Evita (film)
| Evita | |
|---|---|
Theatrical release poster |
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| Directed by | Alan Parker |
| Produced by | Alan Parker Robert Stigwood |
| Screenplay by | Alan Parker Oliver Stone |
| Based on | Evita by Andrew Lloyd Webber Tim Rice |
| Narrated by | Antonio Banderas |
| Starring | Madonna Antonio Banderas Jonathan Pryce Jimmy Nail |
| Music by | Andrew Lloyd Webber |
| Cinematography | Darius Khondji |
| Editing by | Gerry Hambling |
| Studio | Cinergi Pictures |
| Distributed by | Hollywood Pictures |
| Release date(s) | December 25, 1996 |
| Running time | 134 minutes |
| Country | United States |
| Language | English |
| Budget | $55 million |
| Box office | $141,047,179 |
Evita is the 1996 film adaptation of Tim Rice and Andrew Lloyd Webber's musical of the same name based on the life of Eva Perón. It was directed by Alan Parker and written by Parker and Oliver Stone. It starred Madonna, Antonio Banderas, and Jonathan Pryce. The film was released on December 25, 1996 by Hollywood Pictures and Cinergi Pictures.
Contents |
[edit] Plot
Evita traces the life of Eva Duarte (later Eva Duarte de Perón) (Madonna) from a child from the lower class to becoming the first lady and spiritual leader of Argentina.
Eva's death is announced in a movie theater and a public funeral is held in Buenos Aires. Che (Antonio Banderas), an everyman, narrates the story of Eva's rise to power and later illness and death, appearing in many different guises and serving as Eva's conscience and critic. As a young child, Eva attempts to attend her father's funeral in the town of Junín with her mother and siblings. Despite her father's wife and other family denying her family from entering, Eva pays her last respects to her father.
Years later, Eva decides to leave Junín to seek a better life in Buenos Aires with a tango singer, Augustin Magaldi (Jimmy Nail), with whom she is having an affair. After Magaldi leaves her, she progresses through several relationships with increasingly influential men, becoming a model, actress and radio personality, until her fateful meeting with Colonel Juan Perón (Jonathan Pryce) at a fundraiser. Perón's connection with Eva lends him a populist air, since she is from the working class (as is Perón himself). Eva has a radio show during Perón's rise and uses all her skills to promote Perón, even when the controlling administration has him jailed in an attempt to stunt his political momentum. The groundswell of support Eva generates forces the government to release Perón, and he finds the people enamored of him and Eva. Perón wins election to the presidency and Eva promises the new government will serve the "descamisados" (literally, "those without shirts"—i.e., the poor).
Eva establishes a foundation and distributes aid while the Perónists otherwise plunder the public treasury. Argentine society is very class-based, and the military officer corps and social elites despise Eva's common roots and affinity for the poor. During a world tour Evita becomes ill and is rushed home. Towards the end of her life, she understands that she is terminally ill but rationalizes that her life was short because she shone like the "brightest fire" and helps Perón prepare to go on without her. A large crowd surrounds the Casa Rosada in a candlelight vigil praying for her recovery when the light of her room goes out, signifying her death. Eva's funeral is shown again. Ché is seen at her coffin, laying the blame of her death on Perón. Then he walks up to her glass coffin; kisses it; and walks into the crowd of passing mourners.
[edit] Cast
- Madonna as Eva Perón/Eva Duarte de Perón
- Antonio Banderas as Ché
- Jonathan Pryce as Juan Perón
- Jimmy Nail as Agustín Magaldi
- Victoria Sus as Doña Juana
- Julian Littman as Juan Duarte, Jr.
- Olga Merediz as Blanca
- Laura Pallas as Elisa
- Julia Worsley as Erminda
- María Luján Hidalgo as Young Eva
- Servando Villamil as Cipriano Reyes
- Andrea Corr as Perón's mistress
- Peter Polycarpou as Domingo Mercante
- Gary Brooker as Juan Bramuglia
[edit] Production
[edit] Casting
Discussion of the film production began soon after the original 1978 London production was staged. Several actresses were considered for the role of Eva Perón. At one point, Lloyd Webber favoured an actress of Spanish descent to play the lead role and suggested Charo. Then Meryl Streep was offered the role, but production was delayed. Meanwhile, Madonna had been campaigning for the part, but when Parker was ready for filming, several people objected to Madonna playing the part. Cher, Barbra Streisand, Glenn Close, Olivia Newton-John, and Michelle Pfeiffer were rumored to have been involved. Pfeiffer, who recorded a number of demo tracks, was almost cast, but Parker wanted to shoot the picture on location, not in Pfeiffer's preferred Hollywood sound studio. Patti LuPone was not offered to reprise her Broadway role as Evita. As an actress in her forties she was deemed too old to play the part of Eva Peron. When Madonna was announced as the lead, Patti LuPone was asked to play the role of Eva's mother, but she declined.[1] English singer/actress Billie Piper and Irish singer Andrea Corr had minor parts in the film at what was the start of both their careers.
