Evita (film)

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Evita
Evita poster.jpg
Theatrical release poster
Directed by Alan Parker
Produced by Alan Parker
Robert Stigwood
Screenplay by Alan Parker
Oliver Stone
Based on Evita 
by Andrew Lloyd Webber
Tim Rice
Narrated by Antonio Banderas
Starring Madonna
Antonio Banderas
Jonathan Pryce
Jimmy Nail
Music by Andrew Lloyd Webber
Cinematography Darius Khondji
Editing by Gerry Hambling
Studio Hollywood Pictures,
Cinergi Pictures,
Dirty Hands Productions
Distributed by Buena Vista Pictures (US),
Entertainment Films (UK)
Release date(s)
  • December 25, 1996 (1996-12-25)
Running time 134 minutes
Country United States
Language English
Budget $55 million
Box office $141,047,179

Evita is a 1996 musical drama film of Tim Rice and Andrew Lloyd Webber's musical of the same name based on the life of Eva Perón. It was directed by Alan Parker and written by Parker and Oliver Stone. It starred Madonna, Antonio Banderas, and Jonathan Pryce. The film was released on December 25, 1996 by Hollywood Pictures and Cinergi Pictures.

Contents

Plot [edit]

Evita traces the life of Eva Duarte (later Eva Duarte de Perón) (Madonna) from a child from the lower class to becoming the first lady and spiritual leader of Argentina.

Eva's death is announced in a movie theater and a public funeral is held in Buenos Aires. Che (Antonio Banderas), an everyman, narrates the story of Eva's rise to power and later illness and death, appearing in many different guises and serving as Eva's conscience and critic. As a young child, Eva attempts to attend her father's funeral in the town of Junín with her mother and siblings. Despite her father's wife and other family denying her family from entering, Eva pays her last respects to her father.

Years later, Eva decides to leave Junín to seek a better life in Buenos Aires with a tango singer, Agustín Magaldi (Jimmy Nail), with whom she is having an affair. After Magaldi leaves her, she progresses through several relationships with increasingly influential men, becoming a model, actress and radio personality, until her fateful meeting with Colonel Juan Perón (Jonathan Pryce) at a fundraiser for the recent 1944 San Juan earthquake. Perón's connection with Eva lends him a populist air, since she is from the working class (as is Perón himself). Eva has a radio show during Perón's rise and uses all her skills to promote Perón, even when the controlling administration has him jailed in an attempt to stunt his political momentum. The groundswell of support Eva generates forces the government to release Perón, and he finds the people enamored of him and Eva. Perón wins election to the presidency and Eva promises the new government will serve the "descamisados" (literally, "those without shirts"—i.e., the poor).

At the start of the Perón government, Eva glamors herself up in fur and jewels and enjoys the privileges of being the first lady. Soon after, Eva embarks on the infamous "Rainbow Tour" to Europe. While there she gets mixed receptions from the people; the people of Spain adore her; the people of Italy call her whore and throw things (such as eggs) at her, while the Pope gives her a small, meager gift; and the French, while kind to her were also upset that she was forced to leave early as "she seemed to lose interest, she seemed tired," hinting at the early stages of a sickness that will eventually claim her. Upon returning to Argentina, Eva establishes a foundation and distributes aid while the Perónists otherwise plunder the public treasury. Argentine society is very class-based, and the military officer corps and social elites despise Eva's common roots and affinity for the poor.

However, over time, as Eva's illness begins to worsen, she is hospitalized and told she is terminally ill. Eventually, as her illness progresses, she declines the position of Vice President she was offered and makes one final broadcast to the people of Argentina. Towards the end of her life, she understands that her life was short because she shone like the "brightest fire" and helps Perón prepare to go on without her. A large crowd surrounds the Casa Rosada in a candlelight vigil praying for her recovery when the light of her room goes out, signifying her death. Eva's funeral is shown again. Ché is seen at her coffin, marveling at the impact of her brief life. He then walks up to her glass coffin, kisses it, and walks into the crowd of passing mourners.

Cast [edit]

Production [edit]

Casting [edit]

Discussion of the film production began soon after the original production was staged in London in 1978. Several actresses were considered for the role of Eva Perón.

