Fast Food Nation (film)
||This article's lead section may not adequately summarize key points of its contents. (July 2014)|
|Fast Food Nation|
Theatrical release poster
|Directed by||Richard Linklater|
|Produced by||Jeremy Thomas
|Screenplay by||Richard Linklater
|Based on||Fast Food Nation
by Eric Schlosser
Catalina Sandino Moreno
Ana Claudia Talancón
|Music by||Friends of Dean Martinez|
|Edited by||Sandra Adair|
|Distributed by||Fox Searchlight Pictures (USA)
Tartan Films (UK)
HanWay Films / Recorded Picture Company (international)
Fast Food Nation is a 2006 American-British drama film directed by Richard Linklater. The screenplay was written by Linklater and Eric Schlosser, loosely based on the latter's bestselling 2001 non-fiction book of the same name.
Don Anderson is the Mickey's hamburger chain marketing director who helped develop the "Big One", its most popular menu item. When he learns that independent research has discovered a considerable presence of fecal matter in the meat, he travels to the fictitious town of Cody, Colorado to determine if the local Uni-Globe meatpacking processing plant, Mickey's main meat supplier, is guilty of sloppy production. Don's tour shows him only the pristine work areas and most efficient procedures, assuring him that everything the company produces is immaculate.
Suspicious of the facade he's been shown, Don meets rancher Rudy Martin, who used to supply cattle to the Uni-Globe plant. Rudy and his Chicana housekeeper both assure him that because of the plant's production level, several safety regulations are ignored or worked against; workers have no time to make sure that the manure coming from the intestines stays away from the meat. Don later meets with Harry Rydell, executive VP of Mickey's, who admits being aware of the issue, but is not concerned.
Amber is a young, upbeat employee of Mickey's, studying for college and living with her mother Cindy. While her life seems to be set, she continually faces the contrast between her current career and her own ambition, emphasized by her two lazy co-workers, Brian and Andrew, who, having heard of armed robberies at fast food restaurants in the area, start planning their own.
Amber and Cindy are visited by Cindy's brother Pete, who encourages Amber to leave town and start a real career. Amber eventually meets a group of young activists, Andrew, Alice, and Paco, who plan to liberate cattle from Uni-Globe as their first act of rebellion. They proceed to sneak up to a holding pen at the plant, but after breaking down the fence, they are shocked that the cattle make no attempt to leave. Upon hearing the police, they retreat and contemplate why the cattle decided to stay in confinement.
Raul, his love interest Sylvia, and Sylvia's sister Coco are illegal immigrants from Mexico, trying to make it in Colorado. They all go to Uni-Globe in hopes of finding a job - Raul becomes a cleaner, while Coco works on a meat processing conveyor belt. Sylvia, however, cannot take the environment, and instead finds a job as a hotel maid. Coco develops a drug habit, and begins an affair with her exploitative superior, Mike.
In a work accident, a friend of Raul's falls in a machine, and his leg is mangled. Raul, attempting to save him, falls and is injured. At the hospital, Sylvia is told that Raul was on amphetamines at work. Because Raul is now unable to work, Sylvia has sex with Mike in order to find a job at Uni-Globe. She ends up working on the "kill floor."
- Patricia Arquette as Cindy
- Luis Guzmán as Benny
- Ethan Hawke as Pete
- Ashley Johnson as Amber
- Greg Kinnear as Don Anderson
- Kris Kristofferson as Rudy Martin
- Catalina Sandino Moreno as Sylvia
- Ana Claudia Talancón as Coco
- Wilmer Valderrama as Raul
- Bobby Cannavale as Mike
- Bruce Willis as Harry Rydell
- Paul Dano as Brian
- Matt Hensarling as Kevin
- Aaron Himelstein as Andrew
- Avril Lavigne as Alice
- Lou Taylor Pucci as Paco
- Cherami Leigh as Kim
- Esai Morales as Tony
A. O. Scott of The New York Times said the film, "while it does not shy away from making arguments and advancing a clear point of view, is far too rich and complicated to be understood as a simple, high-minded polemic. It is didactic, yes, but it's also dialectical. While the climactic images of slaughter and butchery — filmed in an actual abattoir — may seem intended to spoil your appetite, Mr. Linklater and Mr. Schlosser have really undertaken a much deeper and more comprehensive critique of contemporary American life ... The movie does not neglect the mute, helpless suffering of the cows, but it also acknowledges the status anxiety of the managerial class, the aspirations of the working poor (legal and otherwise) and the frustrations of the dreaming young. It's a mirror and a portrait, and a movie as necessary and nourishing as your next meal."
Peter Travers of Rolling Stone awarded the film three out of four stars and added, "It's less an expose of junk-food culture than a human drama, sprinkled with sly, provoking wit, about how that culture defines how we live ... The film is brimming with grand ambitions but trips on many of them as some characters aren't given enough screen time to register and others vanish just when you want to learn more about them."
Ruthe Stein of the San Francisco Chronicle felt "for all the filmmaker's good intentions, Fast Food Nation isn't a particularly good movie. It doesn't hold together or grip you the way a documentary might have. The people are sketchily drawn - just when you start to care about one of them, he or she vanishes. To get the consumer-beware message across, much of the dialogue sounds like preaching, an unnatural way to talk in what's billed as entertainment ... But it does get its message across. You're unlikely to leave the theater with a hankering for a fast food patty of any size."
Todd McCarthy of Variety wrote, "Richard Linklater's rough-hewn tapestry of assorted lives that feed off of and into the American meat industry is both rangy and mangy; it remains appealing for its subversive motives and revelations even as one wishes its knife would have been sharper ... In the end, viewers waiting for an emotional and/or dramatic payoff will be disappointed. As a call-to-arms, it's highly sympathetic but surprisingly mild-mannered."
The film opened on 321 screens in the US on November 17, 2006 and earned $410,804 in its opening weekend. It eventually grossed $1,005,539 in the US and $1,203,783 in foreign markets for a total worldwide box office of $2,209,322.
Awards and nominations
The film won Best Feature Film at the 21st Genesis Awards.
- "FAST FOOD NATION (15)". British Board of Film Classification. 2006-08-30. Retrieved 2013-05-07.
- "Fast Food Nation (2006)". Box Office Mojo. Retrieved September 7, 2009.
- "Fast Food Nation (2006)". Rotten Tomatoes. Retrieved September 7, 2009.
- Scott, A. O. (November 17, 2006). "Fast Food Nation (2006) Movie Review". The New York Times. Retrieved September 7, 2009.
- Travers, Peter (November 13, 2006). "Fast Food Nation: Review". Rolling Stone. Archived from the original on September 7, 2009. Retrieved September 7, 2009.
- Stein, Ruthe (November 17, 2006). "A plentiful serving of diet don'ts". San Francisco Chronicle. Archived from the original on September 7, 2009. Retrieved September 7, 2009.
- McCarthy, Todd (May 19, 2006). "Fast Food Nation". Variety. Archived from the original on September 7, 2009. Retrieved September 7, 2009.
- "Festival de Cannes: Fast Food Nation". festival-cannes.com. Retrieved 2009-12-13.
- "Fast Food Nation (2006): DVD/Home Video". Box Office Mojo. Retrieved September 7, 2009.
- Official website
- Fast Food Nation at the Internet Movie Database
- Fast Food Nation at Box Office Mojo
- Fast Food Nation at Rotten Tomatoes
- Fast Food Nation at Metacritic