Master of ceremonies
- For other uses see Master of Ceremonies (disambiguation).
A Master of Ceremonies (also used in its abbreviated forms MC or emcee) or compère is the official host of a staged event or similar performance.
An MC usually presents performers, speaks to the audience, entertains people, and generally keeps the event moving. An MC may also tell jokes or anecdotes. The MC sometimes also acts as the protocol officer during an official state function.
The term is also used to refer to television game show hosts and/or hostesses.
In hip hop and electronic dance music, an MC, otherwise known as a rapper, is a music artist and/or performer who usually creates and performs vocals for his/her own original material. An emcee focuses on skills, lyrical ability, and subject matter.
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The term originates from the Catholic Church. The Master of Ceremonies is an official of the Papal Court responsible for the proper and smooth conduct of the elegant and elaborate rituals involving the Pope and the sacred liturgy. He may also be an official involved in the proper conduct of protocols and ceremonials involving the Roman Pontiff, the Papal Court, and other dignitaries and potentates. Examples of official liturgical books prescribing the rules and regulations of liturgical celebrations are Cæremoniale Romanum and Cæremoniale Episcoporum.
The office of the Master of Ceremonies itself is very old. According to the Catholic Encyclopedia, the most ancient ceremonials and rituals of the Catholic Church are the Ordines Romani. Names of Masters of Ceremonies are known since the late Middle Ages (15th century) and the Renaissance (16th century). However, copies of books prescribing the forms of rituals, rites and customs of pontifical ceremonies are known to have been given to Charles Martel in the 8th century. The rules and rituals themselves are known to have been compiled or written by the pontifical masters of ceremonies whose contents date back to the time of Pope Gelasius I (492–496) with modifications and additions made by Pope Gregory the Great (590–604). It is reasonable to assume that the ceremonials themselves pre-date Gelasius I and the origins of the Master of Ceremonies may have developed from the time Emperor Constantine the Great gave the Lateran Palace to the popes (324) or from the time Christianity became the official religion of the Roman Empire (380), and was influenced no doubt by imperial practices, customs and norms. However, documentary evidence from the late Roman period are scarce or lost. The ceremonies and practices of the Byzantine emperors are also known to have influenced the papal court. The accumulation of elaboration and complication since the Renaissance and Baroque eras were carried well into the 20th century until some of the ceremonies (i.e. the court, the rituals and norms) were simplified or completely eliminated by Pope Paul VI in the 1970s after Vatican II; much of the Renaissance pomp and ceremony has been completely abandoned by the popes of the modern era.
At a large Catholic church or cathedral, the Master of Ceremonies organises and rehearses the proceedings and ritual of each Mass. He may also have responsibility for the physical security of the place of worship during the liturgy. At major festivities such as Christmas and Easter, when the liturgies are long and complex, the Master of Ceremonies plays a vital role in ensuring that everything runs smoothly.
Masters of Ceremony at weddings and private events also ensure the coordination of their event, including liaison with catering staff.
Historically certain European royal courts maintained senior offices known as Masters of Ceremonies (or some variants thereof), responsible for conducting stately ceremonies such as coronations and receptions of foreign ambassadors. Examples included:
- British Empire: Master of the Ceremonies
- France: Grand Master of Ceremonies
- Japan: Master of Ceremonies
- Russian Empire: see Table of Ranks
- Ottoman Empire: Kapıcıbaşı, literally "chief doorkeeper" of the Topkapi Palace
In the context of a comedy club, the role of MC is traditionally filled by a "compère". In any comedy show, the compère is the host of the evening's events, but the precise role and responsibilities will vary depending on the country, venue and style of event. The compère is usually a working comedian, and whilst they may incorporate elements of their regular set, the role broadly requires a greater level of improvisation – creating a sense of place and community, interacting with the audience, dealing with any hecklers and encouraging them to focus on the other acts. The compère will normally do longer bits at the start of the show and after any interval, and shorter bits between acts. They may also be required to make announcements, such as birthdays, anniversaries and bar promotions.
- skillfully capturing and maintaining the attention of the wedding guests
- effectively directing their attention on whatever the bride and groom have chosen to include
- keeping the wedding attendees informed so at any given moment they know what is happening
- comfortably guiding the bride's and groom's friends and family so they know what they are supposed to do to participate
The role of the Wedding Master of Ceremony incorporates a wide range of skills, and those who serve in this capacity have frequently undergone extensive training in the following areas:
- Delivering Applause Cues
- Presenting Introductions
- Microphone technique
- Posture and Stance
- Voice Inflection
- Staging (theatre)
In hip hop culture
In the late 1970s, the term Emcee, MC or M.C. became an alternative title for a rapper and for their role within hip hop music and culture. The term is often used as a term of distinction, referring to an artist with good performance skills.
- Harper, Douglas. "emcee". Online Etymology Dictionary. Retrieved 2013-04-02.
- "Catholic Encyclopedia: Ceremonial". Newadvent.org. 1908-11-01. Retrieved 2010-06-10.
- Imperial Household Agency: Organization and Functions
-  Wedding Master of Ceremonies. Retrieved 2013-06-03
- Edwards, Paul, 2009, How to Rap: The Art & Science of the Hip-Hop MC, Chicago Review Press, p. xii.
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