[edit] Music
The music for the film had already been completed in a London recording studio in the fall of 1995.[2] Madonna was paid a salary of $1 million for her role in the project. The cast and crew faced protests in Argentina upon arrival over fears that the project would tarnish Eva Peron's image.[2] Filming began on February 1996 and it finished in May.[3] They filmed in Buenos Aires for five weeks before moving to Budapest for a month.[4] Madonna related to the difficulties in the transition of filming locations; "We went from 100-degree weather in Argentina, the Latin culture, very embracing, warm, passionate, to a country where people are just learning to be expressive without being afraid. Everybody has a sad expression on their face. And it's difficult to work in an environment where there is no joy. It was the toughest experience of my life."[2]
[edit] Filming
Madonna personally lobbied the president of Argentina for the right to film at the Casa Rosada.[4] Midway through production, Madonna discovered she was pregnant with daughter Lourdes Maria Ciccone Leon, who was born on October 14, 1996.[5] She also published a diary of the film shoot in Vanity Fair.[2]
[edit] Soundtrack and musical numbers
[edit] The Motion Picture Music Soundtrack
The two-disc edition includes the entire soundtrack to the film.
- CD 1
| No. | Title | Performer(s) | Length |
|---|---|---|---|
| 1. | "A Cinema in Buenos Aires, 26 July 1952" | John Mauceri, Adriá Collado, Maite Yerro and Gabriel Kraisman | 1:20 |
| 2. | "Requiem for Evita" | John Mauceri, Orchestra And Vocal Chorus | 4:16 |
| 3. | "Oh What a Circus" | Antonio Banderas, the vocal chorus and Madonna | 5:44 |
| 4. | "On This Night of a Thousand Stars" | Jimmy Nail (with intro by Antonio Banderas) | 2:24 |
| 5. | "Eva and Magaldi / Eva Beware of the City" | Madonna, Jimmy Nail, Antonio Banderas and Julian Littman | 5:20 |
| 6. | "Buenos Aires" | Madonna | 4:09 |
| 7. | "Another Suitcase in Another Hall" | Madonna, Antonio Banderas, Mara Bestelli, Monica Lairana, Bettina Menegazzo and Marcello Alejandro Auchelli | 3:33 |
| 8. | "Goodnight and Thank You" | Madonna, Antonio Banderas, Vera Fogwill, Marcello Alejandro Auchelli, Luis Alday and Luis Boccia | 4:18 |
| 9. | "The Lady's Got Potential" | Antonio Banderas | 4:24 |
| 10. | "Charity Concert / The Art of the Possible" | Jimmy Nail, Madonna, Jonathan Pryce and the vocal chorus / Antonio Banderas | 2:33 |
| 11. | "I'd Be Surprisingly Good for You" | Madonna, Jonathan Pryce | 4:18 |
| 12. | "Hello and Goodbye" | Madonna, Andrea Corr, Jonathan Pryce | 1:46 |
| 13. | "Peron's Latest Flame" | Antonio Banderas, Ana Justo, Adam Gyökhegyi, Csaba Keleman, Istvan Kléh-Reinle, Madonna and the vocal chorus | 5:17 |
| 14. | "Dice Are Rolling / A New Argentina" | Madonna, Jonathan Pryce / Jonathan Pryce, Madonna, the vocal chorus and Antonio Banderas | 8:13 |
- CD 2
| No. | Title | Performer(s) | Length |
|---|---|---|---|
| 1. | "On the Balcony of the Casa Rosada (Part 1)" | Nick Holder, Jonathan Pryce and the vocal chorus | 1:28 |
| 2. | "Don't Cry for Me Argentina" | Madonna | 5:31 |
| 3. | "On the Balcony of the Casa Rosada (Part 2)" | Madonna, Victoria Sus, Ana Justo and the vocal chorus | 2:00 |
| 4. | "High Flying, Adored" | Madonna, Antonio Banderas | 3:32 |
| 5. | "Rainbow High" | Madonna, Nickolas Grace and the vocal chorus | 2:26 |
| 6. | "Rainbow Tour" | Antonio Banderas, Gary Brooker, Peter Polycarpou, Jonathan Pryce, Madonna and John Gower | 4:50 |
