|James Bond character|
The many faces of Felix Leiter:
from top-left: Jack Lord, Cec Linder, Rik Van Nutter, Norman Burton
from bottom-left: David Hedison, John Terry, David Hedison, Jeffrey Wright.
|First appearance||Casino Royale (1953)|
|Last appearance||Carte Blanche (2011)|
|Created by||Ian Fleming|
|Portrayed by||Michael Pate (as "Clarence Leiter") (1954)
Jack Lord (1962)
Cec Linder (1964)
Rik Van Nutter (1965)
Norman Burton (1971)
David Hedison (1973 & 1989)
Bernie Casey (1983)
John Terry (1987)
Jeffrey Wright (2006–2008)
|Spouse(s)||Della Leiter (nee Churchill) (wife, deceased)|
|Children||Cedar Leiter (daughter)|
Felix Leiter is a fictional character created by Ian Fleming in the James Bond series. The character is an operative for the CIA and Bond's friend. After losing a leg and his hand to a shark attack, Leiter joined the Pinkerton Detective Agency. The name "Felix" comes from the middle name of Fleming's friend Ivor Bryce, while the name "Leiter" was the surname of Fleming's friend Marion Oates Leiter Charles, then wife of Thomas Leiter.
Leiter also appeared in novels by continuation authors, as well as ten films and one television programme, Casino Royale, where the character became a British agent, Clarence Leiter, played by Michael Pate. In the Eon Productions series of films, Leiter has been portrayed by Jack Lord, Cec Linder, Rik Van Nutter, Norman Burton, David Hedison, John Terry and Jeffrey Wright; in the independent production Never Say Never Again, the part was played by Bernie Casey. Leiter has also appeared in the video game 007 Legends.
- 1 Novels
- 2 Television
- 3 Films
- 4 Video games
- 5 See also
- 6 References
- 7 Bibliography
Felix Leiter, James Bond's CIA ally and friend, played a part in six of the Fleming novels; he is introduced in Casino Royale as being thin, tall, about thirty-five years old and a former member of the U.S. Marine Corps who was working with the Joint Intelligence Staff of NATO. Fleming named the character after two of his American friends: "Felix" was Ivar Bryce's middle name, whilst Tommy Leiter was a mutual friend. Academic Kerstin Jütting describes Leiter as "a cool and quiet no-nonsense character who knows 007's strengths and weaknesses well". Physically, Fleming describes Leiter in Casino Royale: "a mop of straw-coloured hair lent his face a boyish look which closer examination contradicted".
Leiter is Bond's saviour in Casino Royale, providing him with 32 million francs when Bond has been cleaned out by SMERSH paymaster Le Chiffre, calling it "Marshall Aid". Media historian James Chapman notes that Bond's relationship with Leiter represented the Special Relationship between Britain and America, although the American Leiter is in the subordinate position to the British Bond. Academic Jeremy Black agrees, although points out that the Bond and Leiter relationship suggested "a far smoother working of the Anglo-American alliance than was in fact the case." Academic and writer Kingsley Amis, in his exploration of Bond in The James Bond Dossier, considered that this view of Leiter was partly because of Fleming's writing, noting that "Leiter, such a nonentity as a piece of characterization ... he, the American, takes orders from Bond, the Britisher, and that Bond is constantly doing better than he". Bond scholars Bennett and Woollacott note that although the two men share adventures, it is Bond who leads, not Leiter. Leiter's role is to "suppl[y] Bond with technical support and hardware, add ... muscle where needed and money".
Fleming's second novel, Live and Let Die shows that in his early twenties, Leiter wrote a few pieces on Dixieland jazz for the New York Amsterdam News. Bond scholar John Griswold notes that in the original draft of the story, Fleming killed Leiter off in the shark attack; when Naomi Burton, Fleming's US agent with Curtis Brown protested about the death of the character, Fleming relented and Leiter lived, albeit missing an arm and half a leg. Espionage scholar Rupert Allason, writing as Nigel West, noted that Leiter's involvement in a domestic US matter was a breach of the CIA's charter, as laid out in the National Security Act of 1947.
After the shark attack, Leiter returned in Diamonds Are Forever with a hook for his missing hand and a prosthetic leg; as he had lost his gun hand, he was no longer with the CIA, but employed as a private detective by Pinkerton Detective Agency, although he was on the reserve of the CIA and was recalled for Goldfinger, Thunderball and The Man with the Golden Gun. Fleming had flown to the US in August 1954 to research the background to Diamonds Are Forever; his friend Ernest Cuneo introduced him to a rich socialite, William Woodward, Jr., who drove a Studillac—a Studebaker with a powerful Cadillac engine. According to Bond scholar Henry Chancellor, "the speed and comfort of it impressed Ian, and he shamelessly appropriated this car" for Leiter to drive in the novel.
