FUEL Design

From Wikipedia, the free encyclopedia
Jump to: navigation, search

The FUEL Design group specialises in commercial commissions from the fields of art, fashion and music, as well as realising their own authorial projects, most notably through their publishing company FUEL Publishing. The group was founded in 1991 by Stephen Sorrell, Damon Murray, and Peter Miles (who left the group in 2004).

History[edit]

The founder members of FUEL studied graphic design at the Royal College of Art. They first worked together on their magazine also titled FUEL, the first four issues of which (GIRL, HYPE, USSR and CASH)[1] were produced at the college. As well as assimilating found imagery the group commissioned both visual and written material, closely directing them to fit each magazine's theme. The resulting deceptively crude and often ambiguous imagery,[2] combined bold graphic statements with thought provoking messages, which served as a developing manifesto. This aesthetic distinguished them from existing traditional design group models.[3]

After leaving the RCA in 1992 they set up a studio in Fournier Street, Spitalfields, east London (which they still work from today). They continued to produce the magazine (issues DEAD and GREY)[4] before adapting their approach to suit book format with Pure Fuel (1996)[5] and Fuel 3000 (2000).[6] Far from being monographs, the work they contained was made specifically and exclusively around the theme of each book. Their design communicated in such a way that the results were open to interpretation, requiring the reader to engage and negotiate. In subverting established graphic design practice to their own purpose, they questioned the role of the designer and expanded the standard convention of singular authorship.

Works[edit]

In addition to commercial art, music, and fashion,[7] the FUEL group has worked with the moving image, winning awards for both their commercial [8] and experimental digital work [9] in this field. They also created the title sequences for Nick Cave's The Proposition, Sofia Coppola's Lost in Translation, and Samantha Morton's The Unloved. They also produce books and catalogues, working closely with contemporary artists – notably Tracey Emin and Jake and Dinos Chapman.

In 2006, they were invited to produce a 60th anniversary Penguin Designer Classic (Crime and Punishment by Fyodor Dostoyevsky) alongside Paul Smith, Sam Taylor-Wood, Ron Arad and Manolo Blahnik. In 2009 FUEL purchased the entire archive of 739 original sheets of tattoo drawings by Danzig Baldaev from his widow. In November 2010 they curated the first Russian Criminal Tattoo Exhibition ([1] details), in which 132 original drawings by Danzig Baldaev, and 16 photographic prints by Sergei Vasiliev, all taken from the The Russian Criminal Tattoo Encyclopaedia series, were shown for the first time. In 2012 an expanded version (with 32 photographs) of this exhibition was held at Galerie Max Hetzler in Berlin ([2] details).

Publishing[edit]

In 2005, FUEL Publishing was formed within the group. Concentrating on books concerned with visual culture, their attitude to publishing is to jointly work with authors on all important matters relating to the finished items. Their broad range of books has been critically acclaimed.[10] In 2005 The Russian Criminal Tattoo Encyclopaedia won a D&AD award for book design. In 2010 the third volume was nominated for a Design of the Year Award,[11] and in the same year the three-volume boxed set of the Encyclopaedia was acquired by the Design Museum in London as part of its permanent collection. These books were also subsequently used as inspiration and reference by director David Cronenberg[12] in his 2007 film Eastern Promises.

Books published by FUEL publishing include:

Books of FUEL's work[edit]

  • Pure FUEL (London: Booth Clibborn Editions, 1996)
  • Fuel 3000 (London: Laurence King, 2000)

Group Exhibitions[edit]

  • Jam, Barbican Art Gallery, London, 1996
  • Lost and Found, British Council, Stockholm, 2001
  • Communicate: Independent British Graphic Design since the Sixties, Barbican Art Gallery, London, 2004
  • Super Contemporary, Design Museum touring exhibition, London and Taipei, 2009
  • Designs of the Year, Design Museum, London, 2010
  • Graphic Detour, Graphic Design Museum, Breda, 2011
  • Graphic Design Worlds, Triennale Design Museum, Milan, 2011
  • Graphic Design: Now in Production, Walker Art Centre, Minneapolis, 2011 / Cooper-Hewitt National Design Museum, New York, 2012 / Hammer Museum, Los Angeles, 2012
  • Panorama, International Poster and Graphic Design Festival, Chaumont, 2013

External links[edit]

Notes[edit]

  1. ^ Poynor, Rick. The Graphic Edge. Booth-Clibborn Editions, 1993, p. 170-173.
  2. ^ Poynor, Rick. Both Ends Burning. Eye Magazine, 1993, p. 57.
  3. ^ Zappaterra, Yolanda. Profile. Design Week, 29th November, 2007
  4. ^ Blackwell, Lewis and Brody, Neville. G1. Laurence King, 1996, p. 48, 53-55.
  5. ^ Fitzgerald, Kenneth. FUEL FULL PULL POLL POOL COOL COOK BOOK. Emigre Magazine, 1997, p. 14-28.
  6. ^ Poynor, Rick. Is it Art. No, Actually, it's Graphic Design. The Independent on Sunday, Culture, 19 November 2000, p. 1, 4.
  7. ^ Fiell, Charlotte and Peter. "Contemporary Graphic Design." Taschen, 2007, p194-199
  8. ^ Best On Air Ident, BDA ProMax Awards, 2003
  9. ^ Prix Ars Electronica, Honorary Mention, 1997
  10. ^ Shaughnessy, Adrian. Graphic Editorship. Design Observer, December 2007.
  11. ^ Brit Insurance Designs of the Year, 2010.
  12. ^ http://www.rottentomatoes.com/m/eastern_promises/news/1670176/rt_talks_eastern_promises_with_david_cronenberg_and_viggo_mortensen/