| 7. | "The Actress Hasn't Learned the Lines (You'd Like to Hear)" | Ana Justo, Madonna, Antonio Banderas and the vocal chorus | 2:31 |
| 8. | "And the Money Kept Rolling In (and Out)" | Antonio Banderas and the vocal chorus | 3:53 |
| 9. | "Partido Feminista" | Madonna, Antonio Banderas, Adam Gyökhegyi, Csaba Kelemen, Istvan Kléh-Reinie and the vocal chorus | 1:40 |
| 10. | "She Is a Diamond" | Jonathan Pryce and the vocal chorus | 1:39 |
| 11. | "Santa Evita" | John Mauceri (with vocals by Antonio Banderas and the vocal chorus) | 2:30 |
| 12. | "Waltz for Eva and Che" | Madonna, Antonio Banderas | 4:31 |
| 13. | "Your Little Body's Slowly Breaking Down" | Madonna, Jonathan Pryce | 1:24 |
| 14. | "You Must Love Me" | Madonna | 2:50 |
| 15. | "Eva's Final Broadcast" | Madonna and the vocal chorus | 3:05 |
| 16. | "Latin Chant" | John Mauceri (with vocals by Antonio Banderas and the vocal chorus) | 2:11 |
| 17. | "Lament" | Madonna, Antonio Banderas | 5:17 |
[edit] Music from the Motion Picture
The single-disc edition includes the highlights from the film soundtrack.
| No. | Title | Performer(s) | Length |
|---|---|---|---|
| 1. | "Requiem for Evita" | John Mauceri | 4:17 |
| 2. | "Oh What a Circus" | Madonna, Antonio Banderas | 5:44 |
| 3. | "On This Night of a Thousand Stars" | Jimmy Nail | 2:23 |
| 4. | "Eva and Magaldi / Eva Beware of the City" | Madonna, Jimmy Nail, Antonio Banderas | 5:20 |
| 5. | "Buenos Aires" | Madonna | 4:08 |
| 6. | "Another Suitcase in Another Hall" | Madonna | 3:32 |
| 7. | "Goodnight and Thank You" | Madonna, Antonio Banderas | 4:17 |
| 8. | "I'd Be Surprisingly Good for You" | Madonna, Jonathan Pryce | 4:17 |
| 9. | "Peron's Latest Flame" | Madonna, Antonio Banderas | 5:17 |
| 10. | "A New Argentina" | Madonna | 4:16 |
| 11. | "Don't Cry for Me Argentina" | Madonna | 5:34 |
| 12. | "High Flying, Adored" | Madonna, Antonio Banderas | 3:31 |
| 13. | "Rainbow High" | Madonna | 2:27 |
| 14. | "And the Money Kept Rolling In (and Out)" | Antonio Banderas | 3:47 |
| 15. | "She Is a Diamond" | Jonathan Pryce | 1:39 |
| 16. | "Waltz for Eva and Che" | Madonna, Antonio Banderas | 4:12 |
| 17. | "You Must Love Me" | Madonna | 2:50 |
| 18. | "Eva's Final Broadcast / Latin Chant" | Madonna, John Mauceri | 5:15 |
| 19. | "Lament" | Madonna, Antonio Banderas | 4:10 |
[edit] Awards and nominations
- Academy Awards[6]
- Best Original Song ("You Must Love Me") (Won)
- Best Art Direction (Nomination)
- Best Cinematography (Nomination)
- Best Film Editing (Nomination)
- Best Sound (Andy Nelson, Anna Behlmer and Ken Weston – Nomination)
- MTV Movie Awards
- Best Female Performance – Madonna (Nomination)
- Golden Globe Awards
- Best Motion Picture – Musical or Comedy (Won)
- Best Actress – Motion Picture Musical or Comedy (Madonna) (Won)
- Best Actor – Motion Picture Musical or Comedy (Nomination)
- Best Director – Motion Picture (Nomination)
- Best Original Song ("You Must Love Me") (Won)
- BAFTA Awards
- Best Cinematography (Nomination)
- Best Costume Design (Nomination)
- Best Editing (Nomination)
- Best Makeup and Hair (Nomination)
- Best Production Design (Nomination)
- Best Adapted Screenplay (Nomination)
- Best Sound (Nomination)
- Best Film Music (Nomination)
- Other awards
- Los Angeles Film Critics Association Award – Best Production Design (Won)
- Satellite Award – Best Film – Musical or Comedy (Won)
- Satellite Award – Best Costume Design (Won)