For the post-Fleming continuation Bond authors, Leiter has also appeared on a periodic basis. After John Gardner took over writing the James Bond novel series, Leiter made an occasional appearance and the novel For Special Services introduces his daughter, Cedar Leiter, who is also a CIA officer (and briefly Bond's romantic conquest). Raymond Benson also included Leiter's character in some of his novels, including The Facts of Death and Doubleshot. Similarly the more recent continuation Bond novels—the 2008 Sebastian Faulks novel Devil May Care and the 2011 novel Carte Blanche by Jeffery Deaver—both contained the character.
Michael Pate: 1954
The first screen interpretation of the Leiter character was in the 1954 CBS one-hour television adventure Casino Royale, broadcast as part of the dramatic anthology series Climax Mystery Theater, which ran between October 1954 and June 1958. For the American audience the Bond character from Casino Royale was re-cast as an American agent—"Card Sense" Jimmy Bond, played by Barry Nelson—described as working for "Combined Intelligence", supported by the British agent, Clarence Leiter; "thus was the Anglo-American relationship depicted in the book reversed for American consumption", according to Jeremy Black. Leiter, who was an agent for Station S, was a combination of the novel's Felix Leiter and René Mathis and was played by the Australian actor Michael Pate.
Eon Productions films
Jack Lord: 1962
Jack Lord was the first Felix Leiter, appointed into the role for the first Bond film, Dr. No. Eon Productions started filming the series out of the order written by Fleming (Fleming had started with Casino Royale, with Dr. No being the sixth novel). Leiter was not present in the Fleming novel, but the writers added the character to the film. Bond scholars Smith and Lavington consider Leiter to offer negligible help to Bond, largely because there is no role for him in the novel, a point with which continuation Bond author Raymond Benson agrees, noting that he is "extraneous to the dramatic action". Jeremy Black agrees, although points out that the inclusion of Leiter was a sign of American influence in the Caribbean.
Lord played Leiter in a "swaggering" fashion, according to Smith and Lavington, and they considered him "excellent, an effective American version of James Bond." Bond scholars Pfeiffer and Worrall agree, stating that Lord's was "one of the most satisfying portrayals of Leiter".
- Featured in
- Dr. No (1962)
Cec Linder: 1964
When the role of Leiter was brought back for the third Bond film, Goldfinger, in 1964, Lord was again approached to play Leiter; according to screenwriter Richard Maibaum, Lord demanded co-star billing with Connery, a bigger role and more money to reprise the role. The producers instead decided to recast the role, initially with Austin Willis. At the last minute, Cec Linder switched roles with Willis, who played cards with Goldfinger. Linder was the only actor actually on location in Miami. Raymond Benson considers that Linder was "miscast" as Leiter because he looked too old: "he looks like Bond's uncle rather than his best friend."
- Featured in
- Goldfinger (1964)
Rik Van Nutter: 1965
The fourth film in the Eon series, Thunderball, was the third to portray Leiter and the producers chose a third actor to play the role, Rik Van Nutter. Van Nutter was married to Swedish actress Anita Ekberg at the time and the couple had dined with Cubby and Dana Broccoli after Ekberg had appeared in the Eon-produced Call Me Bwana. Van Nutter was subsequently offered the Leiter role without an audition, although he did have screen tests with some of the Bond girls.
According to Pfeiffer and Worrall, Leiter had a more proactive role in Thunderball and Van Nutter was "an inspired choice for the role". Smith and Lavington agree and consider that Van Nutter's "relaxed and charming performance works well." Benson also concurs, but complains that although Van Nutter is a piece of successful casting, "the script ... does not give the character any real depth".
- Featured in
- Thunderball (1965)
Norman Burton: 1971
Raymond Benson again considers that the Leiter role was miscast and considered Burton to be "overweight and too old for the role". Smith and Lavington describe him as "an elderly, portly man in a government-issue suit ... anonymous, orthodox". Pfeiffer and Worrall agree, thinking that Burton was "the least likely incarnation" of Leiter.
- Featured in
- Diamonds Are Forever (1971)
David Hedison: 1973 & 1989
In 1973 the Bond franchise introduced a new main lead, Roger Moore, who played Bond for the next twelve years in seven films. To play the part of Leiter in Live and Let Die, an old friend of Moore's was chosen, David Hedison. Pfeiffer and Worrall consider that this friendship comes through, with "genuine chemistry" between the two. Hedison played the role with an understated charm, although the script did not give Leiter much to do. Raymond Benson thought him miscast, but acknowledged that "he's the best Leiter next to Rik Van Nutter."