Director Ken Russell has said that his own first choice for the film lead was Karla DeVito, who had come to fame in rock tours and on Broadway, where she had impressed the wife of Andrew Lloyd-Webber. DeVito was screen tested for the role while in England shooting music videos for her solo album "Is This A Cool World or What?" DeVito's performance of "Don't Cry For Me, Argentina" in the screen test caused much positive buzz. Russell wrote that she brought viewers to tears (except Tim Rice - who wanted Elaine Paige, with whom he was romantically involved). Although Russell rejected the idea, Paige was screen tested twice.

Russell's biography indicates that he met with Barbra Streisand, who dismissed the role immediately. He wrote that he then suggested Liza Minnelli. A year had passed between the first screen tests and Minnelli's, which Russell reports was amazing. Russell approached Stigwood with Minnelli's test, convinced she had the necessary talent and star quality, but he was soon after told it was going to be Elaine Paige. Having already protested that idea, Russell quit the film. Years later when he saw Karla DeVito again, Russell addressed her as "My Evita."

Rumors through the years include Lloyd Webber considering Charo, Meryl Streep, Cher, Glenn Close, Olivia Newton-John, and Michelle Pfeiffer. Years later Pfeiffer reportedly recorded a number of demonstration musical tracks, and it's been said she almost was cast for the role by Alan Parker, but Parker wanted to shoot the picture on location, not in Pfeiffer's preferred Hollywood studio.

Patti LuPone was not offered the opportunity to repeat her Broadway role as Evita. As an actress in her forties she was believed to be too old to play the part of Eva Perón, who died at the age of 33.

When Madonna was announced to play the lead, Patti LuPone was asked to play the role of Eva's mother, but she declined to do so.[1] English singer/actress Billie Piper and Irish singer Andrea Corr had minor parts in the film at what was the start of both their careers.

Music [edit]

The music for the film had already been completed in a London recording studio in the fall of 1995.[2] Madonna was paid a salary of $1 million for her role in the project. The cast and crew faced protests in Argentina upon arrival over fears that the project would tarnish Eva Perón's image.[2] Filming began in February 1996 and it finished in May.[3] They filmed in Buenos Aires for five weeks before moving to Budapest for a month.[4] Madonna related the difficulties in the transition of filming locations: "We went from 100-degree weather in Argentina, the Latin culture, very embracing, warm, passionate, to a country where people are just learning to be expressive without being afraid. Everybody has a sad expression on their face. And it's difficult to work in an environment where there is no joy. It was the toughest experience of my life."[2]

Filming [edit]

Madonna personally lobbied the President of Argentina at the time, Carlos Menem, for the right to film at the Casa Rosada.[4] Midway through production, Madonna discovered she was pregnant with daughter Lourdes Maria Ciccone Leon, who was born on October 14, 1996.[5] She also published a diary of the film shoot in Vanity Fair.[2]

Soundtrack and musical numbers [edit]

The soundtrack album was released in two versions; a two-disc edition titled Evita: The Motion Picture Music Soundtrack and a one-disc version containing highlights from the soundtrack titled Evita: Music from the Motion Picture. The double disc edition includes the entire soundtrack to the film, except for two instrumental pieces heard during the film: a short instrumental medley of "I'd Be Surprisingly Good for You" and "You Must Love Me" used during the marriage scene (which actually happens in the middle of "A New Argentina"), and a longer medley of the same two songs in reversed order, segueing into the chorus of "Don't Cry For Me Argentina", used for the end credits.

CD 1

All lyrics written by Tim Rice, all music composed by Andrew Lloyd Webber.

No. Title Performer(s) Length
1. "A Cinema in Buenos Aires, 26 July 1952"   John Mauceri 1:20
2. "Requiem for Evita"   John Mauceri 4:16
3. "Oh What a Circus"   Madonna, Antonio Banderas 5:44
4. "On This Night of a Thousand Stars"   Jimmy Nail 2:24
5. "Eva and Magaldi / Eva Beware of the City"   Madonna, Jimmy Nail, Antonio Banderas 5:20
6. "Buenos Aires"   Madonna 4:09
7. "Another Suitcase in Another Hall"   Madonna 3:33
8. "Goodnight and Thank You"   Madonna, Antonio Banderas 4:18
9. "The Lady's Got Potential"   Antonio Banderas 4:24
10. "Charity Concert / The Art of the Possible"   Jimmy Nail, Jonathan Pryce, Antonio Banderas 2:33
11. "I'd Be Surprisingly Good for You"   Madonna, Jonathan Pryce 4:18
12. "Hello and Goodbye"   Madonna, Andrea Corr, Jonathan Pryce 1:46
13. "Peron's Latest Flame"   Madonna, Antonio Banderas 5:17
14. "Dice Are Rolling / A New Argentina"   Madonna, Jonathan Pryce 8:09
CD 2

All lyrics written by Tim Rice, all music composed by Andrew Lloyd Webber.

