Epitaph (song)

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"Epitaph"
Song by King Crimson from the album In the Court of the Crimson King
Released October 12, 1969
Recorded July 30, 1969
Genre Progressive rock, folk rock,[1] symphonic rock[1][2]
Length 8:47
Label Atlantic
Writer Peter Sinfield
Composer Robert Fripp, Ian McDonald, Greg Lake, Michael Giles
Producer King Crimson
In the Court of the Crimson King track listing
  1. "21st Century Schizoid Man"
  2. "I Talk to the Wind"
  3. "Epitaph"
  4. "Moonchild"
  5. "The Court of the Crimson King"
King Crimson singles chronology
"The Night Watch"
(1974)
"Epitaph" / "21st Century Schizoid Man"
(1976)
"Matte Kudasai"
(1981)

"Epitaph" is the third track from the British progressive rock band King Crimson's debut album, In the Court of the Crimson King.

The song is noted for its heavy use of the mellotron,[2][3] and as with the first track, "21st Century Schizoid Man", the song's lyrics have a distinctly dystopian feel to them.[2][4]

The song's title was used as the name for a live album of recordings done by the original King Crimson, Epitaph.[5]

Emerson, Lake & Palmer would later incorporate an excerpt from this song after the "Battlefield" portion of the live version of their song Tarkus, from the Tarkus album, as documented in the live album Welcome Back My Friends to the Show That Never Ends... Ladies and Gentlemen, Emerson, Lake & Palmer.

"Stripes" from Cage's album Hell's Winter samples a middle part of the song throughout its duration.

Epitaph Records also took its name from the song.[6]

Personnel[edit]

1976 single[edit]

In 1976, "Epitaph" was released as a single with "21st Century Schizoid Man" as the B-side, a companion to the compilation A Young Person's Guide to King Crimson (1976).

Track listing[edit]

  1. "Epitaph" (including "March for No Reason" and "Tomorrow and Tomorrow") (Robert Fripp, Michael Giles, Greg Lake, Ian McDonald, Peter Sinfield)
  2. "21st Century Schizoid Man" (including "Mirrors") (Fripp, Giles, Lake, McDonald, Sinfield)

References[edit]

  1. ^ a b Macan (1997), p.24
  2. ^ a b c Macan (1997), p.23
  3. ^ Martin (1998), p.158-159
  4. ^ Holm-Hudson (2008), p.41
  5. ^ Ayers (2006), p.179
  6. ^ Buhrmester, Jason (November 2010). "Against the Grain: The Oral History of Epitaph Records". Spin: 62. ISSN 0886-3032. 

Sources[edit]

  • Ayers, Michael D. (2006). Cybersounds: Essays On Virtual Music Culture. Peter Lang. ISBN 082047861X. 
  • Holm-Hudson, Kevin (2008). Genesis and The Lamb Lies Down on Broadway. Ashgate Publishing. ISBN 0754661393. 
  • Macan, Edward (1997). Rocking the Classics: English Progressive Rock and the Counterculture. Oxford University Press. ISBN 0195098870. 
  • Martin, Bill (1998). Listening to the Future: The Time of Progressive Rock, 1968-1978. Open Court Publishing. ISBN 081269368X.