Fernando Solanas

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Fernando Solanas
Solanas.jpg
Film maker Fernando Pino Solanas on the set of Tangos: el exilio de Gardel (1985).
Born (1936-02-16) 16 February 1936 (age 78)
Olivos, Buenos Aires, Argentina
Occupation Film director, screenwriter, politician
Years active 1962-present

Fernando Ezequiel 'Pino' Solanas (born 16 February 1936) is an Argentine film director, screenwriter and politician. His films include La hora de los hornos (1968), Tangos: el exilio de Gardel (1985), Sur (1988), El viaje (1992), La nube (1998) and Memorias del saqueo (2004), among many others.

Solanas studied theatre, music and law. In 1962, he directed his first short feature Seguir andando and in 1968 he covertly produced and directed his first long feature film La Hora de los Hornos, a documentary on neo-colonialism and violence in Latin America. The film won several international awards and was screened around the world. Solanas has won the Special Jury Award and the Critics Award at the Venice Film Festival and the Prix de la mise en scène at the Cannes Film Festival. In 1999 he was the President of the Jury at the 21st Moscow International Film Festival.[1] He was awarded a special Golden Bear at the 2004 Berlin Film Festival. He collaborated with tango composer and musician Ástor Piazzolla on the soundtracks for various movies .[citation needed]

Context[edit]

Solanas was at the forefront of the Grupo Cine Liberación that shook Argentine cinema in the 1970s, developing its social conscience and political voice. He was active in the campaign to support Perón. Threatened by right-wing forces in the 1970s, one of his actors was assassinated and he himself was almost kidnapped.

Together with Octavio Getino, Solanas wrote the manifesto "Toward a Third Cinema". The Idea of a political Third Cinema, opposed to Hollywood Cinema and European Auteur cinema, inspired film makers in many so-called developing countries.

Solanas went into exile in Paris in 1976, only returning to Argentina with the arrival of democracy in 1983.

Solanas accepting a Silver Mayahuel award at the Guadalajara Film Festival, 2008.

Political work[edit]

He continued to make political films and was an outspoken critic of Carlos Menem, the Argentine President. Three days after such a public criticism, on 21 May 1991, Solanas was shot six times in his legs. Despite dealing with the attack and disability, Solanas became even more involved in politics and stood to be a Senator for Buenos Aires, receiving 7% of the vote in 1992. A year later he was elected a National Deputy for the Frente Grande list, although he left the party after a year.

Solanas continues to write and direct, including the 2005 film La Dignidad de los Nadies and the recently 2008 film La última estación. His son, Juan Solanas, is also a noted film director.

In October 2007, Solanas was a presidential candidate in the Argentine general election, 2007 for the Authentic Socialist Party. He became the 5th most voted candidate, with 1.58% of the vote.

In 2009, Solanas was elected as National Deputy for the city of Buenos Aires on the June 28th parliamentary elections, as his party Proyecto Sur became the 2nd force on the city by collecting 24.2% of the votes.

Filmography[edit]

Quotes[edit]

"The possibility of making a new cinema completely outside the system depends on whether or not filmmakers can transform themselves from 'directors' into total filmmakers. And no one can become a total filmmaker without being a film technician, without being capable of handling the production."[2]

References[edit]

  1. ^ "21st Moscow International Film Festival (1999)". MIFF. Retrieved 2013-03-23. 
  2. ^ "Program in Film and Video". calarts.edu. Retrieved 23 April 2011. 

Further reading[edit]

  • Fernando Solanas and Octavio Getino, "Towards a Third Cinema" in: Movies and Methods. An Anthology, edited by Bill Nichols, University of Arizona Press 1976, pp 44–64
  • Jessica Stites Mor. Transition Cinema: Political Filmmaking and the Argentine Left since 1968. Pittsburgh, 2012.

External links[edit]