Valen was born in Stavanger, Norway in 1887 into a deeply Christian religious family and maintained his religious beliefs all his life. His parents were missionaries, and he spent five years of his childhood in Madagascar. In addition to his aptitude for music, he was also a polyglot, mastering at least nine languages. He earned his examen artium with the highest grades in all subjects except mathematics. He loved cats, nature, and literature, cultivated roses (even developed an award-winning hybrid), and after losing them in a devastating freeze took up growing cacti.
In 1906, Valen moved to Oslo to study Norwegian literature and language but also took classes with Catharinus Elling (1858 - 1942) at the Oslo conservatory of music, graduating with a degree in organ playing. In 1909 he moved to Berlin to study composition at the Music Academy with Max Bruch who subsequently retired. While in Berlin, he worked on exercises in both tonal and atonal counterpoint and began to develop a polyphony similar to Bach's, but based on motivic working and dissonance rather than harmonic progression.
In 1916, he returned to Norway and took up residence at his family estate with his mother and sister in Sunnhordland where he started the most productive phase of his career, churning out more than 25,000 piano etudes (though they are not among his official works), while continuing to refine his own dissonant counterpoint. The counterpoint has similarities to that of J.S. Bach and Arnold Schoenberg, though evidence reveals that they were developed independently.
After his mother's death, Valen traveled to Rome and Paris during the 1920s, gaining much inspiration from the wealth of art and architecture there. His work became more controversial among many conservative critics, much to Valen's disappointment. In 1924 he returned to Oslo, and from 1927 to 1936 he worked as a musical archivist at the University of Oslo. In 1935 the government gave him a semi-permanent grant for composers. He quit teaching and moved back to Sunnhordland into the care of his sister and began to compose full-time.
After 1948, his work began to gain greater recognition, both within Norway and outside. Among others, pianist Glenn Gould became a great admirer of Valen and said at the recording of Valen's Piano Sonata no. 2, "For the first time in many years I have found a looming personality in the 20th-century's music." Valen never married. He died in 1952 at Haugesund.
The Fartein Valen Prize (Fartein Valen-prisen) is a Norwegian music award in memory of the composer. The Fartein Valen Scholarship (Fartein Valen-stipendet) is an associated Norwegian music scholarship. The prize and scholarship were first awarded in 1999 and 2002, respectively, and are now awarded every two years. Past winners have included Arve Tellefsen and Ståle Kleiberg.
- Ola Tjørhom: Fartein Valen : vestlandspietist og modernistisk banebryter. Oslo, 2004. Genesis publishers. ISBN 82-476-0312-8
- Bjarne Kortsen: Fartein Valen: Life and Music 3 Vol. Oslo, 1965. J. G. Tanum. ASIN: B0006BWF24
- Berit Kvinge Tjøme: The Articulation of Sonata Form in Atonal Works of Fartein Valen Unipub 2002. ISBN 82-7477-097-8
- Paul Rapoport: "Opus est : Six Composers from Northern Europe." New York : Taplinger Pub. Co., 1979, c1978. ISBN 0-8008-5844-1.
- Biography at the Norwegian Institute of Recorded Sound
- Biography at Valen Festival website
- David Wright biographical sketch
- Valen Page at MIC.NO
- Free scores by Fartein Valen at the International Music Score Library Project
- Fartein Valen Prisen