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Emil Viklický (born November 23, 1948 in Olomouc) is a Czech jazz pianist and composer. In 1971 he graduated from Palacký University with a degree in mathematics. While a student he devoted much time to playing jazz piano. In 1974, he was awarded the prize for best soloist at the Czechoslovak Amateur Jazz Festival, and that same year he joined Karel Velebny's SHQ ensemble. In 1976, he was a prizewinner at the jazz improvisation competition in Lyon, and his composition “Green Satin” (Zeleny saten) earned him first prize in the music conservatory competition in Monaco, where in 1985 his “Cacharel” won second prize in the same competition.
In 1977 he was awarded a year's scholarship to study composition and arrangement with Herb Pomeroy at Berklee College of Music in Boston. He then continued his composition studies with Jarmo Sermila, George Crumb and Václav Kučera. Since returning to Prague, he has led his own ensembles (primarily quartets and quintets), composed and arranged, and - since the death of Karel Velebný - worked as director of the Summer Jazz Workshops in Frydlant. He has lectured at a similar workshop event in Glamorgan, Wales. Between 1991 and 1995, Viklický was President of the Czech Jazz Society, and since 1994 he has worked with the Ad lib Moravia ensemble, whose performances combine elements of Moravian folk music, modern jazz and contemporary serious music. In 1996, the ensemble undertook a highly successful concert tour of Mexico and the United States.
As a pianist, Viklický often performs in international ensembles alongside musicians from the U.S. and other European countries, including the Lou Blackburn International Quartet, the Benny Bailey Quintet, and multi-instrumentalist Scott Robinson. He has made frequent appearances in Finland (with the Finnczech Quartet and in particular with Jarmo Sermila) and Norway (with the Czech-Norwegian Big Band and Harald Gundhus) and has performed in the USA, Japan, Mexico, Israel, Germany, Luxembourg, the Netherlands (at the North Sea Festival) and elsewhere.
As a composer, Viklický has attracted attention abroad primarily for having created a synthesis of the expressive elements of modern jazz with the melodicism and tonalities of Moravian folk song that is distinctly individual in contemporary jazz. Besides this, however, he also composes “straight-ahead” modern jazz as well as chamber and orchestral works that utilize certain elements of the New Music, and at times his music requires a combination of classical and jazz performers. He also composes incidental and film music and has produced scores for several full-length feature films (e.g. the German horror comedy Killer Condom) and television series. Throughout the 1990s he devoted an increasing amount of time to the composition of contemporary classical music for a great variety of instrumental combinations ranging from small chamber ensembles and electronic instruments to symphony orchestras and choruses.
Viklický's work has gained him a number of prestigious awards. These include second prize in the 1985 Monaco jazz composition competition (for "Cacharel"), the 1991 Film and Television Association prize for music for animated film, second prize at the 1994 Marimolin contemporary music competition in Boston (for "Tristana"), a 1996 Prague award for electroacoustic music (for "Paradise Park"), a 1996 Czech Music Fund prize for use of folk music in art music, and first prize in a 2000 international composition competition in Prague (for the opera Phaedra)
Viklický often accompanied Czech jazz singer Eva Olmerová, during the last years of her career.
Live in Vienna (Cube-Métier 2010)
Sinfonietta~The Janáček of Jazz (Venus 2009)
The Funky Way of Emil Viklicky (Vampi Soul 2009)
Emil Viklicky 60 (Multisonic 2009)
Vítáme Vás (DMcP 2009)
Ballads and More (Arta 2008)
Jazz at Prague Castle (Multisonic 2007)
Moravian Gems (Cube-Métier 2007)
Jazz Night at the Museum (DMcP 2007)
Cookin' in Bonn (Dekkor 2006)
Summertime (Cube-Métier 2004)
What's New (Cube-Métier 2003)
Trio '01 (Arta 2002)
Live in Rudolfinum (PJ Music 2001)
Morava (Fantasy/Milestone 2001)
Docela všední obyčejný den (Lotos 1998)
Neuro (Gallup Music 1998)
Duets (Lotos 1998)
Bohemia After Dark (PJ Music 1997)
UV Drive (Arta 1997)
Homage To Josip Plecnik (Lotos 1996; reissued 2004)
Food of Love (Melantrich 1995; reissued Lotos 1998)
Last Connection from Niirasaki (Monitor/EMI 1995)
'Round Midnight (Arta 1991)
Beyond the Mountains (Supraphon 1990)
Homage to Joan Miró (Supraphon 1988; reissued 1989)
Together (Supraphon 1981; reissued 1996)
Confluence (Jasemusiikki Finland 1983; reissued 1995)
The Window and The Door (Supraphon 1980; reissued Bonton 1997)
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