The Erfurt Enchiridion (enchiridion, from Ancient Greek: ἐγχειρίδιον, hand book) is the second Lutheran hymnal. It appeared in 1524 in Erfurt in two competing editions. One of them contains 26 songs, the other 25, 18 of them by Martin Luther, others by Elisabeth Cruciger, Erhard Hegenwald, Justus Jonas and Paul Speratus. While the songs of the Enchiridion could be used in churches, they were intended primarily for singing elsewhere, such as at home, at court, and in guild meetings.
The songs of the reformer Luther and others were first sold as broadsheets, and contributed to the spreading of Protestant ideas. They were printed in collections, beginning with the First Lutheran hymnal, called the Achtliederbuch, and with the Wittenberg song book, both published in 1524. The Erfurt Enchiridion appeared the same year, in two almost equal editions by two different printers, Johannes Loersfeld and Matthes Maler. Both books are identical except for one song. The double appearance suggests that there was a great demand. Probably the edition printed by Loersfeld came first, to be copied by Maler.
The version of Loersfeld was printed in octavo, and includes 48 pages, 47 of them printed. It contains 25 songs, the German version of the creed and a two-page anonymous preface. The version of Maler contains one song less. Sixteen different choral melodies are used, and eighteen of the songs are by Luther, but his name is attached to only one of them. Three of the hymns were written by Paul Speratus, one or two by Justus Jonas, one by Elisabeth Cruciger, and one is attributed to Jan Hus. The arrangement of the songs is not systematic, and only seven paraphrases of psalms form a cohesive group. Five songs are German rhymed versions of Latin liturgical chants. The song "Ein neues Lied wir heben an" (A new song we begin) describes the execution in Brussels of two monks who were martyrs of the Reformation, Hendrik Vos and Johannes van Esschen.
The title describes: "Eyn Enchiridion oder Handbüchlein. eynem ytzlichen Christen fast nutzlich bey sich zuhaben / zur stetter vbung vnd trachtung geystlicher gesenge vnd Psalmen / Rechtschaffen vnd kunstlich verteutscht." (An Enchiridion or little handbook. for a present day Christian quite useful to have with him / for continuous practice and contemplation of spiritual songs and psalms / skillfully and artfully translated to German.)
The author of the preface describes the former ecclesiastical chant as "shouting like the priests of Baal in unclear cries" and "cry like the forest-donkeys to a deaf God". The songs included in the collection are described as founded on scripture, serving improvement, doctrine, and the education of youth, and the preface suggests that a Christian should always carry the book with him, for constant practise. While the songs of the Enchiridion could be used in churches, they were intended primarily for singing elsewhere, such as at home, at court, and in guild meetings.
Many of the songs of the Erfurt Enchiridion were widely disseminated, and seventeen are still in the current German Protestant hymnal Evangelisches Gesangbuch, some of them now with different melodies. Five of the hymns are part of the Catholic hymnal Gotteslob .
Translations began with Goostly psalms and spiritual songes drawen out of the holy Scripture by Myles Coverdale, the so-called "first English hymn book", which was printed in London in 1555 and contained 16 of the songs from the Enchiridion (1–5, 8, 10, 12–19, 22).
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- Brodersen, Christiane; Brodersen, Kai (2008). Ein Enchiridion oder Handbüchlein geistlicher Gesänge und Psalmen (Erfurt 1524) (in German). Kartoffeldruck-Verlag, Speyer. ISBN 978-3-939526-03-2.
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- Hase, Martin von (1956). "Die Drucker der Erfurter Enchiridien, Mathes Maler u. Johannes Loersfelt in Jahrbuch für Liturgik und Hymnologie " (in German). pp. 91–93.
- Smend, Julius (1924). Die evangelische Lied von 1524: Festschrift zum 400-jährigen Gesangbuch-Jubiläum (in German). Leipzig.