|Character from the James Bond series|
|Portrayed by||Robert Rietty (voice)|
|Henchmen||Vargas, Janni, Count Lippe, Fiona Volpe, Ladislav Kutze, Angelo Palazzi, Quist|
Emilio Largo is a fictional character and the main antagonist from the James Bond novel Thunderball. He appears in the film adaptation, again as the main antagonist, with Italian actor Adolfo Celi filling the role. Largo is also the main antagonist in the 1983 unofficial James Bond movie Never Say Never Again, a remake of Thunderball. In Never Say Never Again, the character's name, however, was changed to Maximillian Largo and he was portrayed by the Austrian actor Klaus Maria Brandauer.
Fleming describes Largo as a ruthless Neapolitan black marketeer and fence who moved to riskier and more profitable ventures on the international crime scene after five years smuggling from Tangiers and five years of masterminding big jewel robberies on French Riviera. He is supposedly the last survivor of a once famous Roman family whose legacy he inherited. Largo eventually became the second-in-command of the terrorist organization SPECTRE. In the film, Largo is "No. 2" and head of extortion operations. In the novel, Largo is "No. 1"; however the numbers are rotated every month as a security precaution, although Largo is the successor to Ernst Stavro Blofeld and the Supreme Commander of "Plan Omega".
Largo's two main headquarters are located in the Bahamas. The first is his estate, called Palmyra, which houses a giant swimming pool filled with sharks; Bond is later be thrown into this pool, but of course escapes. The second is Largo's private yacht, the Disco Volante. The yacht is a hydrofoil craft purchased with SPECTRE funds for £200,000. The craft plays a pivotal role in the seizure and transportation of the two nuclear weapons.
To Largo, failure is punishable by death. When Quist, one of Largo's henchmen, fails to kill Bond, Largo has him thrown into his pool of sharks. Largo also has little consideration even for those closest to him, going as far as to torture his own mistress, Domino, when he finds out she is betraying him.
One of Largo's henchmen helps Domino get free and Domino gets to do what she wanted Bond to do: kill Largo. When Largo gets the upper hand by nearly shooting Bond, Domino shoots him in the back with a spear gun. Largo collapses to his death on the controls and jams them. Bond, Domino, and the turncoat henchman who helped Domino all evacuate the Disco Volante just seconds before the ship collides with rocks and explodes.
Largo's scheme in Thunderball involves the theft of two nuclear weapons from NATO at sea to which he would then use to hold the world hostage by threatening to detonate the two devices in England or the United States unless they paid the ransom of £100 million British pounds. This scheme has been used countless times since Thunderball and is even a joke in the Austin Powers series of movies.
The basic concept of Largo's scheme in Thunderball is held over in Never Say Never Again. As in Thunderball, the scheme involves obtaining two nuclear warheads, this time stealing them directly from a United States Air Force base in the UK and holding the world hostage.
Appearance and personality
In the novel he is depicted, according to the British stereotypes about Italians, as a large, muscular, olive-skinned, powerful man exuding animal charm, with the profile of a Roman emperor, hooked nose, long sideburns and hairy hands which are likened to crawling tarantulas. Indeed Emilio Largo's surname means "play slowly and broadly". Although Adolfo Celi strongly resembles his literary counterpart in the film adaption, his white hair contrasts with the pomaded black hair that Fleming specified in the novel, and he wears a black eye patch over his left eye for reasons that are never explained in the movie. His powerful influence and command is exhibited at the beginning of the film when a traffic warden begins to protest against Largo's parking in Paris but quickly corrects himself when he sees Largo step out of the car on the way to a SPECTRE meeting. Like Count Lippe, Umberto Eco describes Largo as handsome and personable, but also vulgar and cruel. Christoph Lindner describes Largo as a " vicarious figure".
- Black, Jeremy (2005). The Politics Of James Bond: From Fleming's Novels To The Big Screen. University of Nebraska Press. p. 53. ISBN 978-0-8032-6240-9. Retrieved 12 December 2012.
- Dougall, Alastair; Stewart, Roger (1 October 2000). James Bond: the secret world of 007. Dorling Kindersley Pub. ISBN 978-0-7894-6691-4. Retrieved 12 December 2012.
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- "Adolfo Celi (Emilio Largo)". Jamesbondmm.co.uk. Retrieved 12 December 2012.
- American Film Institute (1997). The American Film Institute Catalog: Feature Films, 1961-1970. University of California Press. p. 1107. ISBN 978-0-520-20970-1. Retrieved 12 December 2012.
- Simpson, Paul (2002). The Rough Guide to James Bond: The Films, the Novels, the Villains. Rough Guides. p. 1. ISBN 978-1-84353-142-5. Retrieved 12 December 2012.
- Tting, Kerstin J (November 2007). "Grow Up, 007!" - James Bond Over the Decades: Formula Vs. Innovation. GRIN Verlag. p. 71. ISBN 978-3-638-85372-9. Retrieved 12 December 2012.
- Eco, Umberto (1979). The Role of the Reader: Explorations in the Semiotics of Texts. Indiana University Press. p. 150. ISBN 978-0-253-20318-2. Retrieved 12 December 2012.
- Lindner, Christoph (19 December 2003). The James Bond Phenomenon: A Critical Reader. Manchester University Press. p. 43. ISBN 978-0-7190-6541-5. Retrieved 12 December 2012.
- Fairclough, Robert (1 October 2002). The Prisoner: The Official Companion to the Classic TV Series. I Books. p. 32. ISBN 978-0-7434-5256-4. Retrieved 12 December 2012.
|James Bond Villain
Ernst Stavro Blofeld