6 August 1651|
|Died||7 January 1715
|Influenced by||Jeanne Guyon|
François de Salignac de la Mothe-Fénelon, more commonly known as François Fénelon (6 August 1651 – 7 January 1715), was a French Roman Catholic archbishop, theologian, poet and writer. He today is remembered mostly as the author of The Adventures of Telemachus, first published in 1699.
Childhood and education, 1651–75 
Fénelon was born on 6 August 1651 at the Château de Fénelon, in Sainte-Mondane, Périgord, Aquitaine, the second of the three children of Pons de Salignac, Comte de La Mothe-Fénelon by his wife Louise de La Cropte. Being born into a noble family, many of Fénelon's ancestors had been active in politics, and for several generations his relatives had served as bishops of Sarlat.
Fénelon's early education was provided in the Château de Fénelon by a private tutor, providing Fénelon with a thorough grounding in the Greek language and classics. In 1663, at age 12, he was sent to the University of Cahors, where he studied rhetoric and philosophy. When the young man expressed interest in a career in the church, his uncle, the Marquis Antoine de Fénelon (a friend of Jean-Jacques Olier and Vincent de Paul) arranged for him to study at the Collège du Plessis, whose theology students followed the same curriculum as the theology students at the Sorbonne. While there, he became friends with Antoine de Noailles, who later became a cardinal and the Archbishop of Paris. Fénelon demonstrated so much talent at the Collège du Plessis that at age 15, he was asked to give a public sermon.
Early years as a priest, 1675–85 
In 1678, Hardouin de Péréfixe de Beaumont, Archbishop of Paris, selected Fénelon to head the house of Nouvelles-Catholiques, a community for Protestant converts about to enter the Church of Rome.
Missionary to the Huguenots, 1686–87 
During this period, Fénelon had become friends with his future rival Jacques-Bénigne Bossuet. When Louis XIV revoked the Edict of Nantes in 1685, the Church began a campaign to send the greatest orators in the country into the regions of France with the highest concentration of Huguenots to persuade them of the errors of Protestantism. Upon Bossuet's suggestion, Fénelon was included in this group, alongside such oratorical greats as Louis Bourdaloue and Esprit Fléchier.
He consequently spent the next three years in the Saintonge region of France preaching to Protestants. He persuaded the king to remove troops from the region and tried to avoid outright displays of religious oppression, though, in the end, he was willing to resort to force to make Protestants listen to his message. He believed that "to be obliged to do good is always an advantage and that heretics and schismatics, when forced to apply their minds to the consideration of truth, eventually lay aside their erroneous beliefs, whereas they would never have examined these matters had not authority constrained them."
Important friends, 1687–89 
During this period, Fénelon assisted Bossuet during his lectures on the Bible at Versailles. It was probably at Bossuet's urging that he now composed his Réfutation du système de Malebranche sur la nature et sur la grâce, a work in which he attacked Nicolas Malebranche's views on optimism, the creation, and the Incarnation. This work was not published until 1820, long after Fénelon's death
Fénelon also became friendly with the Duc de Beauvilliers and the Duc de Chevreuse, who were married to the daughters of Louis XIV's minister of finance Jean-Baptiste Colbert. The Duchesse de Beauvilliers, who was the mother of eight daughters, asked Fénelon his advice on raising children; as a result, he wrote his Traité de l'education des filles. This work is often seen as being somewhat ahead of its time, as it insists that girls should receive a thorough education, particularly in theological matters, so that they will be able to recognize and refute heresies. He also wrote a Treatise on the Existence of God.
In 1688, Fénelon first met Jeanne Marie Bouvier de la Motte Guyon, usually known simply as "Mme Guyon" or simply Madame Guyon. At that time, she was being well received in the social circle of the Beauvilliers and Chevreuses. Fénelon and Guyon were cousins; Fénelon was deeply impressed by her piety and actively discipled her; he would later become a devotee and defender of her brand of Quietism.
Royal tutor, 1689–97 
In 1689, Louis XIV named Fénelon's friend the Duc de Beauvilliers as governor of the royal grandchildren. Upon Beauvilliers' recommendation, Fénelon was named the tutor of the Dauphin's eldest son, the 7-year-old Duke of Burgundy, who was second in line for the throne.
As tutor, Fénelon was charged with guiding the character formation of a future King of France. He wrote several important works specifically to guide his young charge. These include his Fables and his Dialogues des Morts.
But by far the most lasting of his works that he composed for the duke was his Les Aventures de Télémaque (English The Adventures of Telemachus, Son of Ulysses), written in 1693-94. On its surface, The Adventures of Telemachus was a novel about Ulysses' son Telemachus, but in reality, it was a biting attack on the divine right absolute monarchy which was the dominant ideology of Louis XIV's France. In sharp contrast to Bossuet, who, when tutor to the Dauphin had written Politique tirée de l'Écriture sainte which affirmed the divine foundations of absolute monarchy while at the same exercising the future king to use restraint and wisdom in exercising his absolute power, in Telemachus, Fénelon went so far as to write "Good kings are rare and the generality of monarchs bad" (p. 254).
