The Kingdom of the Fairies
|Le Royaume des fées|
A frame from the film
|Directed by||Georges Méliès|
|Produced by||Georges Méliès|
|Written by||Georges Méliès|
|Running time||320 meters|
The Kingdom of the Fairies (French: Le Royaume des fées), initially released in the United States as Fairyland, or the Kingdom of the Fairies and in Great Britain as The Wonders of the Deep, or Kingdom of the Fairies, is a 1903 French silent film directed by Georges Méliès. The film is freely adapted from Biche au Bois, a popular stage pantomime that had originated at the Théâtre de la Porte Saint-Martin in 1845. Prints of the film survive in the film archives of the British Film Institute and the Library of Congress.
- Georges Méliès as Prince Bel-Azor
- Marguerite Thévenard as Princess Azurine
- Bleuette Bernon as the fairy Aurora
The Kingdom of the Fairies was released by Méliès's Star Film Company and is numbered 483–498 in its catalogues. (In Méliès's numbering system, films were listed and numbered according to their order of production, and each catalogue number denotes about 20 meters of film.) The film was registered for American copyright at the Library of Congress on 3 September 1903.
According to the Méliès scholar John Frazer, the film was "the most ambitious Star Film production to date" and "was widely distributed and heavily promoted." An original film score was prepared for the film's projection in larger cities. As with at least 4% of Méliès's entire output (including such films as A Trip to the Moon, The Impossible Voyage, The Rajah's Dream, and The Barber of Seville), some prints were individually hand-colored and sold at a higher price.
The Kingdom of the Fairies, like Méliès's similarly spectacular films A Trip to the Moon (1902) and The Impossible Voyage (1904), was one of the most popular films of the first few years of the twentieth century. When Thomas L. Tally debuted the film at his Lyric Theater in Los Angeles in 1903 (billing it as "Better than A Trip to the Moon"), the Los Angeles Times called the film "an interesting exhibit of the limits to which moving picture making can be carried in the hands of experts equipped with time and money to carry out their devices."
- Malthête, Jacques; Mannoni, Laurent (2008), L'oeuvre de Georges Méliès, Paris: Éditions de La Martinière, p. 345, ISBN 9782732437323
- Ezra, Elizabeth (2000), Georges Méliès, Manchester: Manchester University Press, p. 25, ISBN 0719053951
- Frazer, John (1979), Artificially Arranged Scenes: The Films of Georges Méliès, Boston: G. K. Hall & Co., p. 115, ISBN 0816183686
- Frazer 1979, p. 118
- Bennett, Carl (2011), "Le royaume des fées", The Progressive Silent Film List (Silent Era), retrieved 5 February 2014
- Malthête & Mannoni 2008, p. 148
- Solomon, Matthew (2011), "Introduction", in Solomon, Matthew, Fantastic Voyages of the Cinematic Imagination: Georges Méliès's Trip to the Moon, Albany: State University of New York Press, p. 7, ISBN 9781438435817
- Yumibe, Joshua (2012), Moving Color: Early Film, Mass Culture, Modernism, New Brunswick, N.J.: Rutgers University Press, p. 73, ISBN 9780813552965, retrieved 1 August 2013
- Solomon 2011, p. 3
- Musser, Charles (1990), History of the American Cinema: Volume 1, The Emergence of Cinema, New York: Charles Scribner's Sons, p. 299
- Rosen, Miriam (1987), "Méliès, Georges", in Wakeman, John, World Film Directors: Volume I, 1890–1945, New York: The H. W. Wilson Company, p. 756