Empire Theatre (41st Street)
|Address||1430 Broadway (40th & 41st)|
|City||New York City|
|Owned by||Charles Frohman, Al Hayman|
The Empire Theatre in New York City was a prominent Broadway theatre in the first half of the twentieth century.
The Empire Theatre opened in 1893 with a performance of The Girl I Left Behind Me by David Belasco. In February 1927 actress Gail Kane and others were arrested following a performance of The Captive, which was considered indecent and a violation of Section 1140A of the New York City Criminal Code. The Empire continued to present both original plays and revivals, including the English premier of The Threepenny Opera in 1933, until 1953. Its final show, in May 1953, was a performance of The Time of the Cuckoo. In the same month the theatre hosted a benefit celebrating sixty years of the Empire.
Ownership and management
Frank Sanger and Al Hayman were the owners and developers of the uptown vacant lot that became the Empire Theatre. Hayman suggested that theatre producer Charles Frohman have the Empire Theatre built there, believing everything theatrical was moving uptown at the time.
The original lessees were listed as Charles Frohman and his partner William Harris of the firm Rich & Harris who were set to take possession of the building on January 23, 1893 which was also set to be the theatre's opening night.
The Empire Theatre's business manager was Thomas F. Shea for over 20 years from its opening till the death of Charles Frohman. After Frohman died on the RMS Lusitania in 1915, Al Hayman took over ownership of the Empire Theatre.
The theatre was sold in 1948 to the Astor estate; in 1953 it was announced that the building would be torn down to make way for an office tower.
The theatre community reminisced and performers gathered to celebrate the venue in a retrospective farewell performance.
Charles Frohman hired architect J. B. McElfatrick to design the Empire Theatre; it was the first of the seven theatres designed by McElfatrick. The Empire was the first theatre to have electricity and was said to be thoroughly fireproof. The building was the only stock theatre at that time to be on the ground floor and to have no steps entering from the street.
On December 2, 1892, it was reported in the New York Times that the building had been completed and was in the hands of the plasterers and decorators.