Hedison returned to play Leiter sixteen years later in Licence to Kill and after another actor has also been in the role. Hedison did not expect to return to the role, saying "I was sure that ... [Live and Let Die] would be my first – and last" and Glen was reluctant to cast the 61-year old actor, since the role even had a scene parachuting. Hedison was the only actor to play Leiter twice, until Jeffrey Wright appeared in both Casino Royale and Quantum of Solace.
- Featured in
- Live and Let Die (1973)
- Licence to Kill (1989)
John Terry: 1987
Following Hedison's first outing in 1973 in Live and Let Die, the Leiter role did not appear again until the 1987 film The Living Daylights, by which time Bond was being played by Timothy Dalton; the role was taken up by John Terry.
Smith and Lavington consider that, although the scene between Bond and Leiter sees warmth in the relationship between them, "it is too fleeting to have any impact". Pfeiffer and Worrall agree on the briefness of Leiter's role in the film, although they consider that Terry has "virtually no chemistry with Dalton".
- Featured in
- The Living Daylights (1987)
Jeffrey Wright: 2006 & 2008
Casino Royale rebooted the series, which allowed Leiter to re-appear; he and Bond meet for the first time in the film. He appeared again in Quantum of Solace; early script drafts for Quantum of Solace gave Wright a larger role, but his screen time was restricted by on-set rewrites.
- Featured in
- Casino Royale (2006)
- Quantum of Solace (2008)
Bernie Casey: 1983
In 1983 Kevin McClory, one of the original writers of the novel Thunderball, produced Never Say Never Again, a re-make of the 1965 film Thunderball. McClory's rights to the film were held separate to those of Eon Productions, although he had been one of the producers for the original Thunderball adaptation. The film marked the return of Sean Connery to the Bond role; he spoke with Bernie Casey, saying that as the Leiter role was never remembered by audiences, using a black Leiter might make him more memorable. Smith and Lavington consider Casey to be "the most compelling Felix Leiter since Jack Lord", although again there was little in the script for him to do.
- Featured in
- Never Say Never Again (1983)
- Benson 1988, p. 90.
- Griswold 2006, p. 45.
- Chancellor 2005, p. 194.
- Jütting 2007, p. 110.
- Cork & Stutz 2007, p. 152.
- Black 2005, p. 6.
- Chapman 2009, p. 34.
- Black 2005, p. 7.
- Amis 1966, p. 90.
- Bennett & Woollacott 1987, p. 100.
- Griswold 2006, p. 88.
- Benson 1988, p. 6.
- West 2010, p. 26.
- West 2010, p. 170.
- West 2010, p. 119.
- Chancellor 2005, p. 158.
- Simpson 2002, p. 54.
- Lane & Simpson 2000, p. 129.
- Breen, Jon L. (5 December 2011). "Back on the Job; Familiar faces, contemporary cases". The Weekly Standard.
- Kemp, Peter (25 May 2008). "Live and let spy". The Sunday Times (London). p. 4.
- Lycett 1996, p. 264.
- Benson 1988, p. 11.
- Black, Jeremy (Winter 2002/2003). "'Oh, James'". The National Interest (70): 106. ISSN 0884-9382.
- Benson 1988, p. 7.
- Rubin 2003, p. 230.
- Smith & Lavington 2002, p. 9.
- Smith & Lavington 2002, p. 19.
- Smith & Lavington 2002, p. 11.
- Benson 1988, p. 168.
- Black 2005, p. 95.
- Smith & Lavington 2002, p. 15.
- Pfeiffer & Worrall 1998, p. 19.
- Goldberg, Lee (March 1983). "The Richard Maibaum Interview". Starlog (68): 26.
- Dunbar 2001, p. 49.
- Pfeiffer & Worrall 1998, p. 39.
- Benson 1988, p. 181.
- Smith & Lavington 2002, p. 62.
- Rubin 2003, p. 432.
- Pfeiffer & Worrall 1998, p. 50.
- Smith & Lavington 2002, p. 55.
- Benson 1988, p. 186.
- Rubin 2003, p. 61.
- Benson 1988, p. 205.
- Smith & Lavington 2002, p. 106.
- Pfeiffer & Worrall 1998, p. 81.
- Lipp 2006, p. 186.
- Smith & Lavington 2002, p. 128.
