Fashion (David Bowie song)
|Single by David Bowie|
|from the album Scary Monsters (and Super Creeps)|
|B-side||"Scream Like a Baby"|
|Released||24 October 1980|
|Recorded||Power Station, New York City
Good Earth, London
|Genre||Rock, new wave|
|Length||3:23 (7" single edit)
4:46 (Full-length album version)
|Producer(s)||David Bowie, Tony Visconti|
|David Bowie singles chronology|
"Fashion" is a track from David Bowie's 1980 album Scary Monsters (and Super Creeps). It was released as the second single from the album and was accompanied, like its predecessor "Ashes to Ashes", by a highly regarded music video.
Music and lyrics
According to co-producer Tony Visconti, "Fashion" was the last song completed in the Scary Monsters sessions, its bassline and some of the melody taking inspiration from Bowie's 1975 hit "Golden Years". Guest guitarist Robert Fripp contributed a series of harsh, mechanical riffs to complement the band's funk/reggae arrangement.
The track was noted for its emotionally vacant choir effect, and the recurring onomatopoeia "beep beep" that Bowie had first used in an unreleased 1970 song called "Rupert the Riley". Another phrase in the lyrics that Bowie borrowed from his past was "People from Bad Homes", the title track of a 1973 album he recorded with his protégés The Astronettes, which went unreleased until 1995.
References to a "goon squad" coming to town provoked theories that the song actually concerns fascism ("the National Front invade the discos", inferred NME critics Roy Carr and Charles Shaar Murray). However Bowie played down this interpretation in an interview shortly before the release of Scary Monsters, saying that what he was trying to do was "move on a little from that Ray Davies concept of fashion, to suggest more of a gritted teeth determination and an unsuredness about why one's doing it". Biographer David Buckley believed the song "poked fun at the banality of the dance-floor and the style fascists" of the New Romantic movement.
David Mallet shot a music video for the single "Fashion" in a famous nightclub owned by his friend Robert Boykin called Hurrah. The opening shot of the clip features David Bowie on the HURRAH stage which was draped in khaki canvas for this shoot. The faceted mirror walls surrounding the dance floor can be seen in the background of various shots, and all the band scenes are shot in this club setting. Other locations around Manhattan are intercut throughout the clip. One of the scenes from the clip feature Bowie performing while a group of emotionless fans robotically re-enact his every move. Amid a series of facial contortions and other gestures, Bowie made use of a move he had employed in the "Ashes to Ashes" video: slowly crouching and bringing his arm down to the ground in a slow vertical arc. Record Mirror readers voted "Fashion" and "Ashes to Ashes" the best music videos of 1980.
The video features Carlos Alomar, G.E. Smith (Hall & Oates), the guitarist Steve Love who plays drums in the video, John Kay, May Pang (who was John Lennon's girlfriend from 1973–1975 and who later married Tony Visconti) and Alan Hunter, who became one of the first MTV VJs and also the first VJ to appear in the music video.
Release and aftermath
"Fashion" was the second single from Scary Monsters and the first issued after the album's September 1980 release. The edited 7" cut reached No. 5 in the UK, and by hitting No. 70 in America gave Bowie his first chart single there for four years. The UK sleeve design was adapted for the cover art on the 1980 compilation Best of Bowie. The song has since been performed on several tours. It was featured in the movie Clueless. During the Closing Ceremony of the 2012 London Olympics "Fashion" was used during a tribute to the British fashion industry in a parade that featured a number of top models from the UK.
- "Fashion" (Bowie) – 3:23
- "Scream Like a Baby" (Bowie) – 3:35
The Japanese release of the single had "It's No Game (No. 1)" as the B-side.
- It appeared on the following compilations:
|Australia (Kent Music Report)||27|
|Germany (Media Control AG)||34|
|Irish Singles Chart||11|
|New Zealand (Recorded Music NZ)||22|
|South African Chart||8|
|UK (Official Charts Company)||5|
|U.S. Billboard Hot 100||70|
- Frank Black - Live recording with Bowie in January 1997 on Bowie's 50th birthday party
- The Dandy Warhols - Sampled the song in "Scientist" on the album Welcome to the Monkey House
- Die Lady Di - Ashes to Ashes: A Tribute to David Bowie (1998)
- Glamma Kid - Single release as "Fashion '98" (1998)
- High Blue Star - .2 Contamination: A Tribute to David Bowie (2006)
- Botox - BowieMania: Mania, une collection obsessionelle de Beatrice Ardisson (2007)
- The Sunburst Band - Moving with the Shakers (2008)
- Afghan Raiders - We Were So Turned On: A Tribute to David Bowie (2010)
- Grum - Covered on the first album Heartbeats (2010)
- Glee - As a promotional music video for Vogue "Fashion's Night Out"
- Roy Carr & Charles Shaar Murray (1981). Bowie: An Illustrated Record: pp.113-114
- Nicholas Pegg (2000). The Complete David Bowie: pp.75-76
- David Buckley (1999). Strange Fascination - David Bowie: The Definitive Story: pp.372-374
- David Buckley (1999). Ibid: p.207
- Angus MacKinnon (1980). "The Future Isn't What It Used to Be". NME (13 September 1980): p.37
- "Fashion in French Chart" (in French). Dominic DURAND / InfoDisc. 28 June 2013. Retrieved 28 June 2013. You have to use the index at the top of the page and search "David Bowie"
- "David Bowie - Fashion". Charts.de. Media Control.
- "Fashion in Irish Chart". IRMA. Retrieved 28 June 2013. 4th result of the 1st page when searching "Fashion"
- "Charts.org.nz – David Bowie – Fashion". Top 40 Singles.
- "Norwegiancharts.com – David Bowie – Fashion". VG-lista.
- John Samson. "Fashion in South African Chart". Retrieved 28 June 2013.
- "Swedishcharts.com – David Bowie – Fashion". Singles Top 60.
- "1980 Top 40 Official UK Singles Archive - 22nd November 1980". Official Charts Company. Retrieved 28 June 2013.
- "Scary Monsters awards on Allmusic". Allmusic. Retrieved 28 June 2013.
Pegg, Nicholas, The Complete David Bowie, Reynolds & Hearn Ltd, 2000, ISBN 1-903111-14-5