Fiasco (novel)

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Fiasco
Fiasco lem cover.jpg
First published edition (Germany)
Author Stanisław Lem
Original title Fiasko
Translator Michael Kandel
Country Germany (first published)
Language German (First published)
Genre Science fiction
Publisher

Fischer Verlag (Germany)
Harcourt Brace Jovanovich

(Eng. trans.)
Publication date
1986
Published in English
May 1987
Media type Print (Hardback & Paperback)
Pages 336 pp
ISBN 0-15-630630-1
OCLC 17896549

Fiasco (Polish: Fiasko) is a science fiction novel by Polish author Stanisław Lem, first published in a German translation in 1986. The book, published in Poland the following year, is a further elaboration of Lem's skepticism: in Lem's opinion, the difficulty in communication with alien civilizations is cultural, rather than spatial, distance. The failure to communicate with an alien civilization is the main theme of the book. It was translated into English by Michael Kandel (1988), and was nominated for Arthur C. Clarke Award.

The novel was written on order from publisher S. Fischer Verlag around the time Lem was emigrating from Poland due to the introduction of martial law. Lem stated that this was the only occasion he wrote something upon publisher's request, accepting an advance for a nonexistent novel.[1]

Plot summary[edit]

The book begins with a story of a base on Saturn's moon Titan, where a young spaceship pilot, Parvis, sets out in a strider (a mecha-like machine) to find several missing people, among them Pirx, the spaceman appearing in Lem's Tales of Pirx the Pilot. He ventures to the dangerous geyser region, where the others were lost, but unfortunately he suffers an accident. Seeing no way to get out of the machine and return to safety, he triggers a built-in cryogenic device.

The main story concerns an expedition sent to a distant star in order to make contact with a civilization that may have been detected there. It is set more than a century after the prologue, when a starship is built in Titan's orbit. This future society is described as globally unified and peaceful with high regard for success. During starship preparations, the geyser region is cleared, and the frozen bodies are discovered. They are exhumed and taken aboard, to be awakened, if possible, during the voyage. However, only one of them can be revived (or more precisely, pieced together from the organs of several of them) with a high likelihood of success. The identity of the man is unclear - it has been narrowed to two men (whose last names begin with 'P'). It is never revealed whether he is in fact Pirx or Parvis (and he seems to have amnesia about it himself). In his new life, he adopts the name Tempe.

The explorer spaceship Eurydika (Eurydice) first travels to a black hole near the Beta Harpiae to perform maneuvers to minimize the effects of time dilation. Before closing on the event horizon, the Eurydice launches the Hermes, a smaller explorer ship, which continues on to Beta Harpiae.

Closing in on a planet (called 'Quinta') which exhibits signs of harboring intelligent life, the crew of the Hermes attempts to establish contact with the denizens of the planet, who, contrary to the expectations of the mission's crewmen, are strangely unwilling to communicate. The crew reaches the conclusion that there is a Cold War-like state on the planet's surface, halting the locals' industrial development. They try to force the aliens to engage contact by means of an event impossible to hide by the aliens' governments — that is, by staging the implosion of their moon. Surprisingly, just before impact, several of the deployed rockets are destroyed by the missiles of the Quintans, undermining the symmetry of the implosion which causes fragments of the moon to be thrown clear, some impacting the planet's surface.

However, even this cataclysm does not drive the locals to open up to their alien visitors, so the crewmen deploy a device working as a giant lens or laser, capable of displaying images (but also concentrating beams to the point of being a powerful weapon) and following a suggestion by Tempe, show the Quintans a "fairy tale" by projecting a cartoon onto Quinta's clouds. At last, the Quintans contact the Hermes, and make arrangements for a meeting. The humans do not trust the Quintans, so to gauge the Quintans' intentions they send a smaller replica of the Hermes - which is destroyed shortly before landing. The humans retaliate by firing their laser on the ice ring around the planet, shattering it and sending chunks falling on the planet.

Finally, the Quintans are forced to receive an 'ambassador', who is again Tempe; the Quintans are warned that the projecting device will be used to destroy the planet if the man should fail to report back his continued safety. After landing, Tempe discovers that there is no trace of anyone at the landing site. After investigating a peculiar structure nearby, he scouts around and finds a strange-looking mound, which he opens with a small shovel. But, to his horror, he notices that in his distracted state he has allowed the allotted time to run out without signaling his mates above. As the planet is engulfed by fiery destruction at the hands of those who were sent to establish contact with its denizens, Tempe finally realizes what the Quintans are - the mounds - but he has no time to share his discovery with the others.

Interpretation[edit]

The book is the fourth in Lem's series of pessimistic first contact scenarios, after Eden, Solaris and The Invincible. It deals with the Fermi paradox, and the concept of otherness. Lem describes an alien species that is much more 'alien' than those imagined by most other science fiction authors. He is also critical of human nature, describing how the crew's desire to force contact by any means makes the failure of the mission inevitable.

According to critic Paul Delany:

Fiasco will come to be regarded as one of the great SF novels... It is a remarkable achievement, even for Lem; for us, it is a most moving experience.[2]

References[edit]

  1. ^ "Fiasco". official Lem Website. www.lem.pl. Archived from the original on 2011-12-02. Retrieved 2011-12-02. 
  2. ^ Paul Delany, The New York Times Review of Books [1]