- Moore 2008, p. 175.
- Pfeiffer & Worrall 1998, p. 91.
- Benson 1988, p. 210.
- "David Hedison Interview". Mi6-HQ.com. 24 June 2005. Retrieved 16 March 2012.
- Barnes & Hearn 2001, p. 178.
- Siegel, Tatiana; Meza, Ed (2 January 2008). "'Bell' man takes on Bond". Variety.com. Retrieved 16 March 2012.
- Cork & Stutz 2007, p. 153.
- Pfeiffer & Worrall 1998, p. 164.
- Rubin 2003, p. 407.
- Smith & Lavington 2002, p. 215.
- Pfeiffer & Worrall 1998, p. 155.
- Robey, Tim (12 January 2011). "Sam Mendes may have problems directing new James Bond movie". The Daily Telegraph (London). Retrieved 16 March 2012.
- "The Secrets of Quantum of Solace". IGN. 5 April 2008. Retrieved 16 March 2012.
- Poliakoff, Keith (2000). "License to Copyright - The Ongoing Dispute Over the Ownership of James Bond". Cardozo Arts & Entertainment Law Journal (Benjamin N. Cardozo School of Law) 18: 387–436. Retrieved 13 March 2012.
- Smith & Lavington 2002, p. 192.
- Benson 1988, p. 243.
- Smith & Lavington 2002, p. 195.
- Norris, Erik (24 September 2012). "Making 007: Legends, Pt. 3 – From Concept to Reality". CraveOnline. Retrieved 12 November 2012.
- Amis, Kingsley (1966). The James Bond Dossier. London: Pan Books. OCLC 752401390.
- Barnes, Alan; Hearn, Marcus (2001). Kiss Kiss Bang! Bang!: the Unofficial James Bond Film Companion. Batsford Books. ISBN 978-0-7134-8182-2.
- Bennett, Tony; Woollacott, Janet (1987). Bond and beyond: the political career of a popular hero. Oxford: Macmillan Education. ISBN 978-0-333-28620-3.
- Benson, Raymond (1988). The James Bond Bedside Companion. London: Boxtree Ltd. ISBN 978-1-85283-233-9.
- Black, Jeremy (2005). The politics of James Bond: from Fleming's novel to the big screen. University of Nebraska Press. ISBN 978-0-8032-6240-9.
- Chancellor, Henry (2005). James Bond: The man and his world. London: John Murray. ISBN 978-0-7195-6815-2.
- Chapman, James (2009). Licence to Thrill: A cultural history of the James Bond films. New York: I.B. Tauris. ISBN 978-1-84511-515-9.
- Cork, John; Stutz, Collin (2007). James Bond encyclopedia. London: Dorling Kindersley. ISBN 978-1-4053-3427-3.
- Dunbar, Brian (2001). Goldfinger. London: Longman. ISBN 978-0-582-45249-7.
- Griswold, John (2006). Ian Fleming's James Bond: annotations and chronologies for Ian Fleming's Bond stories. AuthorHouse. ISBN 1-4259-3100-6.
- Jütting, Kerstin (2007). "Grow Up, 007!" – James Bond over the decades: formula vs. innovation. GRIN Verlag. ISBN 978-3-638-85372-9.
- Lane, Andy; Simpson, Paul (2000). The Bond Files: An Unofficial Guide to the World's Greatest Secret Agent. London: Virgin Books. ISBN 978-0-7535-0712-4.
- Lipp, Deborah (2006). The Ultimate James Bond Fan Book. New York: Sterling & Ross Publishers. ISBN 978-0-9766372-8-8.
- Lycett, Andrew (1996). Ian Fleming. London: Phoenix. ISBN 978-1-85799-783-5.
- Moore, Roger (2008). My Word is My Bond. London: Michael O'Mara Books. ISBN 978-1-84317-318-2.
- Pfeiffer, Lee; Worrall, Dave (1998). The essential Bond. London: Boxtree Ltd. ISBN 978-0-7522-2477-0.
- Rubin, Steven Jay (2003). The complete James Bond movie encyclopedia. New York: McGraw-Hill. ISBN 0-07-141246-8.
- Simpson, Paul (2002). The rough guide to James Bond. Rough Guides. ISBN 978-1-84353-142-5.
- Smith, Jim; Lavington, Stephen (2002). Bond films. London: Virgin Books. ISBN 978-0-7535-0709-4.
- West, Nigel (2010). Historical dictionary of Ian Fleming's world of intelligence: fact and fiction. Lanham, Maryland: Scarecrow Press. ISBN 978-0-7524-2896-3.