En passant

This article is about the chess move 'en passant'. For other uses, see En passant (disambiguation).

En passant (from French: in passing) is a move in the board game of chess. It is a special pawn capture which can occur immediately after a player moves a pawn two squares forward from its starting position, and an enemy pawn could have captured it had the same pawn moved only one square forward. The opponent captures the just-moved pawn as if taking it "as it passes" through the first square. The resulting position is the same as if the pawn had moved only one square forward and the enemy pawn had captured normally.

The en passant capture must be done on the very next turn, or the right to do so is lost. Such a move is the only occasion in chess in which a piece captures but does not move to the square of the captured piece. If an en passant capture is the only legal move available, it must be made. En passant capture is a common theme in chess compositions.

This rule was added in the 15th century when the rule giving pawns the option of initially moving two squares was introduced. It prevents a pawn from using the two-square advance to pass an adjacent enemy pawn without the risk of being captured.

The rule

A pawn on its fifth rank may capture an enemy pawn on an adjacent file that has moved two squares in a single move, as if the pawn had moved only one square. The conditions are:

• the capturing pawn must be on its fifth rank
• the captured pawn must be on an adjacent file and move two squares in a single move (i.e. a double-step move)
• the capture can only be done immediately after the opposing pawn makes the double-step move (if not done then, the right to capture it en passant is lost)

Example of en passant

Black to move a b c d e f g h 8 8 7 7 6 6 5 5 4 4 3 3 2 2 1 1 a b c d e f g h The black pawn is on its initial square. If it moves to f6 (marked by ×), the white pawn could capture it.

White to move a b c d e f g h 8 8 7 7 6 6 5 5 4 4 3 3 2 2 1 1 a b c d e f g h Black moved his pawn forward two squares in a single move from f7 to f5, "passing" f6.

Black to move a b c d e f g h 8 8 7 7 6 6 5 5 4 4 3 3 2 2 1 1 a b c d e f g h White captures en passant in response, capturing the pawn as if it had moved only one square to f6.

Such a move is the only occasion in chess in which a piece captures but does not move to the square of the captured piece.

Examples

Petrov's Defence

	a	b	c	d	e	f	g	h
8									8
7									7
6									6
5									5
4									4
3									3
2									2
1									1
	a	b	c	d	e	f	g	h

Black just played 5...d7–d5. White's e5-pawn may capture en passant.

In the opening

There are some examples of en passant in chess openings. In this line from Petrov's Defence, White can capture the pawn on d5 en passant on his sixth move.

1. e4 e5

2. Nf3 Nf6

3. d4 exd4

4. e5 Ne4

5. Qxd4 d5 (diagram)

6. exd6 .

Another example occurs in the French Defense after 1.e4 e6 2.e5, a move once advocated by Wilhelm Steinitz. If Black responds with 2...d5, White can capture the pawn en passant with 3.exd6. Likewise, White can answer 2...f5 with 3.exf6.

Steinitz vs. Fleissig, 1882

	a	b	c	d	e	f	g	h
8									8
7									7
6									6
5									5
4									4
3									3
2									2
1									1
	a	b	c	d	e	f	g	h

After 3.exd6 e.p.

An example is from this game by Steinitz and Bernhard Fleissig.

1.e4 e6

2.e5 d5

3.exd6 e.p.

Unusual examples

Gundersen vs. Faul, 1928

a b c d e f g h 8 8 7 7 6 6 5 5 4 4 3 3 2 2 1 1 a b c d e f g h Position after 12...f7–f5

a b c d e f g h 8 8 7 7 6 6 5 5 4 4 3 3 2 2 1 1 a b c d e f g h After 14...g7–g5. White mates by taking the pawn en passant.

Black has just moved his pawn from f7 to f5 in this game between Gunnar Gundersen and Albert H. Faul. White could capture the f-pawn en passant with his e-pawn, but had a different idea:

13. h5+ Kh6

14. Nxe6+

Note that the bishop on c1 effects the check, via a discovered check. 14...Kh7 results in 15.Qxg7#.

14... g5

15. hxg6e.p.#

The en passant capture and discovered checks place Black in checkmate (from White's rook on h1, even without help from White's bishop).

The largest known number of en passant captures in one game is three, shared by three games; in none of them were all three captures by the same player. The earliest known example is a 1980 game between Alexandru Sorin Segal and Karl Heinz Podzielny.

Kenneth S. Howard, 1938

	a	b	c	d	e	f	g	h
8									8
7									7
6									6
5									5
4									4
3									3
2									2
1									1
	a	b	c	d	e	f	g	h

White mates in three

In chess compositions

En passant captures have often been used as a theme in chess compositions, as they "produce striking effects in the opening and closing of lines". In the 1938 composition by Kenneth S. Howard, the key move 1.d4 introduces the threat of 2.d5+ cxd5 3.Bxd5#. Black may capture the d4-pawn en passant in either of two ways:

• The capture 1...exd3e.p. shifts the e4-pawn from the e- to the d-file, preventing an en passant capture after White plays 2.f4. To stop the threatened mate (3.f5#), Black may advance 2...f5, but this allows White to play 3.exf6e.p. with checkmate due to the decisive opening of the e-file.
• If Black plays 1...cxd3e.p., White exploits the newly opened a2–g8 diagonal with 2.Qa2+ d5 3.cxd6e.p.#

Historical context

Allowing the en passant capture is one of the last major rule changes in European chess that occurred between 1200 and 1600, together with the introduction of the two-square first move for pawns, castling, and the unlimited range for queens and bishops. Spanish master Ruy López de Segura gives the rule in his 1561 book Libro de la invencion liberal y arte del juego del axedrez. In most places the en passant rule was adopted as soon as the rule allowing the pawn to move two squares on its first move, but it was not universally accepted until the Italian rules were changed in 1880.

The motivation for en passant was to prevent the newly added two-square first move for pawns from allowing a pawn to evade capture by an enemy pawn.. Asian chess variants, because of their separation from European chess prior to that period, do not feature any of these moves.

Notation

In either algebraic or descriptive chess notation, en passant captures are sometimes denoted by "e.p." or similar, but such notation is not required. In algebraic notation, the move is written as if the captured pawn just advanced only one square, e.g., bxa3 (or bxa3e.p.) in this example.

Threefold repetition and stalemate

The possibility of an en passant capture has an effect on claiming a draw by threefold repetition. Two positions whose pieces are all on the same squares, with the same player to move, are considered different if there was an opportunity to make an en passant capture in the first position, because that opportunity by definition no longer exists the second time the same configuration of pieces occurs.

In his book about chess organization and rules, International Arbiter Kenneth Harkness wrote that it is frequently asked if an en passant capture must be made if it is the only move to get out of stalemate. This point was debated in the 19th century, with some arguing that the right to make an en passant capture is a "privilege" that one cannot be compelled to exercise. In his 1860 book Chess Praxis, Howard Staunton wrote that the en passant capture is mandatory in that instance. The rules of chess were amended to make this clear. Today, it is settled that the player must make that move (or resign). The same is true if an en passant capture is the only move to get out of check.

See also

• Pawn (chess)
• Rules of chess

References

• Just, Tim; Burg, Daniel B. (2003), U.S. Chess Federation's Official Rules of Chess (5th ed.), McKay, ISBN 0-8129-3559-4 
• Winter, Edward (2006), Chess Facts and Fables, McFarland, ISBN 0-7864-2310-2