The French literary historian Jean-Claude Bonnet calls Télémaque “the true key to the museum of the eighteenth century imagination.”  One of the most popular works of the century, it was an immediate best seller both in France and abroad, going through many editions and translated into every European language and even Latin verse (first in Berlin in 1743, then in Paris by Étienne Viel [1737-87]). It inspired numerous imitations, such as the Abbé Jean Terrasson's novel Sethos (1731). It also supplied the plot for Mozart's opera, Idomeneo (1781).
It was the general opinion that Fénelon's tutorship resulted in a dramatic improvement in the young duke's behaviour. Even the memoirist Louis de Rouvroy, duc de Saint-Simon, who generally disliked Fénelon, admitted that when Fénelon became tutor, the duke was a spoiled, violent child; when Fénelon left him, the duke had learned the lessons of self-control and had been thoroughly impressed with a sense of his future duties. Telemachus is therefore widely seen as the most thorough exposition of the brand of reformism in the Beauvilliers-Chevreuse circle, which hoped that following Louis XIV's death, his brand of autocracy could be replaced by a monarchy less centralized and less absolute, and with a greater role for aristocrats such as Beauvilliers and Chevreuse.
In 1693, Fénelon was elected to Seat 34 of the Académie française.
The early- to mid-1690s are significant since it was during this period that Mme de Maintenon (quasi-morganatic wife of Louis XIV since roughly 1684) began to regularly consult Fénelon on matters of conscience. Also, since he had a reputation as an expert on the education of girls, she sought his advice on the house of Saint-Cyr which she was founding for girls.
In February 1696, the king nominated Fénelon to become the Archbishop of Cambrai while at the same time asking him to remain in his position as tutor to the duke of Burgundy. Fénelon accepted, and he was consecrated by his old friend Bossuet in August.
The Quietist controversy, 1697–99 
As already noted, Fénelon had met Mme Guyon in 1688 and had subsequently become an admirer of her work.
In 1697, following a visit by Mme Guyon to Mme de Maintenon's school at Saint-Cyr, Paul Godet des Marais, Bishop of Chartres (Saint-Cyr was located within his diocese) expressed concerns about Mme Guyon's orthodoxy to Mme de Maintenon. He was concerned that Mme Guyon's opinions bore striking similarities to Miguel de Molinos' Quietism, condemned by Pope Innocent XI in 1687. As a result, Mme de Maintenon asked for an ecclesiastical commission to exam Mme Guyon's orthodoxy: the commission consisted of two of Fénelon's old friends, Bossuet and de Noailles, as well as the head of the Sulpician order of which Fénelon was a member. The commission sat at Issy and, after six months of deliberations, delivered its opinion in the Articles d'Issy, 34 articles which briefly condemned certain of Mme Guyon's opinions and set forth a brief exposition of the Catholic view of prayer. These articles were signed by Fénelon and the Bishop of Chartres, as well as by all three members of the commission. Mme Guyon immediately submitted to the decision of the commission.
At Issy, the commission had decided that Bossuet should follow up the Articles with an exposition of them, so Bossuet now proceeded to write that exposition in a work he entitled Instructions sur les états d'oraison. Bossuet submitted this work to the members of the commission, as well as to the Bishop of Chartres and Fénelon, to ask for their signatures prior to its publication. Fénelon refused to sign, arguing that Mme Guyon had already admitted her mistakes and there was no point in further condemning her. Furthermore, Fénelon disagreed with Bossuet's interpretation of the Articles d'Issy, so in response Fénelon wrote Explication des Maximes des Saints (a work often regarded as his masterpiece - English: Maxims of the Saints), in which he provided his own interpretation of the Articles d'Issy, interpreting them in a way much more sympathetic to the Quietist viewpoint than Bossuet's interpretation.
Louis XIV, shocked that his grandson's tutors held such views, removed Fénelon from his post as royal tutor and ordered Fénelon to remain within the boundaries of the archdiocese of Cambrai. The king chastised Bossuet for not warning him earlier of Fénelon's opinions and ordered Bossuet, de Noailles, and the Bishop of Chartres to respond to the Maximes des Saints.
This unleashed two years of pamphlet warfare as the two sides traded opinions. This continued until 12 March 1699, when the Inquisition formally condemned the Maximes des Saints, with Pope Innocent XII listing 23 specific propositions as unorthodox.
Fénelon immediately declared that he submitted to the pope's authority and set aside his own opinion. With this, the matter was dropped.
