Francois d'Aguilon "Six Books Of Optics" concerns geometrical optics, which at the time in the Jesuit school was a subcategory of Geometry. He taught logic, syntax, and theology while being charged with organizing the teaching of geometry and science which would be useful for geography, navigation, architecture and the military arts in Belgium. The reason being his superiors wanted him to synthesize the work of Euclid, Alhazen, Vitello, Roger Bacon and othersAlthough he died before completing the book, it still consists of six in depth books which was called "Opticorum Libri Sex". D'Aguilon studied extensively on stereograpic projection which he wanted to use a means to aid architects, cosmographers, navigators and artists alike. For centuries artists and architects had sought formal laws of projection to place objects on a screen. Aguilon's Opticorum libri sex successfully treated projections and the errors in perception. D'Aguillon adopted Alhazen's theory that only light rays orthogonal to the cornea and lens surface are clearly registered.  Aguilon was the first to use the term horopter which is the line drawn through the focal point of both eyes and parallel to the line between the eyes, in other words it describes how only objects on the horopter are seen in their true location. He then built an instrument to measure the spacing of double images in the horopter as he saw fit. Aguillonius expanded on the horopter by saying in his book " If objects fall upon different rays it can happen that things at different distances can be seen at equal angles. If point C be directly opposite the eyes, A and B, with a circle drawn through the three points, A, B, and C.By theorem 21 of Euclid's Third book, any other point D on its circumference which lies closer to the oberver than C, will subend an angle ADB which will equal angle ACB. Therefore, objects at C and at D are judged equally far from the eye.But this is false, because point C is farther away than D. Therefore a judgment of distance is false when based on the angles between converged axes, quod erat probandum." At first glance, it seems that Aguillon discovered the geometrical horopter more than 200 years before Prevost and Vieth and Muller.  Which then was used by architect Gérard Desargues, who in 1639 published a remarkable treatise on the conic sections, emphasizing the idea of projection. In Aguilon's book there are elements of perspectivities as well as the sterographic projections of Ptolemy and Hipparchus. Unaware that Kepler had already published optical theories years before him, Aguilon decided to share his insights on geometric optics. At the young age of 20, the dutch poet Constantijn Huygens read Aguilon's and was enthralled by it. He later said that is was the best book he had ever read ingeometrical optics, and thought that Aguilon should be compared to Plato, Eudoxus and Archimedes. In fact the title of Constantijn Huygens' first publication imitated Aguilon's title (omitting letters p and c): Otiorum Libri Sex (1625).In Aguilon's book the beginning of each section had works of the most likely the greatest Flemish Baroque painter, Peter Paul Rubens. The frontispiece at the beginning of the book shows an eagle, referring to Aguilon's name and a variety of optical and geometrical images. On either side of the title stand Mercury holding the head of Argus with a hundred eyes, and Minerva holding a shield reflecting the head of Medusa. Then, at the beginning of each of six sections are Rubens' drawings describing Aguilon's experiments, one of which is the first known picture of a photometer This is one of six experiments drawn by Rubens and shows how intensity of light varies with the square of distance from the source. The experiment was later taken up by Mersenne and another Jesuit, Claude de Chales, and eventually led to Bouguer's more famous photometer. It is evident, from the detail that he put into his drawings, how enthused Rubens was about the subject matter, perspective geometry and optical rules.
^ abBosmans, Henri, S. J. (1902), "Deux lettres inédites de Grégoire de Saint-Vincent publiées avec des notes bibliographiques sur les œuvres de Grégoire de Saint-Vincent et les manuscrits de della Faille", Annales de la Société scientifique de Bruxelles (in French) 26: 23–40. Footnote 41, p. 38.
^Smolarski, Dennis C. (2002), "Teaching mathematics in the seventeenth and twenty-first centuries", Mathematics Magazine75 (4): 256–262, doi:10.2307/3219160, MR2074191.
^ abMeskens, A. (1997), "The Jesuit mathematics school in Antwerp in the early seventeenth century", The Seventeenth Century12 (1): 11–22, doi:10.1080/0268117X.1997.10555421, "In the few years the school was based in Antwerp it brought forth a first rate mathematician like Jan-Karel della Faille. ... Another important pupil of the school of mathematics was Theodore Moretus (1602–1667), son of Petrus and Henriette Plantin."
^Lombaerde, Piet (2008), Innovation and Experience in the Early Baroque in the Southern Netherlands: The Case of the Jesuit Church in Antwerp, Architectura moderna : architectural exchanges in Europe, 16th - 17th centuries 6, Brepols Pub, p. 66, ISBN9782503523880.