained stories are essentially Imaginary Stories under a newer label and a wider scope of possibilities. The chance to see anything happen at the same time know that those stories are "real" if only for that one issue gives Imaginary Stories and Elsweorlds their power. Shutt states, "It all counts, it all matters, it all is deeply fault, at least for that one story. That's really all a reader could want, isn't it?"[3]

Elseworlds imprint[edit]

Further information: List of Elseworlds publications

The first Elseworlds title was Batman: Gotham by Gaslight (1989), by Brian Augustyn and Mike Mignola, and edited by Mark Waid, which featured a Victorian Age version of the superhero Batman hunting Jack the Ripper, who had come to Gotham City. This title was not originally published as an Elseworlds comic, but its success led to the Elseworlds concept and this title was retroactively declared the first Elseworlds. The first book to feature the Elseworlds logo was Batman: Holy Terror.

Even though they do not take place within the continuity, the majority of intercompany crossovers are not considered Elseworlds, but take place in their own, for the most part self-contained, continuity. The 1996 one-shot "Batman/Captain America" was a Marvel/DC crossover book and cited as an "Elseworlds" but that was due to the plot, which imagined the two heroes co-existing in 1945.

DC sporadically published various Elseworlds titles up to 2005. Around the time of the release of Batman Detective No. 27, editor Mike Carlin noted that DC had scaled back the production of Elseworlds books in order to "put the luster back on them."[citation needed] Several titles that were announced as Elseworlds books prior to this have yet to see publication, such as Generations 4 (announced by John Byrne, but possibly placed on the back-burner due to lack of good press for and low fan response to Generations 3),[citation needed] Superboy's Legion 2 (rumored sequel by Alan Davis; presumably planned after he finished JLA: Another Nail)[citation needed] and The Teen Titans Swingin' Elseworlds Special (cancelled, possibly due to controversial material concerning John F. Kennedy).[citation needed] This last title was finally released in January 2008 as the Teen Titans Lost Annual.[citation needed]

In a September 2009 interview, Dan DiDio hinted at a return of Elseworlds books in a series of Prestige Format books. He laments at the stagnation of the Elseworlds concept when he felt it became simply transplanting the characters in different settings. The approach being aimed for is to take the classic origin and mythology of the DC characters and twist in interesting ways.[10]

The first—and to date, only—new Elseworlds to be told under this initiative is titled "Superman: The Last Family of Krypton" which tells the story of baby Kal-El reaching Earth with his mother and father, and how the world handles the emergence of a super-powered family.[citation needed]

Noted titles[edit]

Other Elseworlds titles include:

Except when otherwise noted, most of the stories in the monthly series Batman: Legends of the Dark Knight are considered canon,[citation needed] even though some have tales of Batman in the future, which are deemed non-canonical. In 1994, DC Comics Elseworlds collaborated with the DC yearly summer annual edition comic books. Batman: Year 100 published in 2006, is considered an Elseworlds story, despite not having the logo. The latest Elseworlds story to be published is Superman: The Last Family of Krypton, a 3-issue series first published in August 2010.

Relationship to DC continuity[edit]

Although Elseworlds was created to be separate from the "regular continuity", there have been specific examples where Elseworld stories have been placed into continuity.

The series of specials The Kingdom brought the previous Elseworlds Kingdom Come into DC continuity as an alternate timeline. However, a later editorial edict removed the concept of Hypertime established in the specials and presumably Kingdom Come. This was reinforced in the JSA "Thy Kingdom Come" storyline where the Kingdom Come Superman (Earth-22) theorizes that Gog somehow viewed his Earth rather than having come from it.[clarification needed]

The new Multiverse was introduced at the conclusion of the 52 finite series and expanded on in the pages of the Countdown weekly limited series. Some of the alternate worlds depicted in various Elseworlds titles have been reintroduced as alternate Earths that make up the new Multiverse; however, this was not limited to the said series.[11][12]

See also[edit]

References[edit]

  1. ^ Members and Users (2012). "Elseworlds". Comic Vine. CBS Interactive Inc. Retrieved 19 May 2012. 
  2. ^ ‘’Superman’’ #19 (1942), by Jerry Siegel (Script), Joe Shuster (Layouts), Ed Dobrotk
  3. ^ a b c Shutt, Craig (2005). DC's Greatest Imaginary Stories: 11 Tales You Never Expected to See!. New York: DC Comics. ISBN 978-1-4012-0534-8. 
  4. ^ Superboy vol. 1 #183 and #188 (1972)
  5. ^ Superman/Tarzan: Sons of the Jungle
  6. ^ World's Finest" #172
  7. ^ "Mr. and Mrs. Clark (Superman) Kent", Superman's Girlfriend, Lois Lane, #19, 1960.
  8. ^ "The Death of Superman", Superman #149, 1961.
  9. ^ Martin O'Hearn. "Superman's Girl Friend, Lois Lane #15". Grand Comics Database. Grand Comics Database. Retrieved 19 May 2012. 
  10. ^ Vaneta Rogers (14 September 2009). "20 Answers & 1 Question With DAN DIDIO 9-14-09". Newsarama.com. TechMediaNetwork.com. Retrieved 19 May 2012. 
  11. ^ Countdown #51-0 (May 2007 - May 2008)
  12. ^ Countdown: Arena #1 (December 2007)

External links[edit]