Falling Down

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This article is about the film. For other uses, see Falling Down (disambiguation).
Falling Down
A poster depicting an older man standing on a concrete platform, wearing a business outfit, holding a briefcase and a shotgun. Above in black letters it reads: "Michael Douglas". Below in large white letters over a red background it reads: "Falling Down". Beneath that with the film credits, it reads in small white letters: "A Joel Schumacher Film". In the background are skyscrapers and a smog filled sky.
Falling Down
Directed by Joel Schumacher
Produced by
Written by Ebbe Roe Smith
Starring Michael Douglas
Music by James Newton Howard
Cinematography Andrzej Bartkowiak
Editing by Paul Hirsch
Studio
Distributed by Warner Bros.
Release date(s) February 26, 1993 (USA)
Running time 113 minutes
Country United States
France
United Kingdom
Language English
Budget $25 million
Box office $40,903,593[1]

Falling Down is a 1993 crime drama film directed by Joel Schumacher and written by Ebbe Roe Smith. The film stars Michael Douglas in the lead role of William Foster (credited as "D-Fens"), a divorcé and unemployed former defense engineer. The film centers on Foster as he goes on a violent rampage across the city of Los Angeles, trying to reach the house of his estranged ex-wife in time for his daughter's birthday party. Along the way, a series of encounters, both trivial and provocative, cause him to react with violence and make sardonic observations on life, poverty, the economy, and commercialism. Robert Duvall co-stars as Martin Prendergast, an aging LAPD Sergeant on the day of his retirement, who faces his own frustrations, even as he tracks down Foster.

The title of the film, referring to Foster's mental collapse, is taken from the nursery rhyme "London Bridge is Falling Down", which is a recurring motif throughout the film.

Contents

Plot [edit]

William Foster (Douglas) is recently divorced, and his ex-wife Beth (Hershey) has a restraining order to keep him away from her and their child, Adele. In addition, he was recently laid off from his job. His frustration grows when his air conditioning fails while he is stuck in traffic on an extremely hot day. He abandons his car and begins walking across Los Angeles to attend Adele’s birthday party.

At a convenience store, the Korean owner (Chan) refuses to give change for a telephone call, prompting Foster to rant about the high prices. The owner grabs a baseball bat and demands that Foster leave, but Foster takes it away and destroys much of the merchandise before leaving. Shortly thereafter, while resting on a hill, he is accosted by two gang members who threaten him with a knife and demand his briefcase. Foster attacks them with the bat and takes their knife.

Shortly afterward, the gang members and two of their friends spot Foster while cruising the streets in their car. They open fire, hitting several bystanders but not Foster, and the driver loses control and crashes. Only one gang member survives the wreck; Foster picks up a gun, shoots him in the leg, and leaves with the group's bag of weapons. He soon gives his briefcase - containing only a sandwich and an apple - to a panhandler.

At a fast food restaurant, Foster attempts to order breakfast, but finds that the staff has just switched to the lunch menu. Following an argument with the manager, Foster pulls a gun and fires into the ceiling. After trying to reassure the frightened employees and customers, he orders lunch, but is annoyed when the burger looks nothing like the one shown on the menu. He leaves, tries to call Beth from a phone booth, then shoots the phone to pieces after being hassled by someone who was waiting to use it.

Meanwhile, LAPD Sergeant Martin Prendergast Prendergast (Duvall), who is on his last day before retirement, insists on investigating the crimes. Interviews with the witnesses at each scene lead Prendergast to realize that the same person may be responsible; Foster's “D-FENS” vanity license plate proves to be an important clue. Prendergast and his partner, Detective Sandra Torres (Ticotin), visit Foster's mother, who is surprised to learn that Foster lost his job. They realize Foster is heading toward his former family's home in Venice, California and rush to intercept him.

Foster passes a bank and sees a black man protesting his denied loan application and being taken away by the police. Needing a new pair of shoes, he stops at a military surplus store whose owner Nick (Forrest) is a white supremacist. Nick diverts Torres' attention when she asks about the day's events; after she leaves, he congratulates Foster for his actions at the restaurant and offers him a rocket launcher. When Foster expresses distaste for Nick's views, Nick pulls a gun and tries to restrain him, but Foster stabs him with the gang members' knife and then shoots him. Foster changes into army fatigues and boots and leaves with the rocket launcher, which he uses to blow up a road construction site after accusing its crew of doing unnecessary repairs to justify their budget.

