Fractal landscape

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Animated fractal mountain.gif

A fractal landscape is a surface generated using a stochastic algorithm designed to produce fractal behaviour that mimics the appearance of natural terrain. In other words, the result of the procedure is not a deterministic fractal surface, but rather a random surface that exhibits fractal behaviour.[1]

Many natural phenomena exhibit some form of statistical self-similarity that can be modeled by fractal surfaces.[2] Moreover, variations in surface texture provide important visual cues to the orientation and slopes of surfaces, and the use of almost self-similar fractal patterns can help create natural looking visual effects.[3] The modeling of the Earth's rough surfaces via fractional Brownian motion was first proposed by Benoît Mandelbrot.[4]

Because the intended result of the process is to produce a landscape, rather than a mathematical function, processes are frequently applied to such landscapes that may affect the stationarity and even the overall fractal behavior of such a surface, in the interests of producing a more convincing landscape.

According to R. R. Shearer, the generation of natural looking surfaces and landscapes was a major turning point in art history, where the distinction between geometric, computer generated images and natural, man made art became blurred.[5] The first use of a fractal-generated landscape in a film was in 1982 for the movie Star Trek II: The Wrath of Khan.[6] Loren Carpenter refined the techniques of Mandlebrot to create an alien landscape.[7]

Behaviour of natural landscapes[edit]

An example of a computer-generated fractal landscape
Computer generated fractal terrain
Computer-generated fractal wooded hills

Whether or not natural landscapes behave in a generally fractal manner has been the subject of some research. Technically speaking, any surface in three-dimensional space has a topological dimension of 2, and therefore any fractal surface in three-dimensional space has a Hausdorff dimension between 2 and 3.[8] Real landscapes however, have varying behaviour at different scales. This means that an attempt to calculate the 'overall' fractal dimension of a real landscape can result in measures of negative fractal dimension, or of fractal dimension above 3. In particular, many studies of natural phenomena, even those commonly thought to exhibit fractal behaviour, do not in fact do so over more than a few orders of magnitude. For instance, Richardson's examination of the western coastline of Britain showed fractal behaviour of the coastline over only two orders of magnitude.[9] In general, there is no reason to suppose that the geological processes that shape terrain on large scales (for example plate tectonics) exhibit the same mathematical behaviour as those that shape terrain on smaller scales (for instance soil creep).

Real landscapes also have varying statistical behaviour from place to place, so for example sandy beaches don't exhibit the same fractal properties as mountain ranges. A fractal function, however, is statistically stationary, meaning that its bulk statistical properties are the same everywhere. Thus, any real approach to modeling landscapes requires the ability to modulate fractal behaviour spatially. Additionally real landscapes have very few natural minima (most of these are lakes), whereas a fractal function has as many minima as maxima, on average. Real landscapes also have features originating with the flow of water and ice over their surface, which simple fractals cannot model.[10]

It is because of these considerations that the simple fractal functions are often inappropriate for modeling landscapes. More sophisticated techniques (known as 'multifractal' techniques) use different fractal dimensions for different scales, and thus can better model the frequency spectrum behaviour of real landscapes[11]

Generation of fractal landscapes[edit]

Main article: Scenery generator

A way to make such a landscape is to employ the random midpoint displacement algorithm, in which a square is subdivided into four smaller equal squares and the center point is vertically offset by some random amount. The process is repeated on the four new squares, and so on, until the desired level of detail is reached. There are many fractal procedures (such as Perlin noise) capable of creating terrain data, however, the term "fractal landscape" has become more generic.

See also[edit]

Notes[edit]

  1. ^ "The Fractal Geometry of Nature". 
  2. ^ Advances in multimedia modeling: 13th International Multimedia Modeling by Tat-Jen Cham 2007 ISBN 3-540-69428-5 page [1]
  3. ^ Human symmetry perception and its computational analysis by Christopher W. Tyler 2002 ISBN 0-8058-4395-7 pages 173–177 [2]
  4. ^ Dynamics of Fractal Surfaces by Fereydoon Family and Tamas Vicsek 1991 ISBN 981-02-0720-4 page 45 [3]
  5. ^ Rhonda Roland Shearer "Rethinking Images and Metaphors" in The languages of the brain by Albert M. Galaburda 2002 ISBN 0-674-00772-7 pages 351–359 [4]
  6. ^ "The First Completely Computer-Generated (CGI) Cinematic Image Sequence in a Feature Film (1982)". HistoryofInformation.com. Jeremy Norman & Co. Retrieved 15 June 2014. 
  7. ^ Briggs, John (1992). Fractals: The Patterns of Chaos : a New Aesthetic of Art, Science, and Nature. Simon and Schuster. p. 84. ISBN 0671742175. Retrieved 15 June 2014. 
  8. ^ Lewis
  9. ^ Richardson
  10. ^ Ken Musgrave, 1993
  11. ^ Joost van Lawick van Pabst et al.

References[edit]

External links[edit]