- Satellite Award – Best Original Song ("You Must Love Me") (Won)
- Broadcast Film Critics Association Award – Best Picture (Nomination)
- Satellite Award – Best Art Direction (Nomination)
- Satellite Award – Best Cinematography (Nomination)
[edit] Release
[edit] Critical reception
Evita received a mixed reception from critics; the film currently holds a 59% "rotten" rating on Rotten Tomatoes.[7] It was nominated for five Academy Awards and won the award for "Best Original Song" with "You Must Love Me", which Lloyd Webber and Rice re-teamed to write especially for the film after a gap of twenty years. Evita had five Golden Globe nominations and three wins (Best Picture – Comedy or Musical; Best Original Song, "You Must Love Me"; and Best Actress in a Comedy or Musical, Madonna) and was one of the National Board of Review's Top Ten Films of the Year.
Following the success of the film, the government of Argentina released its own film biography of Perón, entitled Eva Perón, to correct alleged distortions in the Lloyd Webber account.[8]
[edit] Box office
On a budget of $55 million, Evita opened at #2 with $8.4 million in its wide opening weekend against The Relic. The film made $50,047,179 in the United States and an additional $91 million making $141,047,179 worldwide.[9]
[edit] Home media
The film has no overall worldwide distributor, but was released on VHS, Laserdisc and DVD. Some DVD versions contain special features such as a making-of, the "You Must Love Me" music video, etc. Evita was also one of the first ever films to be released on the DVD format. As of yet there has been no Blu-ray release.
[edit] World record
The film earned Madonna a Guinness World Record title, "Most costume changes in a film". The record was previously held by Elizabeth Taylor for the 1963 film, Cleopatra (65 costume changes). In Evita, Madonna changed costumes 85 times (which included 39 hats, 45 pairs of shoes, and 56 pairs of earrings).[citation needed]
[edit] See also
- Evita – the original 1978 musical production by Andrew Lloyd Webber and Tim Rice
- Eva Perón
- Juan Perón
[edit] References
- ^ Meryl Streep Interview, Devil Wears Prada Movie, By Tim Nasson
- ^ a b c d MAD FOR EVITA TIME. 30 December 1996. Pg. 2
- ^ Mad-Eyes - Madonna movies - Evita
- ^ a b MAD FOR EVITA TIME. 30 December 1996. Pg. 1
- ^ Roni Sarig mentions "singing lessons on the Evita set". Retrieved March 7, 2007
- ^ "The 69th Academy Awards (1997) Nominees and Winners". oscars.org. http://www.oscars.org/awards/academyawards/legacy/ceremony/69th-winners.html. Retrieved 2011-10-23.
- ^ Evita at Rotten Tomatoes
- ^ [1]
- ^ Box Office Mojo
[edit] External links
- Evita at the Internet Movie Database
- Evita at the TCM Movie Database
- Evita at AllRovi
- Evita at Box Office Mojo
- Evita at Rotten Tomatoes
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- 1996 films
- American films
- English-language films
- Cultural depictions of Eva Perón
- 1990s drama films
- 1990s musical films
- American biographical films
- American musical drama films
- Films directed by Alan Parker
- Best Musical or Comedy Picture Golden Globe winners
- Best Song Academy Award winners
- Films set in Argentina
- Films set in the 1920s
- Films set in the 1930s
- Films set in the 1940s
- Films set in the 1950s
- Films shot anamorphically
- Films shot in Argentina
- Films shot in Budapest
- Films shot in Buenos Aires
- Musical films based on actual events
- Cinergi Pictures films
- Hollywood Pictures films
- Pinewood Studios films