Ferrante Imperato

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Engraving from Ferrante Imperato, Dell'Historia Naturale (Naples 1599)

Ferrante Imperato (1525?[1] – 1615?), an apothecary of Naples, published Dell'Historia Naturale (Naples 1599)[2] and illustrated it with his own cabinet of curiosities displayed at Palazzo Gravina in Naples;[3] the engraving became the first pictorial representation of a Renaissance humanist's displayed natural history research collection. The collection, which the published catalogue made as famous in the seventeenth century as that of that other famous apothecary and virtuoso, Francesco Calceolari of Verona,[4] ranged widely; it embraced a herbarium, shells, birds, sea creatures, in addition to the fossils, clays, minerals and metallic ores, marble and gem species. It was maintained by his son Francesco, who assisted him in writing up his observations, and who may be seen in the engraving pointing out details of the specimens to two visitors as Ferrante looks on.

Ferrante Imperato, who ranged southern Italy making geological observations, took as his motto In dies auctior.[5] He was in correspondence with a network of scholars in Italy. He was among the first correctly to identify the processes through which fossils were formed, subjecting them to empirical tests.[6] His pupil, schooled in the collection, was the jurist Fabio Colonna (1567–1640) who carried further his work on fossils. Ferrante had a small garden and corresponded with botanists, but historians of botany discount his interest in plants as "curiosa".[7]

The book was so sought after that a second edition was issued in Venice, 1672, edited by Giovanni Maria Ferro, who added new material and new illustrations to the concluding chapter.[citation needed]

The catalogue is presented in twenty-eight books, which include nine books devoted to alchemy, a wholly reputable science at the time, which towards the end of the following century would give birth to chemistry. Other books are devoted to mining, animals and plant specimens.

Commentary on Imperato[edit]

Charles Lyell wrote the following in Principles of geology, Vol.1 (1832)

Cesalpino, a celebrated botanist, conceived that fossil shells had been left on the land by the sea, and had concreted into stone during the consolidation the soil; and in the following year (1597), Simeone Majoli went still farther, and coinciding for the most part with views of Cesalpino, suggested that the shells and matter of the Veronese, and other districts, might have cast up, upon the land, by volcanic explosions, like those gave rise, in 1538, to Monte Nuovo, near Puzzuoli.- This hint was the first imperfect attempt to connect the position fossil shells with the agency of volcanoes, a system more fully developed by Hooke, [Antonio] Lazzaro Moro, Hutton, and other writers. Two years afterwards, Imperati advocated the animal origin of fossilized shells, yet admitted that stones could vegetate by force of 'an internal principle,' and, as evidence of this, he referred to the teeth of fish, and spines of echini found petrified.

Further reading[edit]

  • Wilson, Wendell E, "Ferrante Imperato (1550–1625). (The History of Mineral Collecting: 1530–1799)" The Mineralogical Record November 1994.

Notes[edit]

  1. ^ Stendardo, Enrica (2001). "Ferrante Imperato: Collezionismo E Studio Della Natura a Napoli Tra Cinque E Seicento". Accademia Pontaniana: 12.  A letter written by his son in 1605 referred to Imperato as an octogenarian: Lettera composta in verso sdrucciolo intorno alle procelle, et esalationi occorse in Napoli, nel dì 14 del mese d'ottobre, l'anno 1605, Napoli 1606, p. 25.
  2. ^ The full title: Dell'historia naturale di Ferrante Imperato napolitano Libri XXVIII. Nella quale ordinatamente si tratta della diversa condition di miniere, e pietre. Con alcune historie di piante et animali; sin hora non date in luce..
  3. ^ The best sketch of his career, according to Donald Frederick Lach, Asia in the Making of Europe (University of Chicago Press) 1977:439 note 221, is still A. Neviani, "Ferrante Imperato speziale e naturalista napoletano", Atti e memorie dell'Accademia di Storia dell'Arte Sanitaria 2nd ser. 2.2 (1936)
  4. ^ Calceolari's collection was published by Benedetto Ceruti and Andrea Chiocco, Musaeum Francisi Calceolari (Verona, 1622).
  5. ^ "I improve from day by day." It appears on the title page of his book.
  6. ^ Nicoletta Morello, "Steno, the fossils, the rocks and the calendar of the earth" in Gian Battista Vai and W. G. E. Caldwell eds., The Origins of Geology in Italy 2006:85.
  7. ^ For example, Lach 1977:439 and note 221