No. Title Performer(s) Length
1. "On the Balcony of the Casa Rosada (Part 1)"   Jonathan Pryce 1:28
2. "Don't Cry for Me Argentina"   Madonna 5:31
3. "On the Balcony of the Casa Rosada (Part 2)"   Madonna 2:00
4. "High Flying, Adored"   Madonna, Antonio Banderas 3:32
5. "Rainbow High"   Madonna 2:26
6. "Rainbow Tour"   Antonio Banderas, Jonathan Pryce, Gary Brooker, Peter Polycarpou 4:50
7. "The Actress Hasn't Learned the Lines (You'd Like to Hear)"   Madonna, Antonio Banderas 2:31
8. "And the Money Kept Rolling In (and Out)"   Antonio Banderas 3:53
9. "Partido Feminista"   Madonna 1:40
10. "She Is a Diamond"   Jonathan Pryce 1:39
11. "Santa Evita"   John Mauceri 2:30
12. "Waltz for Eva and Che"   Madonna, Antonio Banderas 4:31
13. "Your Little Body's Slowly Breaking Down"   Madonna, Jonathan Pryce 1:24
14. "You Must Love Me"   Madonna 2:50
15. "Eva's Final Broadcast"   Madonna 3:05
16. "Latin Chant"   John Mauceri 2:11
17. "Lament"   Madonna, Antonio Banderas 5:17

Additional note:

  • "Dice are Rolling" comes immediately before "A New Argentina" on the 2-CD edition, hence the longer running time. This is not mentioned in the liner notes.

Awards and nominations [edit]

Academy Awards[6]
MTV Movie Awards
  • Best Female Performance – Madonna (Nomination)
Golden Globe Awards
  • Best Motion Picture – Musical or Comedy (Won)
  • Best Actress – Motion Picture Musical or Comedy (Madonna) (Won)
  • Best Actor – Motion Picture Musical or Comedy (Nomination)
  • Best Director – Motion Picture (Nomination)
  • Best Original Song ("You Must Love Me") (Won)
BAFTA Awards
  • Best Cinematography (Nomination)
  • Best Costume Design (Nomination)
  • Best Editing (Nomination)
  • Best Makeup and Hair (Nomination)
  • Best Production Design (Nomination)
  • Best Adapted Screenplay (Nomination)
  • Best Sound (Nomination)
  • Best Film Music (Nomination)
Other awards

Release [edit]

Critical reception [edit]

Evita received positive reception from critics; the film currently holds a 63% "fresh" rating on Rotten Tomatoes.[7] It was nominated for five Academy Awards and won the award for "Best Original Song" with "You Must Love Me", which Lloyd Webber and Rice re-teamed to write especially for the film after a gap of 20 years. Evita had five Golden Globe nominations and three wins (Best Picture – Comedy or Musical; Best Original Song, "You Must Love Me"; and Best Actress in a Comedy or Musical, Madonna) and was one of the National Board of Review's Top Ten Films of the Year.

Following the success of the film, the government of Argentina released its own film biography of Perón, entitled Eva Perón, to correct alleged distortions in the Lloyd Webber account.[8]

Box office [edit]

On a budget of $55 million, Evita opened at #2 with $8.4 million in its wide opening weekend against The Relic. The film made $50,047,179 in the United States and an additional $91 million over-seas making $141,047,179 worldwide.[9]

Home media [edit]

The film has no overall worldwide distributor, but was released on VHS, Laserdisc and DVD. Some DVD versions contain special features such as a making-of, the "You Must Love Me" music video, etc. Evita was also one of the first ever films to be released on the DVD format. A Blu-ray 15th Anniversary Edition was released on May 22, 2012 in the US.[10]

World record [edit]

The film earned Madonna a Guinness World Record title, "Most costume changes in a film". The record was previously held by Elizabeth Taylor for the 1963 film, Cleopatra (65 costume changes). In Evita, Madonna changed costumes 85 times (which included 39 hats, 45 pairs of shoes, and 56 pairs of earrings).[11]

See also [edit]

References [edit]

External links [edit]