Ernő Lendvaï
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The native form of this personal name is Surname Given name. This article uses the Western name order.
| Ernő Lendvai | |
|---|---|
| Born | 1925 |
| Died | 1993 |
| Citizenship | Hungarian |
Ernő Lendvai (1925 – 1993) was one of the first theorists to write on the appearance of the golden section and Fibonacci series and how these are implemented in Bartók's music.[1] He also formulated the axis system, acoustic scale and alpha chord.
Lendvai was married to the pianist Erzsébet Tusa, and together they moved to Szombathely in 1949 to run a local music school.[2]
Contents |
[edit] Selected works
[edit] In Hungarian
- Szimmetria a zenében (Kodály Intézet, 1994)
- Verdi and Wagner (Bartók and the 19th century) (Kahn & Averill, 1988)
- Verdi és a 20. század: A Falstaff hangzás-dramaturgiája (Zenemukiadó, 1984)
- Polimodális kromatika (Kodály Zoltán Zenepedagógiai Intézet, 1980)
- Bartók és Kodály harmóniavilága (Zenemukiadó, 1975)
- Bartók Dramaturgiàja (Zenemükiaó Vállalat, Budapest, 1964)
[edit] In German
- Bartók's Dichterische Welt (Akkord Music Publishers, 2001)
[edit] In English
- Lendvai, Ernő (1971). Béla Bartók: An Analysis of his Music. introd. by Alan Bush. London: Kahn & Averill. ISBN 0900707046. OCLC 240301.
- Bartók's Style (Akkord Music Publishers, 1999)
- Verdi and Wagner (Bartók and the 19th century) (Kahn & Averill, 1988)
- The workshop of Bartók and Kodály (Editio Musica, 1983)
- Bartók and Kodály (Institute for Culture, 1980)
[edit] Notes and references
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