Pakistani folk music
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|Music of Pakistan|
|Media and performance|
|Music awards||Lux Style Awards
Pakistan Media Awards
|Music festivals||All Pakistan Music Conference|
|Nationalistic and patriotic songs|
|National anthem||Qaumi Taranah|
Folk music of Pakistan includes the traditional forms of Balochi, Pashto, Punjabi, and Sindhi. Pakistani folk songs include "Abeeti" (a love song sung by young women), "Allah Hoo" (a Muslim lullaby) and "Ashoor Jan" (a patriotic love song).
Badala (or Sandara) is a historically significant form of Pashto folk music that focuses on local romance, epics, folktales, fables, local heroes and historical events. Badala also includes Pashto translations of epics and romance from Arabic and Persian.
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Kafi The Sindhi kafi is an indigenous musical form of Sindh. The word kafi, is of Ararbic origin, used in the sense of "final" or "enough" in the expression “Allah Kafi”, which means, “God Almighty is Supreme”. Thus the kafi is a devotional form of music composed in a particular form derived from a mixture of classical, semi-classical, and light music forms (specifically, the kheyel, tappa, thumri, and geet). The mystic poetry of the Sufi saints is usually sung in this mode.
There is a Punjabi variant of kafi singing. Like Sindhi kafi, the mood and the theme of Punjabi Kafi may also be termed as secular and humanistic. In their Kafis Shah Hussain (16th century) and Bulhe Shah (18th century) have adopted a strategy to communicate their thoughts, serving the humanity in a powerful and effective way. The satirical tone of these Kafis, sometimes, depicts true picture of political situations and social conditions of their own days.
The Sindhi kafi is short, simple, and lucid in composition and tone. Shah Abdul Latif Bhitai, a renowned Sufi saint and mystic poet of Sindh (d. 1752), contributed considerably to the development of the Sindhi kafi, writing many verses and composing tunes which he named “The Sur of Shah Latif”. His tunes are still popular.
The late Zahida Parveen was a master of kafi singing. Her daughter, Shahida Parveen, possesses her mother's command of the form and her devotional urge. Yet today's trends, and perhaps necessity, have led her away from kafis and towards the geet, the ghazal, semi-classical and folk forms. Abida Parveen is another renowned kafi singer of Sindh, but she too sings in many other genres.