In 1699, The Adventures of Telemachus was published and Louis XIV was enraged by this work, which appeared to question the very foundations of his regime. As a result, even after Fénelon abjured his Quietist views, the king refused to revoke his order forbidding Fénelon from leaving his archdiocese.
Later years 
As Archbishop of Cambrai, Fénelon spent most of his time in the archiepiscopal palace in Cambrai, but also devoted several months of each year to visitation of his archdiocese. He preached in his cathedral on festival days, and took an especial interest in seminary training and in examining candidates for the priesthood prior to their ordination.
During the War of the Spanish Succession, Spanish troops encamped in his archdiocese (an area only recently gained by France from Spain), but the troops never interfered with Fénelon in the exercise of his archiepiscopal duties. During the war, Fénelon opened his palace to refugees from around the archdiocese who had fled in the face of Spanish troops.
During these latter years, Fénelon wrote a series of anti-Jansenist works. The impetus for this was the publication of the Cas de Conscience, which revived the old Jansenist distinction between questions of law and questions of fact, and arguing that though the church had the right to condemn certain opinions as heretical, it did not have the right to oblige one to believe that these opinions were actually contained in Cornelius Jansen's Augustinus. In response to this, Fénelon wrote treatises, sermons, and pastoral letters which occupy seven volumes in his collected works. Fénelon particularly condemned Pasquier Quesnel's Réflexions morales sur le Nouveau Testament, and his writings were part of the build-up to Pope Clement XI's 1713 bull Unigenitus, condemning Quesnel's opinions.
Although confined to the archdiocese to Cambrai, in his later years, Fénelon continued to act as a spiritual director for Mme de Maintenon, the ducs de de Chevreuse and de Beauvilliers, the duke of Burgundy, and a number of other prominent individuals.
Fénelon's later years were saddened by the deaths of many of his close friends. Shortly before his death, he asked Louis XIV to replace him with a man opposed to Jansenism and loyal to the Sulpician order. He died on 7 January 1715.
Fénelon as reformer and defender of human rights 
Paul Hazard remarks on the bitterness of the questions Fénelon has his fictional hero Telemachus put to Idomeneus, King of Salente: "those same questions, in the same sorrowing tone, Fénelon puts to to his pupil, the Duc de Bourgogne, against the day, when he will have to take over the royal power: Do you understand the constitution of kingship? Have you acquainted yourself with the moral obligations of Kings? Have you sought means of bringing comfort to the people? The evils that are engendered by absolute power, by incompetent administration, by war, how will you shield your subjects from them? And when in 1711, the same Duc de Bourgogne became Dauphin of France, it was a whole string of reforms that Fénelon submitted to him in preparation for his accession". Finally, to complete the credit items of Fénelon’s account, we must put his defense of Human Rights. Thus he speaks:
A people is no less a member of the human race, which is society as a whole, than a family is a member of a particular nation. Each individual owes incomparably more to the human race, which is the great fatherland, than to the particular country in which he was born. As a family is to the nation, so is the nation to the universal commonweal; wherefore it is infinitely more harmful for nation to wrong nation, than for family to wrong family. To abandon the sentiment of humanity is not merely to renounce civilization and to relapse into barbarism, it is to share in the blindness of the most brutish brigands and savages; it is to be a man no longer, but a cannibal.” 
- The Adventures of Telemachus
- Christian Perfection
- Let Go
- The Royal Way of the Cross
- Maxims of the Saints
- The Inner Life
See also 
- Matthew T. Lee, Amos Yong (ed.). Godly Love: Impediments and Possibilities, Lexington Books, 2012, p. 220.
- Letters from Baron Van Hugel to a Niece, edited with an introduction by Gwendolen Greene—first published in 1928, p. 110
- La Naissance du Pantheon: Essai sur le culte des grands homes (Paris Fayard, 1998).
- Itself the inspiration Mozart's Magic Flute.
- Paul Hazard, The European Mind, 1680-1715, translated by J. Lewis May (Cleveland Ohio: Meridian Books  , 1967) pp. 282.
- Fénelon, Dialogue des Morts, "Socrate et Alcibiade" (1718), quoted in Paul Hazard, The European Mind, 1680-1715 (1967), pp. 282–83.
Further reading 
- "François de Salignac de la Mothe Fénelon." Encyclopedia of World Biography, 2nd ed. Gale Research, 1998.
|Wikiquote has a collection of quotations related to: François Fénelon|
|Wikimedia Commons has media related to: François Fénelon|
- Works by François Fénelon at Project Gutenberg
- Avis Chretiens "Christian Counsel" (1810) English translation
- Catholic Encyclopedia article
- "Educating Telemachus: Lessons in Fénelon's Underworld" by Ippokratis Kantzios