"Epitaph" is the third track from the British progressive rock band King Crimson's debut album, In the Court of the Crimson King.
The song is noted for its heavy use of the mellotron, and as with the first track, "21st Century Schizoid Man", the song's lyrics have a distinctly dystopian feel to them.
The song's title was used as the name for a live album of recordings done by the original King Crimson, Epitaph.
Emerson, Lake & Palmer would later incorporate an excerpt from this song after the "Battlefield" portion of the live version of their song Tarkus, from the Tarkus album.
"Stripes" from Cage's album Hell's Winter samples a middle part of the song throughout its duration.
Epitaph Records also took its name from the song.
In 1976, Epitaph/21st Century Schizoid Man, a single released, a companion to the compilation A Young Person's Guide to King Crimson (1976).
- "Epitaph" (Robert Fripp, Michael Giles, Greg Lake, Ian McDonald, Peter Sinfield)
- "March for No Reason"
- "Tomorrow and Tomorrow"
- "21st Century Schizoid Man" (Fripp, Giles, Lake, McDonald, Sinfield)
- ^ a b Macan (1997), p.24
- ^ a b c Macan (1997), p.23
- ^ Martin (1998), p.158-159
- ^ Holm-Hudson (2008), p.41
- ^ Ayers (2006), p.179
- ^ Buhrmester, Jason (November 2010). "Against the Grain: The Oral History of Epitaph Records". Spin: 62. ISSN 0886-3032.
- Ayers, Michael D. (2006). Cybersounds: Essays On Virtual Music Culture. Peter Lang. ISBN 082047861X.
- Holm-Hudson, Kevin (2008). Genesis and The Lamb Lies Down on Broadway. Ashgate Publishing. ISBN 0754661393.
- Macan, Edward (1997). Rocking the Classics: English Progressive Rock and the Counterculture. Oxford University Press. ISBN 0195098870.
- Martin, Bill (1998). Listening to the Future: The Time of Progressive Rock, 1968-1978. Open Court Publishing. ISBN 081269368X.