By the time Foster reaches Beth’s house, she has already fled with Adele. He realizes that they may have gone to nearby Venice Pier, but Prendergast and Torres arrive before he can go after them. Foster shoots Torres and flees, with Prendergast in pursuit.

At the end of the pier, Foster confronts his ex-wife and daughter. His daughter is happy to see him, but his ex-wife is frightened. Prendergast arrives and acknowledges Foster's complaints about being ill-treated by society, but does not accept that as an excuse for his rampage. Distracting Foster, Beth kicks the gun away as Prendergast draws his revolver, insisting that Foster give himself up. Foster pulls a water gun, forcing Prendergast to shoot him dead. Prendergast decides to stay on the job instead of retiring.

Cast [edit]

Box office and reception [edit]

The film had a lukewarm box office response, grossing $40.9 million domestically. The film earned $18.1 million in theatrical rentals, falling short of its $25 million budget. However, it was the number one weekend movie during its first two weeks of release (2/26-28, 3/5-7/93).

Reviews for the film were mixed to positive. Falling Down holds a 73% "Certified Fresh" rating on Rotten Tomatoes[2] and a score of 56 out of 100 ("mixed or average reviews") on Metacritic.[3] Vincent Canby of The New York Times called it "the most interesting, all-out commercial American film of the year to date, and one that will function much like a Rorschach test to expose the secrets of those who watch it."[4] Philip Thomas of Empire magazine wrote on his review of the film, "While the morality of D-Fens' methods are questionable, there's a resonance about his reaction to everyday annoyances, and Michael Douglas' hypnotic performance makes it memorable."[5] Roger Ebert, who gave the film a positive review at the time of its release, stated of William "D-Fens" Foster:

What is fascinating about the Douglas character, as written and played, is the core of sadness in his soul. Yes, by the time we meet him, he has gone over the edge. But there is no exhilaration in his rampage, no release. He seems weary and confused, and in his actions he unconsciously follows scripts that he may have learned from the movies, or on the news, where other frustrated misfits vent their rage on innocent bystanders.[6]

At the time of its release Douglas' father, actor Kirk Douglas, declared "He played it brilliantly. I think it is his best piece of work to date."[7] He also defended the film against critics who claimed that it glorifies lawbreaking: "Michael's character is not the 'hero' or 'newest urban icon'. He is the villain and the victim. Of course, we see many elements of our society that contributed to his madness. We even pity him. But the movie never condones his actions."[7]

Controversy [edit]

The Korean American Coalition protested the film for its treatment of minorities, especially the Korean grocer.[8] Warner Brothers Korea canceled the release of Falling Down in South Korea following boycott threats.[9] Unemployed defense workers were also angered at their portrayal in the film.[8] Falling Down has been described as a definitive exploration of the notion of the "angry white male"; the character of D-FENS was featured on magazine covers and reported upon as an embodiment of the stereotype.[10]

Awards and nominations [edit]

References [edit]

  1. ^ "Falling Down (1993)". Box Office Mojo. 1993-05-25. Retrieved 2012-06-15. 
  2. ^ Rotten Tomatoes – Falling Down
  3. ^ Metacritic – Falling Down
  4. ^ The New York Times – Falling Down Review
  5. ^ Empire Online – Falling Down Review
  6. ^ Falling Down – rogerebert.com – Reviews
  7. ^ a b "Kirk Douglas Defends Son". McCook Daily Gazette. March 23, 1993. Retrieved 2012-06-28. 
  8. ^ a b Appelo, Tim (March 12, 1993). "'Down' Beat - Up in arms over Falling Down - Laid-off workers are offended by the Michael Douglas film". Entertainment Weekly. Retrieved 2012-03-17. 
  9. ^ "'Falling Down' won't play Korea." Rocky Mountain News, March 10, 1994.
  10. ^ Carl Scott Gutiérrez-Jones (2001), Critical race narratives, NYU Press, pp. 61–65, ISBN 978-0-8147-3145-1 
  11. ^ "Festival de Cannes: Falling Down". festival-cannes.com. Retrieved 2009-08-18. 

External links [edit]

Wikiquote has a collection of quotations related to: Falling Down
Films directed by Joel Schumacher
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