Christian Fennesz
From Wikipedia, the free encyclopedia
| Christian Fennesz | |
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| Background information | |
| Birth name | Christian Fennesz |
| Also known as | Fennesz |
| Born | 25 December 1962 |
| Origin | Vienna, Austria |
| Instrument(s) | Guitar |
| Label(s) | Mego, Touch |
| Associated acts | Fenn O'Berg |
| Website | fennesz.com |
Christian Fennesz (born 25 December 1962) is an Austrian electronic musician, often credited on albums simply as Fennesz.
A key figure in the ascent of IDM and electronica in the 1990s, Fennesz uses guitar[1] and notebook computers to make multilayered compositions that blend melody and conventional musical instruments with harsh, irregular glitch-influenced sounds and washes of white noise. He lives and works in Vienna, Austria and Paris, France.
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[edit] Biography
Fennesz was born and raised in Austria and studied music formally in art school. He started playing guitar around the ages 8 or 9. [2]
In the late 1980s, he formed a band called Maische, with a 'noise meets pop' approach similar to bands such as Sonic Youth and My Bloody Valentine. Maische found some local popularity, but Fennesz was uncomfortable with the band setup and left [1].
Afterwards, he became involved in the Viennese techno scene of the early 1990s. From there on, he began to collect his own equipment and produce music based loosely around guitar and synthesizer sounds.
Since the 1990s, Fennesz played live with Ryuichi Sakamoto, with British electroacoustic improvisation icon Keith Rowe, and with quirky American pop group Sparklehorse. He has also worked alongside Peter Rehberg and Jim O'Rourke in the improvisional trio Fenn O'Berg, and with British singer David Sylvian - Sylvian sang on Fennesz's album Venice while Fennesz composed the music for "A Fire in the Forest" from Sylvian's album Blemish and made contributions to Sylvian's "When Loud Weather Buffeted Naoshima". Fennesz also remixed Ulver on the album 1993-2003: First Decade in the Machines, as well as appearing on their 2007 album Shadows of the Sun.
Fennesz had ties with the Vienna-based label Mego, and is now signed to Touch in the UK.
Fennesz and Sakamoto released a collaborative album entitled Cendre in March 2007 on Sakamoto's new Commmons label, via Touch.
Fennesz performed with singer Mike Patton at the 2007 Moers Festival - marking the first time the two have performed together on stage in Europe, as they have performed in 2006 at the Festival International de Musique Actuel de Victoriaville, and will continue to tour Europe together into June.
[edit] Influences
The emphasis on the guitar texture and the burying of pop melodies under layers of effects are common features of Fennesz's music. Also, the music of the Beach Boys has had an influence on Fennesz, as revealed by his cover of “Don’t Talk (Put Your Head on My Shoulder)” on the Plays EP. The Beach Boys influence is mentioned in a Pitchforkmedia interview, in relation to the album title, cover art, and melodic emphasis of his Endless Summer LP.
[edit] Discography
- Studio Albums
- (1997) Hotel Paral.lel (Mego)
- (2001) Endless Summer (Mego)
- (2004) Venice (Touch)
- (2008) Black Sea (Touch)
- Collaboration albums
- (2005) Cloud with Keith Rowe, Toshimaru Nakamura and Oren Ambarchi (Erstwhile)
- (2007) Cendre with Sakamoto (Touch)
- Compilations
- (2002) Field Recordings: 1995-2002 (Touch)
- Live Recordings
- (2000) Live at Revolver, Melbourne live EP (Touch)
- (2004) Live at the LU with Keith Rowe (Erstwhile)
- (2005) Sala Santa Cecilia live EP with Ryuichi Sakamoto (Touch)
- (2005) Live in Japan CD (Headz/Touch, 2003) and LP (Autofact/Touch)
- (2009) Live @ The V. Sessions streaming video recording (The V. Sessions, 2009)
- Studio EPs
- (1995) Instrument EP (Mego)
- (1998) Il Libro Mio EP (Mego)
- (1998) Plays EP (Mego/Mokai)
- (1999) Plus Forty Seven Degrees 56' 37" Minus Sixteen Degrees 51' 08" (Touch)
- Singles, tracks
- (2002) "Wrapped Islands" with Polwechsel (Erstwhile)
- (2005) "Erstlive 004" with Peter Rehberg, Sachiko M and Otomo Yoshihide (Erstwhile)
- (2007) "On a desolate shore a shadow passes by" (Touch) - download only
- (2008) "Transition" (Touch)
- (2008) "Saffron Revolution" (Touch) - download only
- Remixes
- (2003) Remixed "Tomorrow Never Knows" and "The Future Sound Of Music" (titled "Only the Poor have to Travel") by Ulver on 1993-2003: A Decade In The Machines (Jester Records)
- (2005) Remixed "Weight" by Isis on Oceanic Remixes Vol. 4 (Ipecac)
- (2007) Remixed "In This Twilight" by Nine Inch Nails on Year Zero Remixed (Interscope)
- Soundtracks
- (1999) Beyond the Ocean (USA)
- (2000) Gelbe Kirschen (Austria), directed by Leopold Lummerstorfer
- (2002) Blue Moon (Austria), written and directed by Andrea Maria Dusl
- (2005) "Platform#09 Chicago loop" (France) by Cedrick Eymenier
- (2009) "Film ist. a girl & gun" with Lucia Pulido, Martin Siewert, Burkhard Stangl (7", Interstellar Records, Austria 2009)
- In Fenn O'Berg
- (1999) The Magic Sound of Fenn O'Berg (Mego)
- (2002) The Return of Fenn O'Berg (Mego)
[edit] References
- ^ "Fennesz" by Sean Cooper for Allmusic.com; retrieved 2007-08-07
- ^ http://www.semtexinc.com/interviews/interview.php?ID=32
[edit] External links
- Fennesz.com - Official website
- Biography of Fennesz at Touch
- Fennesz at Mego
- Interview with Christian Fennesz
- Fennesz article February 2009
- Pitchfork article
- Tokafi interview
- RA article
